Books published by The University of Michigan Press

Offers a study of creativity in the context of expert popular music instrumental performance. Applying ideas from cultural psychology to findings from research into the creative behaviors of a specific subset of popular music instrumentalists, Bill Bruford demonstrates the ways in which expert drummers experience creativity in music performance.

By combining the work of Michel Foucault, the insights of philosophy of disability and feminist philosophy, and data derived from empirical research, Shelley L. Tremain compellingly argues that the conception of disability that currently predominates in the discipline of philosophy is inextricably intertwined with the underrepresentation of disabled philosophers in the profession of philosophy.