Books published by Transcript Verlag

New knowledge, created in international cooperation, is essential for global sustainability. Set against this background, this study focuses on German science policy for research cooperation with developing countries and emerging economies in sustainability research. Based on interviews with policy makers and researchers, the book scrutinizes the actors, processes and contents of science policy in Germany. The author argues that science policy mainly aims at German economic benefits and technology development. This, however, negatively influences global sustainability. To counter existing path dependencies, the author provides recommendations for sustainability-oriented scientific practice and science policy.

The Heimat film genre, assumed to be outdated by so many, is very much alive. Who would have thought that this genre - which has been almost unanimously denounced within academic circles, but which seems to resonate so deeply with the general public - would experience a renaissance in the 21st century? The genre's recent resurgence is perhaps due less to an obsession with generic storylines and stereotyped figures than to a basic human need for grounding that has resulted in a passionate debate about issues of past and present. This book traces the history of the Heimat film genre from the early mountain films to Fatih Akin's contemporary interpretations of Heimat.

Diverse musical cultures of migrant communities have existed in Europe for centuries. This title focuses on different musical traditions and practices. It raises questions such as how are musical traditions of migrants integrated into education and public music and can music facilitate transcultural dialogue.

American Mobilities investigates representations of mobility - social, economic, geographic - in American film and literature during the Depression, WWII, and the early Cold War. With an emphasis on the dual meaning of "e;domestic,"e; referring to both the family home and the nation, this study traces the important trope of mobility that runs through the "e;American"e; century. Juxtaposing canonical fiction with popular, and low-budget independent films with Classical Hollywood, Leyda brings the analytic tools of American cultural and literary studies to bear on an eclectic array of primary texts as she builds a case for the significance of mobility in the study of the United States.

This book provides the production history and a contextual interpretation of The Beatles' movies (A Hard Day's Night, Help!, Yellow Submarine, Let It Be) and describes their ability to project the group's image at different stages in their career. It also includes a discussion of all of The Beatles' promotional films and videos, as well as their television cartoon series and the self-produced television special Magical Mystery Tour. Along with The Beatles' feature movies and promos, this analysis also contains documentaries, such as The Compleat Beatles and Anthology, as well as dramatizations of the band's history, such as Backbeat, The Hours and Times, and Two of Us.

Cities have always been arenas of social and symbolic conflict, as places of encounter between different classes, ethnic groups, and lifestyles. This volume presents major urban conflicts and analyzes modes of negotiation among groups against the theoretical background of post-colonialism.

Science and politics all over the world are generating new ideas and models for the functions and structures of the higher education sector and its institutions. This volume identifies the most influential models and investigates the context of their origin, and their dissemination mechanisms and chances to establish themselves.

Taking into account the drastic over-use of the term "interactivity" in connection with media, this anthology is designed to scrutinize the preconceptions that surround the idea of human-computer interaction. It includes several essays that give an overview of interactive music and sound performances.

Focuses on a variety of Muslim actors who have entered into the European public sphere. This book presents ethnographic materials that have been collected between 2003 and 2005. It collects male and female, secular and religious, radical and pietistic voices of sometimes very young people.

This work examines the construction and articulation of (diasporic) cultural identity among the Turkish working-class youth in Kreuzberg (Little Istanbul). It suggests that the contemporary diasporic consciousness is built on two antithetical axes: particularism and universalism.

This work, focusing on Egypt, picks up on the problematics of power and its dispersal and concentration. It looks at borders and boundaries, both real and imaginary, hegemonic and counter-hegemonic, examining how everyday locations and places intersect with imaginary borders and boundaries.

When talking about monuments, size undeniably matters - or does it?But how else can we measure monumentality?Bringing together researchers from various fields such as archaeology, museology, history, sociology, Mesoamerican studies, and art history, this book discusses terminological and methodological approaches in both theoretical contributions and various case studies. While focusing on architectural aspects, this volume also discusses the social meaning of monuments, the role of forced and free labour, as well as textual monumentality. The result is a modern interdisciplinary take on an important concept which is notoriously difficult to define.

The Brazilian Constitution provides a remarkable set of social rights, including the right to housing. Despite this fact, struggles for decent living conditions have become key issues in the daily urban lives of many people in Brazil. Contesting the differentiated access to housing, social movements occupy empty buildings in the cities to challenge historically-rooted and excluding urban politics. Exploring the occupants' agency, Bea Wittger draws attention to the important role of female actors within the buildings. Through oral histories of participants of two squats in Rio de Janeiro, the book delivers a deep insight "e;from below"e; into their own perspectives on citizenship and gender.

This first in-depth study of Miranda July's work reveals some of its major motives and consequently provides fascinating insights into the lifestyle of the contemporary white Californian middle class. Through an analysis of July's award-winning intermedial work, the author lays open how July takes individualism and self-help as constitutive for the creative class. Although a member of the creative class herself, July's voice oscillates between irony and approval. July thus paints a fascinating portrait of neurotic hipsterism, which triggers self-reflection in the general reader and critical thinking in the cultural analyst.

This volume is a response to the growing need for new methodological approaches to the rapidly changing landscape of new forms of performative practices. The authors address a host of contemporary phenomena situated at the crossroads between science and fiction which employ various media and merge live participation with mediated hybrid experiences at both affective and cognitive level. All essays collected here move across disciplinary divisions in order to provide an account of these new tendencies, thus providing food for thought for a wide readership ranging from performative studies to the social sciences, philosophy and cultural studies.

In the present social and cultural transformation of South Thailand's cultural politics, ideologies involving the family, gender and home provide the cultural codes in social dramas of the state, the media and social and religious movements. This study looks at micropolitics and the nesting of the political action of everyday life in larger, ultimately global structures of power. Exploring the making of class, culture and space, the production and consumption of culture is understood as work which involves the constant negotiation of boundaries.