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Rebel? Prophet? Relic? New Perspectives on OrwellGuest Editorial Orwell's Enduring Appeal - by Sarah GibbsKeynote Orwell, My 'Orwell' - by John RoddenPapers Red Flags, Black Ties: Orwell's Anarchist Sympathies and The Conquest of Bread in Spain - by Dana Wight Surveillance From Orwell to Orwell The Power of Vision in Popular Culture - by Xiaozhou Li The Unconscious on Screen: Psychoanalytic Themes in Michael Radford's adaptation of Nineteen Eighty-Four - by James Jarrett Plus Papers The Politics of the Uncanny: George Orwell and the Paranormal - by Philip Bounds Nineteen Eighty-Four, the Secret State and the Julia Conundrum - by Richard Lance Keeble Articles Memoirs of Orwell: The Quest for the Truth - by Jeffrey Meyers Barnhill: A Labour of Love - by Norman Bissell Leon Gellert, George Orwell and Nineteen Eighty-Four - by Darcy Moore 1984 in 2020: The Deeper Concerns - by Tom Cooper Reviews By Alexis Pogorelskin, Desmond Avery and Richard Lance Keeble

Editorial Humour beyond the gloom of Nineteen Eighty-Four - by Richard Lance KeebleNineteen Eighty-Four and Me An Invitation to Big Brother - by Ron Bateman George Orwell and the Millennial Whoop? The Enduring Relevance of the Music of Nineteen Eighty-Four - by Carol Biederstadt Child Lore in Nineteen Eighty-Four - by Kristin Bluemel '23-F' vs '24-F' On Learning about Orwell at a Momentous Time in Spanish History - by Jesús Isaías Gómez López (Close) Encounters with George? - by John Rodden Patriarchal Norms and Sexual Desire in Michael Radford's Film of Nineteen Eighty-Four - by Martin Stollery Who was Julia? Nineteen Eighty-Four's Many Heroines - by D. J. Taylor Articles Names in Burmese Days: A Fantasia - by Douglas Kerr Orwell and Captain Robinson's 'Poet' A More Than Cautionary Note - by Phil Baker Orwell in Paris: Who Was Ruth Graves? - by Darcy Moore Gordon Bowker: So Wonderfully Insightful into Orwell the Man and his Writings - by Richard Lance Keeble Re-evaluations Tombs: Sharing Orwell's Penchant for Puncturing Shibboleths - by Darcy Moore Plus Book reviews

ICE annual conference, 2018: Special issue Anti-social media? Editorial A grand final curtain - and then goodbye to ICE, by John Mair Papers Open discourse: A media theory for the twenty-first century, by Denis Muller Online trolls, journalism and the freedom of speech: Are the bullies taking over?, by Claire Wolfe Fighting the hand that feeds: A comparative study of the use of sources in the alternative media, by Sean Dodson Article For a cocktail that is shaken and stirred - just add ICE: Some noise from the background, by Fiona Thompson Paper Tabloid media and the dubious terrain of migration reporting, by Jussi P. Laine Plus book reviews

Special Issue: Orwell and the Arts Guest Editorial Examining the 'Genius' of Orwell's Art - by Tim CrookPapers Keynote: Orwell and Literary Art - by Len Platt 'The Art of Donald McGill': Orwell and the Pleasures of Sex - by Richard Lance Keeble Performance and Spectation in Orwell's Burmese Days - by Douglas Kerr Orwell, Poetry and the Microphone - by Tim Crook Short Story 2017 My Year of Orwell - and One Last Gift - by Nicola Rossi Article 'Room 103': Orwell's Influence on Contemporary Visual Art - by Glenn Ibbitson Other Papers Orwell and the Appeal of Opium - by Darcy Moore Orwell as Social Patriot - and British Cinema Studies - by Martin Stollery

Although most Freemasons will be familiar with the Tracing Boards - painted or engraved illustrations developed in the early years of Freemasonry which are used in Lodges to illustrate Masonic symbols and allegories during degree ceremonies and lectures - little has been published on them. The Tracing Boards are an essential part of the three Craft Degrees, assisting the Freemason in his quest to decode and interpret those allegories. There is no publication which adequately explains the Tracing Boards, their use and meaning of their symbolism, and Tracing Boards of the Three Degrees in Craft Freemasonry Explained fills that gap. The first three chapters give a detailed method of understanding and revealing the import of the three craft boards, based on those used in the three degrees by the Emulation Lodge of Improvement, known as the Harris Boards, which contain the elements of most of the Tracing Boards used in Lodges throughout England. The fourth chapter gives a brief overview of the history and the development of Tracing Boards in England, with some fascinating illustrations of long-forgotten boards. In the fifth chapter the author draws in many Tracing Boards and Lodge Cloths from other countries, particularly from the USA, and from other Masonic jurisdictions, bringing the art-form right up to the 21st century. This book is richly illustrated and features boards never before seen outside museums.Julian Rees was for some years on the Precepting Committee of the Emulation Lodge of Improvement in London. He has been a regular contributor to the quarterly magazine Freemasonry Today since its founding in 1997. In 2003, he joined the editorial team as deputy and news editor, and in the same year delivered the prestigious Wendel K. Walker Memorial Lecture in New York entitled Through Ritual to Enlightenment. He was one of the founding members of The Cornerstone Society, serving as Secretary for a number of years, and has lectured extensively to lodges in this country and abroad. Rees has been honoured by the Institut Maçonnique de France with the Ordre Maçonnique de Lafayette. He is now a member of the International Order of Freemasonry Le Droit Humain in England. He is the author of Making Light - A Handbook for Freemasons, The Stairway of Freemasonry, Ornaments Furniture and Jewels and So You Want To Be A Freemason?

Special Issue Articles Ethical sports journalism: The challenges, by Andy Cairns Accountable sports journalism. Building up a platform and a new specialised code in the field, by Xavier Ramon-Vegas and José-Luis Rojas-Torrijos Self-censorship and the pursuit of truth in sports journalism: A case study of David Walsh, by Tom Bradshaw A comparative analysis of how regulatory codes inform broadcast and print sports journalists' work routines in the UK using Sky Sports News and the Sun as case studies, by Simon McEnnis 'Guess and go': The ethics of the mediatisation of professional sport in Australia, by Tracie Edmondson 'Can I click it? Yes you can': Football journalism, Twitter, and clickbait, by Jonathan Cable and Glyn Mottershead How to get kicked off Twitter: An examination of the changing ethics of the so-called 'tech giants', by Charles M. Lambert Plus Plastic words, public relations and the neoliberal transformation of twentieth century discourse, by Anne Surma and Kristin Demetrious

Papers 'This Poor Wailer Among the Rebels': Orwell, O'Casey and Ireland - by John Newsinger 'A Strange Desire of Wandering': The Female Body and the Problematic Structure of A Clergyman's Daughter - by Zhang Weiliang Nineteen Eighty-Four and Brave New World: Complementary Visions Reconsidered - by Anna Vaninskaya 'Such, Such Were the Joys' and the Journalistic Imagination - by Richard Lance Keeble Articles More Orwellian than Feminist: Comparing Nineteen Eighty-Four and Margaret Atwood's The Handmaid's Tale - by Ron Bateman Collecting Orwell: A Kind of Compulsion - by Darcy Moore Plus Book reviews

Leeds Studies in English is an international, refereed journal based in the School of English, University of Leeds. Leeds Studies in English publishes articles on Old and Middle English literature, Old Icelandic language and literature, and the historical study of the English language.