Books published by University of California Press

What does it mean to be a Jew in the twenty-first century? Exploring the multifaceted and intensely complicated characteristics of this age-old, ever-changing community, Judaisms examines how Jews are a culture, ethnicity, nation, nationality, race, religion, and more. With each chapter revolving around a single theme (Narratives, Sinais, Zions, Messiahs, Laws, Mysticisms, Cultures, Movements, Genocides, Powers, Borders, and Futures) this introductory textbook interrogates and broadens readers' understandings of Jewish communities. Written for a new mode of teachingone that recognizes the core role that identity formation plays in our livesthis book weaves together alternative and marginalized voices to illustrate how Jews have always been in the process of reshaping their customs, practices, and beliefs. Judaisms is the first book to assess and summarize Jewish history from the timeof the Hebrew Bible through today using multiple perspectives. Ideal for classroom use, Judaismsprovides a synthetic and coherent alternative understanding of Jewish identity for students of all backgrounds;focuses on both the history of and potential futures for physical and ideological survival;includes an array of engaging images, many in color;offers extensive online resources including notes, key terms, a timeline of major texts, and chapter-by-chapter activities for teaching.

Whereas many textbooks treat the subject of world religions in an apolitical way, as if each religion were a path for individuals seeking wisdom and not a discourse intimately connected with the exercise of power, James W. Laine treats religion and politics as halves of the same whole, tracing their relationship from the policies of Alexander the Great to the ideologies of modern Europe secularists, with stops in classical India, China, and the Islamic world. Meta-Religion is a groundbreaking text that brings power and politics to the fore of our understanding of world religions, placing religion at the center of world history. This synthetic approach is both transformative and enlightening as it presents a powerful model for thinking differently about what religion is and how it functions in the world. With images and maps to bring the narrative to life, Meta-Religion combines sophisticated scholarly critique with accessibility that students and scholar alike will appreciate.

Funnybooks is the story of the most popular American comic books of the 1940s and 1950s, those published under the Dell label. For a time, "e;Dell Comics Are Good Comics"e; was more than a slogan-it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians.

Less than three months before he was assassinated, Malcolm X spoke at the Oxford Union-the most prestigious student debating organization in the United Kingdom. The Oxford Union regularly welcomed heads of state and stars of screen and served as the training ground for the politically ambitious offspring of Britain's "e;better classes."e; Malcolm X, by contrast, was the global icon of race militancy. For many, he personified revolution and danger. Marking the fiftieth anniversary of the debate, this book brings to life the dramatic events surrounding the visit, showing why Oxford invited Malcolm X, why he accepted, and the effect of the visit on Malcolm X and British students. Stephen Tuck tells the human story behind the debate and also uses it as a starting point to discuss larger issues of Black Power, the end of empire, British race relations, immigration, and student rights. Coinciding with a student-led campaign against segregated housing, the visit enabled Malcolm X to make connections with radical students from the Caribbean, Africa, and South Asia, giving him a new perspective on the global struggle for racial equality, and in turn, radicalizing a new generation of British activists. Masterfully tracing the reverberations on both sides of the Atlantic, Tuck chronicles how the personal transformation of the dynamic American leader played out on the international stage.

Kendo is the first in-depth historical, cultural, and political account in English of the Japanese martial art of swordsmanship, from its beginnings in military training and arcane medieval schools to its widespread practice as a global sport today. Alexander Bennett shows how kendo evolved through a recurring process of "e;inventing tradition,"e; which served the changing ideologies and needs of Japanese warriors and governments over the course of history. Kendo follows the development of Japanese swordsmanship from the aristocratic-aesthetic pretensions of medieval warriors in the Muromachi period, to the samurai elitism of the Edo regime, and then to the nostalgic patriotism of the Meiji state. Kendo was later influenced in the 1930s and 1940s by ultranationalist militarists and ultimately by the postwar government, which sought a gentler form of nationalism to rekindle appreciation of traditional culture among Japan's youth and to garner international prestige as an instrument of "e;soft power."e; Today kendo is becoming increasingly popular internationally. But even as new organizations and clubs form around the world, cultural exclusiveness continues to play a role in kendo's ongoing evolution, as the sport remains closely linked to Japan's sense of collective identity.

A pathbreaking history of the development of scientific racism, white nationalism, and segregationist philanthropy in the U.S. and South Africa in the early twentieth century, Waste of a White Skin focuses on the American Carnegie Corporation's study of race in South Africa, the Poor White Study, and its influence on the creation of apartheid. This book demonstrates the ways in which U.S. elites supported apartheid and Afrikaner Nationalism in the critical period prior to 1948 through philanthropic interventions and shaping scholarly knowledge production. Rather than comparing racial democracies and their engagement with scientific racism, Willoughby-Herard outlines the ways in which a racial regime of global whiteness constitutes domestic racial policies and in part animates black consciousness in seemingly disparate and discontinuous racial democracies. This book uses key paradigms in black political thought-black feminism, black internationalism, and the black radical tradition-to provide a rich account of poverty and work. Much of the scholarship on whiteness in South Africa overlooks the complex politics of white poverty and what they mean for the making of black political action and black people's presence in the economic system. Ideal for students, scholars, and interested readers in areas related to U.S. History, African History, World History, Diaspora Studies, Race and Ethnicity, Sociology, Anthropology, and Political Science.

What can we learn about modern Chinese history by reading a marginalized set of materials from a widely neglected period? In Republican Lens, Joan Judge retrieves and revalorizes the vital brand of commercial culture that arose in the period surrounding China's 1911 Revolution. Dismissed by high-minded ideologues of the late 1910s and largely overlooked in subsequent scholarship, this commercial culture has only recently begun to be rehabilitated in mainland China. Judge uses one of its most striking, innovative-and continually mischaracterized-products, the journal Funu shibao (The women's eastern times), as a lens onto the early years of China's first Republic. Redeeming both the value of the medium and the significance of the era, she demonstrates the extent to which the commercial press channeled and helped constitute key epistemic and gender trends in China's revolutionary twentieth century. The book develops a cross-genre and inter-media method for reading the periodical press and gaining access to the complexities of the past. Drawing on the full materiality of the medium, Judge reads cover art, photographs, advertisements, and poetry, editorials, essays, and readers' columns in conjunction with and against one another, as well as in their broader print, historical and global contexts. This yields insights into fundamental tensions that governed both the journal and the early Republic. It also highlights processes central to the arc of twentieth-century knowledge culture and social change: the valorization and scientization of the notion of "e;experience,"e; the public actualization of "e;Republican Ladies,"e; and the amalgamation of "e;Chinese medicine"e; and scientific biomedicine. It further revives the journal's editors, authors, medical experts, artists, and, most notably, its little known female contributors. Republican Lens captures the ingenuity of a journal that captures the chaotic potentialities within China's early Republic and its global twentieth century.

France is often described as one of the last Western economies unable to reform itself in the face of globalization. Yet its economy has not fallen by the wayside and has even resisted the great recession that began in 2008. By interlinking historical, economic, and political factors and by comparing France with other nations, this book explains the puzzle presented by the development of France. Understanding France's economy requires downplaying the usual policy injunctions-demands for less state control and less rigidity in the labor market-and instead stressing the importance of constructing a long-term industrial strategy.

This is the incredible story of Bao Luong, Vietnam's first female political prisoner. In 1927, when she was just 18, Bao Luong left her village home to join Ho Chi Minh's Revolutionary Youth League and fight both for national independence and for women's equality. A year later, she became embroiled in the Barbier Street murder, a crime in which unruly passion was mixed with revolutionary ardor. Weaving together Bao Luong's own memoir with excerpts from newspaper articles, family gossip, and official documents, this book by Bao Luong's niece takes us from rural life in the Mekong Delta to the bustle of colonial Saigon. It provides a rare snapshot of Vietnam in the first decades of the twentieth century and a compelling account of one woman's struggle to make a place for herself in a world fraught with intense political intrigue.

The image that appears on the movie screen is the direct and tangible result of the joint efforts of the director and the cinematographer. A Hidden History of Film Style is the first study to focus on the collaborations between directors and cinematographers, a partnership that has played a crucial role in American cinema since the early years of the silent era. Christopher Beach argues that an understanding of the complex director-cinematographer collaboration offers an important model that challenges the pervasive conventional concept of director as auteur. Drawing upon oral histories, early industry trade journals, and other primary materials, Beach examines key innovations like deep focus, color, and digital cinematography, and in doing so produces an exceptionally clear history of the craft. Through analysis of several key collaborations in American cinema from the silent era to the late twentieth century-such as those of D. W. Griffith and Billy Bitzer, William Wyler and Gregg Toland, and Alfred Hitchcock and Robert Burks-this pivotal book underlines the importance of cinematographers to both the development of cinematic technique and the expression of visual style in film.

Toward the end of the thirteenth century, at about the time Marco Polo was being received by the great Khubilai Khan, a Nestorian Christian monk from China called Rabban Sauma was making the reverse journey from the Mongol capital (what is now Beijing) to Jerusalem. Upon reaching Baghdad-the first traveler to arrive from China-Sauma learned that his pilgrimage could not be fulfilled because of Islamic control of the Holy Land. In Voyager from Xanadu, Morris Rossabi traces Sauma's trans-Eurasian travels against the turbulent era of the Mongol Empire and the last Crusades. His indispensable book provides a unique first-hand Asian perspective on Europe and illuminates a crucial period in the early history of global, diplomatic, and commercial networking.

Green is the Orator follows on Sarah Gridley's brilliant first collection, Weather Eye Open, in addressing the challenge of representing nature through language. Gridley's deftly original syntax arises from direct experience of the natural world and from encounters with other texts, including the Egyptian "e;Book of the Dead"e; and the writings of Charles Darwin, Peter Mark Roget, William Morris, William James, and Henri Bergson. Gridley's own idiom is compressed, original, and full of unexpected pleasures. This unusual book, at once austere and full of life, reflects a penetrating mind at work-one that is thinking through and re-presenting romantic and modernist traditions of nature.

The poems in Writing the Silences represent more than 60 years of Richard O. Moore's work as a poet. Selected from seven full-length manuscripts written between 1946 and 2008, these poems reflect not only Moore's place in literary history-he is the last of his generation of the legendary group of San Francisco Renaissance poets-but also his reemergence into today's literary world after an important career as a filmmaker and producer in public radio and television. Writing the Silences reflects Moore's commitment to freedom of form, his interest in language itself, and his dedication to issues of social justice and ecology.

Schools across the U.S. look very different today than they did a generation ago. Police officers, drug-sniffing dogs, surveillance cameras, and high suspension rates have become commonplace. The Real School Safety Problem uncovers the unintended but far-reaching effects of harsh school discipline climates. Evidence shows that current school security practices may do more harm than good by broadly affecting the entire family, encouraging less civic participation in adulthood, and garnering future financial costs in the form of high rates of arrests, incarceration, and unemployment. This text presents a blueprint for reform that emphasizes problem-solving and accountability while encouraging the need to implement smarter school policies.

The rise of China and its status as a leading global factory are altering the way people live and consume. At the same time, the world appears wary of the real costs involved. Fantasy Islands probes Chinese, European, and American eco-desire and eco-technological dreams, and examines the solutions they offer to environmental degradation in this age of global economic change. Uncovering the stories of sites in China, including the plan for a new eco-city called Dongtan on the island of Chongming, mega-suburbs, and the Shanghai World Expo, Julie Sze explores the flows, fears, and fantasies of Pacific Rim politics that shaped them. She charts how climate change discussions align with US fears of China's ascendancy and the related demise of the American Century, and she considers the motives of financial and political capital for eco-city and ecological development supported by elite power structures in the UK and China. Fantasy Islands shows how ineffectual these efforts are while challenging us to see what a true eco-city would be.

The pesticide dibromochloropropane, known as DBCP, was developed by the chemical companies Dow and Shell in the 1950s to target wormlike, soil-dwelling creatures called nematodes. Despite signs that the chemical was dangerous, it was widely used in U.S. agriculture and on Chiquita and Dole banana plantations in Central America. In the late 1970s, DBCP was linked to male sterility, but an uneven regulatory process left many workers-especially on Dole's banana farms-exposed for years after health risks were known. Susanna Rankin Bohme tells an intriguing, multilayered history that spans fifty years, highlighting the transnational reach of corporations and social justice movements. Toxic Injustice links health inequalities and worker struggles as it charts how people excluded from workplace and legal protections have found ways to challenge power structures and seek justice from states and transnational corporations alike.

Having gained unique access to California prisoners and corrections officials and to thousands of prisoners' written grievances and institutional responses, Kitty Calavita and Valerie Jenness take us inside one of the most significant, yet largely invisible, institutions in the United States. Drawing on sometimes startlingly candid interviews with prisoners and prison staff, as well as on official records, the authors walk us through the byzantine grievance process, which begins with prisoners filing claims and ends after four levels of review, with corrections officials usually denying requests for remedies. Appealing to Justice is both an unprecedented study of disputing in an extremely asymmetrical setting and a rare glimpse of daily life inside this most closed of institutions. Quoting extensively from their interviews with prisoners and officials, the authors give voice to those who are almost never heard from. These voices unsettle conventional wisdoms within the sociological literature-for example, about the reluctance of vulnerable and/or stigmatized populations to name injuries and file claims, and about the relentlessly adversarial subjectivities of prisoners and correctional officials-and they do so with striking poignancy. Ultimately, Appealing to Justice reveals a system fraught with impediments and dilemmas, which delivers neither justice, nor efficiency, nor constitutional conditions of confinement.

During the Cold War, thousands of musicians from the United States traveled the world, sponsored by the U.S. State Department's Cultural Presentations program. Performances of music in many styles-classical, rock 'n' roll, folk, blues, and jazz-competed with those by traveling Soviet and mainland Chinese artists, enhancing the prestige of American culture. These concerts offered audiences around the world evidence of America's improving race relations, excellent musicianship, and generosity toward other peoples. Through personal contacts and the media, musical diplomacy also created subtle musical, social, and political relationships on a global scale. Although born of state-sponsored tours often conceived as propaganda ventures, these relationships were in themselves great diplomatic achievements and constituted the essence of America's soft power. Using archival documents and newly collected oral histories, Danielle Fosler-Lussier shows that musical diplomacy had vastly different meanings for its various participants, including government officials, musicians, concert promoters, and audiences. Through the stories of musicians from Louis Armstrong and Marian Anderson to orchestras and college choirs, Fosler-Lussier deftly explores the value and consequences of "e;musical diplomacy."e;

Diliana Angelova argues that from the time of Augustus through early Byzantium, a discourse of ';sacred founders'articulated in artwork, literature, imperial honors, and the built environmenthelped legitimize the authority of the emperor and his family. The discourse coalesced around the central idea, bound to a myth of origins, that imperial men and women were sacred founders of the land, mirror images of the empire's divine founders. When Constantine and his formidable mother Helena established a new capital for the Roman Empire, they initiated the Christian transformation of this discourse by brilliantly reformulating the founding myth. Over time, this transformation empowered imperial women, strengthened the cult of the Virgin Mary, fueled contests between church and state, and provoked an arresting synthesis of imperial and Christian art. Sacred Founders presents a bold interpretive framework that unearths deep continuities between the ancient and medieval worlds, recovers a forgotten transformation in female imperial power, and offers a striking reinterpretation of early Christian art.

In a time of economic anxiety, fear of terrorism, and marital uncertainty, insecurity has become a big part of life for many American mothers. With bases of security far from guaranteed, mothers are often seeking something they can count on. In this beautifully written and accessible book, Ana Villalobos shows how mothers frequently rely on the one thing that seems sure to them: the mother-child relationship. Based on over one hundred interviews with and observations of mothers-single or married, but all experiencing varying forms of insecurity in their lives-Villalobos finds that mothers overwhelmingly expect the mothering relationship to "e;make it all better"e; for themselves and their children. But there is a price to pay for loading this single relationship with such high expectations. Using detailed case studies, Villalobos shows how women's Herculean attempts to create various kinds of security through mothering often backfire, thereby exhausting mothers, deflecting their focus from other possible sources of security, and creating more stress. That stress is further exacerbated by dominant ideals about "e;good"e; mothering-ideals that are fraught with societal pressures and expectations that reach well beyond what mothers can actually do for their children. Pointing to hopeful alternatives, Villalobos shows how more realistic expectations about motherhood lead remarkably to greater security in families by prompting mothers to cast broader security nets, making conditions less stressful and-just as significantly-bringing greater joy in mothering.

A hinge moment in recent American history, 1995 was an exceptional year. Drawing on interviews, oral histories, memoirs, archival collections, and news reports, W. Joseph Campbell presents a vivid, detail-rich portrait of those memorable twelve months. This book offers fresh interpretations of the decisive moments of 1995, including the emergence of the Internet and the World Wide Web in mainstream American life; the bombing at Oklahoma City, the deadliest attack of domestic terrorism in U.S. history; the sensational "e;Trial of the Century,"e; at which O.J. Simpson faced charges of double murder; the U.S.-brokered negotiations at Dayton, Ohio, which ended the Bosnian War, Europe's most vicious conflict since the Nazi era; and the first encounters at the White House between Bill Clinton and Monica Lewinsky, a liaison that culminated in a stunning scandal and the spectacle of the president's impeachment and trial. As Campbell demonstrates in this absorbing chronicle, 1995 was a year of extraordinary events, a watershed at the turn of the millennium. The effects of that pivotal year reverberate still, marking the close of one century and the dawning of another.

In 2005, American experts sent out urgent warnings throughout the country: a devastating flu pandemic was fast approaching. Influenza was a serious disease, not a seasonal nuisance; it could kill millions of people. If urgent steps were not taken immediately, the pandemic could shut down the economy and ';trigger a reaction that will change the world overnight.'The Pandemic Perhaps explores how American experts framed a catastrophe that never occurred. The urgent threat that was presented to the public produced a profound sense of insecurity, prompting a systematic effort to prepare the population for the coming plague. But when that plague did not arrive, the race to avert it carried on. Paradoxically, it was the absence of disease that made preparedness a permanent project.The Pandemic Perhaps tells the story of what happened when nothing really happened. Drawing on fieldwork among scientists and public health professionals in New York City, the book is an investigation of how actors and institutions produced a scene of extreme expectation through the circulation of dramatic plague visions. It argues that experts deployed these visions to draw attention to the possibility of a pandemic, frame the disease as a catastrophic event, and make it meaningful to the nation. Today, when we talk about pandemic influenza, we must always say ';perhaps.' What, then, does it mean to engage a disease in the modality of the maybe?

Based on ethnographic fieldwork from Santa Barbara, California, this book sheds light on the ways that food insecurity prevails in women's experiences of migration from Mexico and Central America to the United States. As women grapple with the pervasive conditions of poverty that hinder efforts at getting enough to eat, they find few options for alleviating the various forms of suffering that accompany food insecurity. Examining how constraints on eating and feeding translate to the uneven distribution of life chances across borders and how "e;food security"e; comes to dominate national policy in the United States, this book argues for understanding women's relations to these processes as inherently biopolitical.

Life Histories of the Dobe !Kung re-examines an important anthropological data set for the Dobe !Kung, the well-known "e;Bushmen"e; of the Kalahari Desert, collected by Nancy Howell and colleagues. Using life history analysis, Howell reinterprets this rich material to address the question of how these hunter-gatherers maintain their notably good health from childhood through old age in the Kalahari's harsh environment. She divides the population into life history stages that correlate with estimated chronological ages and demonstrates how and why they survive, even thrive, on a modest allotment of calories. She describes how surplus food is produced and distributed, and she considers both the motives for the generous sharing she has observed among the Dobe !Kung and some evolutionary implications of that behavior.

Food safety is a matter of intense public concern, and for good reason. Millions of annual cases of food "e;poisonings"e; raise alarm not only about the food served in restaurants and fast-food outlets but also about foods bought in supermarkets. The introduction of genetically modified foods-immediately dubbed "e;Frankenfoods"e;-only adds to the general sense of unease. Finally, the events of September 11, 2001, heightened fears by exposing the vulnerability of food and water supplies to attacks by bioterrorists. How concerned should we be about such problems? Who is responsible for preventing them? Who benefits from ignoring them? Who decides? Marion Nestle, author of the critically acclaimed Food Politics, argues that ensuring safe food involves more than washing hands or cooking food to higher temperatures. It involves politics. When it comes to food safety, billions of dollars are at stake, and industry, government, and consumers collide over issues of values, economics, and political power-and not always in the public interest. Although the debates may appear to be about science, Nestle maintains that they really are about control: Who decides when a food is safe? She demonstrates how powerful food industries oppose safety regulations, deny accountability, and blame consumers when something goes wrong, and how century-old laws for ensuring food safety no longer protect our food supply. Accessible, informed, and even-handed, Safe Food is for anyone who cares how food is produced and wants to know more about the real issues underlying today's headlines.

This landmark anniversary edition contains a selection of Twain's hard-to-find letters and notes expressing his always-engaging opinions on the publication of Tom Sawyer.

We Are Amphibians tells the fascinating story of two brothers who changed the way we think about the future of our species. As a pioneering biologist and conservationist, Julian Huxley helped advance the "e;modern synthesis"e; in evolutionary biology and played a pivotal role in founding UNESCO and the World Wildlife Fund. His argument that we must accept responsibility for our future evolution as a species has attracted a growing number of scientists and intellectuals who embrace the concept of Transhumanism that he first outlined in the 1950s. Although Aldous Huxley is most widely known for his dystopian novel Brave New World, his writings on religion, ecology, and human consciousness were powerful catalysts for the environmental and human potential movements that grew rapidly in the second half of the twentieth century. While they often disagreed about the role of science and technology in human progress, Julian and Aldous Huxley both believed that the future of our species depends on a saner set of relations with each other and with our environment. Their common concern for ecology has given their ideas about the future of Homo sapiens an enduring resonance in the twenty-first century. The amphibian metaphor that both brothers used to describe humanity highlights not only the complexity and mutability of our species but also our ecologically precarious situation.

The Age of Irreverence tells the story of why China's entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called "e;histories of laughter."e; In the first years of the Republic, novelists, essayists and illustrators alike used humorous allegories to make veiled critiques of the new government. But, again and again, political and cultural discussion erupted into invective, as critics gleefully jeered and derided rivals in public. Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery. Eventually, these various expressions of hilarity proved so offensive to high-brow writers that they launched a concerted campaign to transform the tone of public discourse, hoping to displace the old forms of mirth with a new one they called youmo (humor). Christopher Rea argues that this period-from the 1890s to the 1930s-transformed how Chinese people thought and talked about what is funny. Focusing on five cultural expressions of laughter-jokes, play, mockery, farce, and humor-he reveals the textures of comedy that were a part of everyday life during modern China's first "e;age of irreverence."e; This new history of laughter not only offers an unprecedented and up-close look at a neglected facet of Chinese cultural modernity, but also reveals its lasting legacy in the Chinese language of the comic today and its implications for our understanding of humor as a part of human culture.

In the aftermath of Alexander the Great's conquests in the late fourth century B.C., Greek garrisons and settlements were established across Central Asia, through Bactria (modern-day Afghanistan) and into India. Over the next three hundred years, these settlements evolved into multiethnic, multilingual communities as much Greek as they were indigenous. To explore the lives and identities of the inhabitants of the Graeco-Bactrian and Indo-Greek kingdoms, Rachel Mairs marshals a variety of evidence, from archaeology, to coins, to documentary and historical texts. Looking particularly at the great city of Ai Khanoum, the only extensively excavated Hellenistic period urban site in Central Asia, Mairs explores how these ancient people lived, communicated, and understood themselves. Significant and original, The Hellenistic Far East will highlight Bactrian studies as an important part of our understanding of the ancient world.

From the very beginning of cinema, there have been amateur filmmakers at work. It wasn't until Kodak introduced 16mm film in 1923, however, that amateur moviemaking became a widespread reality, and by the 1950s, over a million Americans had amateur movie cameras. In Amateur Cinema, Charles Tepperman explores the meaning of the "e;amateur"e; in film history and modern visual culture. In the middle decades of the twentieth century-the period that saw Hollywood's rise to dominance in the global film industry-a movement of amateur filmmakers created an alternative world of small-scale movie production and circulation. Organized amateur moviemaking was a significant phenomenon that gave rise to dozens of clubs and thousands of participants producing experimental, nonfiction, or short-subject narratives. Rooted in an examination of surviving films, this book traces the contexts of "e;advanced"e; amateur cinema and articulates the broad aesthetic and stylistic tendencies of amateur films.