Books published by University of California Press

"This catalogue is published in conjunction with the exhibition A Picture Gallery of the Soul, organized by Herman J. Milligan Jr. and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota, Minneapolis, September 13-December 10, 2022"--Title page verso.

"This book chronicles a rare event. Sixty-three artists show up for a meet-and-greet; their names are unfamiliar, and they do not know one another. Each gets fifteen minutes to tell a life story and show their art. The conversation is heady and the company unforgettable. No one wants the party--nor the book--to end."--Wanda M. Corn, Robert and Ruth Halperin Professor Emerita in Art History, Stanford University "A bold reimagining of what constitutes artistic genius in the history of American art. Artists whose practices and biographies were previously in the shadows are brilliantly spotlighted, one after another, in what emerges as an astonishingly vast and kaleidoscopic landscape. Mapping a radically new approach, this anthology challenges us all to search more diligently for other artists and histories hiding in plain sight."--Asma Naeem, Eddie C. and C. Sylvia Brown Chief Curator, Baltimore Museum of Art

"In this rare glimpse behind the curtains that typically shield private banks and lenders from public scrutiny, we learn about the decisions these companies make to keep people in debt. We learn about debt as a punishing edge of capitalism's spear, wielded by private banks and lenders."--Terri Friedline, author of Banking on a Revolution: Why Financial Technology Won't Save a Broken System "We rarely get an inside peek into how our corporate overseers plot to separate ordinary people from their money. Armed with years of knowledge from sitting in those meetings, Elena Botella has delivered fresh insights into the most seemingly innocuous of predatory financial schemes: credit cards, a product too many of us use without thinking about the implications."--David Dayen, author of Monopolized: Life in the Age of Corporate Power

"Through critical, collaborative, and engaged scholarship, Mark LeVine shows the central role played by music in struggles for social change in the modern Muslim world. Carefully researched and eloquently written discussions of heavy metal and hip hop in Palestine and Pakistan, in Iran, Egypt, and Indonesia, and from the Maghreb to the Mediterranean coast of Lebanon show how history can happen in unexpected ways and in unexpected places. We'll Play till We Die reveals how a radical and sometimes even revolutionary generation of young people used musical improvisation and innovation as a means of culturally organizing that later proved indispensable to them in mobilizing politically."--George Lipsitz, author of Time Passages and Dangerous Crossroads "What does revolution sound like? LeVine knows. He is that rare music writer who is not afraid of politics; a scholar-musician not afraid to play. He gave us a glimpse of revolution in his astonishing Heavy Metal Islam and now has followed up with a thrilling, explosive, finely grained exploration of the Muslim underground music scene in the wake of the Arab Spring. As with any collaborative mixtape, read this book from beginning to end, and then rewind."--Robin D. G. Kelley, author of Thelonious Monk: The Life and Times of an American Original "LeVine's We'll Play till We Die is a brilliant testimony to the power of Extreme Youth Music as a weapon of resistance, an instrument of hope, and an irrepressible act of revolution across the Middle East."--Mira Jacob, author of Good Talk and The Sleepwalker's Guide to Dancing "We'll Play till We Die is a powerful account of Muslim youth culture over the last decade, tracing how young Muslims from Morocco to Pakistan forge music for political struggle. LeVine is a witty, pissed-off audiohead who crisscrosses the Muslim-majority world, leaving no musical stone unturned."--Hisham Aidi, author of Rebel Music: Race, Empire, and the New Muslim Youth Culture "When LeVine wrote Heavy Metal Islam over a decade ago, he imagined a day when the youth of the Middle East would rise up with one voice--channeling the ethos of the rock and roll and hip hop music that gives pulse to the region--and transform their world for better or worse. Now that we have seen that day come and go, LeVine's new, deeply personal examination of how music has given voice to both the despair and the hope of this youth generation is even more relevant than it was a decade ago."--Reza Aslan, author of Zealot: The Life and Times of Jesus of Nazareth

"This translation opens up for an English-reading audience a major work preserved through oral transmission over centuries and despite suppression by outside imperial powers. Standing alongside other traditional epics such as The Odyssey and Beowulf, Jangar is a unique work of the oral imagination with stunning characteristics, both fantastic and surreal, of its own."--Jerome Rothenberg, Professor Emeritus, Visual Arts and Literature, University of California, San Diego

"Featuring about 150 loans from China's Hubei Provincial Museum, this exhibition, set to open at the Asian Art Museum of San Francisco under the name Lost Kingdoms of Ancient China, examines the new finds of Zeng and Chu tombs together to explore the cultural landscape of the southern borderland of the Zhou dynasty. It also reveals the legendary rising story of the phoenix kingdom erased by the Qin, highlighting the importance of the middle Yangtze River region in forming a southern style in Chinese art. For a better understanding of the Zeng and Chu material, the exhibition catalogue consists of seven essays to elaborate the introduction to the remarkable art and culture of this region, with entries of about 150 works in six categories (jade, bronze ritual vessels, musical instruments and weapons, lacquerware for luxury and ceremony, funerary bronze and wood objects, and textiles and artefacts with designs). Seven contributors have written for this catalogue, including five outside scholars with expertise on different subjects"--

"Featuring about 150 loans from China's Hubei Provincial Museum, this exhibition, set to open at the Asian Art Museum of San Francisco under the name Lost Kingdoms of Ancient China, examines the new finds of Zeng and Chu tombs together to explore the cultural landscape of the southern borderland of the Zhou dynasty. It also reveals the legendary rising story of the phoenix kingdom erased by the Qin, highlighting the importance of the middle Yangtze River region in forming a southern style in Chinese art. For a better understanding of the Zeng and Chu material, the exhibition catalogue consists of seven essays to elaborate the introduction to the remarkable art and culture of this region, with entries of about 150 works in six categories (jade, bronze ritual vessels, musical instruments and weapons, lacquerware for luxury and ceremony, funerary bronze and wood objects, and textiles and artefacts with designs). Seven contributors have written for this catalogue, including five outside scholars with expertise on different subjects"--

The seventeen contributors to this interdisciplinary volume bring to the study of early China the analytical concerns of archeology, art history, botany, climatology, cultural and physical anthropology, ethnography, epigraphy, linguistics, metallurgy, and political and social history. Readers interested in such topics as the origin of rice or millet agriculture, the origin of writing, the nature of the trie, and the processes of state formation will find much value here. They will find, too, major hypotheses about teh cultural importance of ecogeographical zones in China, Neolithic interaction between the east coast and Central Plains, the remarkable homogeneity of early Chinese crania, and the links between the Hsia, Shang, and Chou dynasties. Relying on recently published archaeological evidence and the insights gained from carbon-14 and thermoluminescent datings, the authors provide original and significant interpretations of the nature of Chinese civilization in its formative stage and the processes by which civilizations form. Since there is little doubt that the complex of culture traits which defines Chinese civilization in the second and fist millennia B.C. developed from a Chinese Neolithic stage, the origin of the Chinese civilization is worth studying not only in its own right but as an instance of the indigenous development of civilizations in general. This volume will appeal to all who are intersted in the genesis of civilization and the transition from the Neolithic to the Bronze Age; it summarizes that state of present knowledge about China and suggests research strategies and hypotheses for the future. Contributors: Noel BarnardK. C. ChangTe-Tzu ChangCheung Kwong-YueWayne H. FoggUrsula Martius FranklinMorton H. FriedW. W. HowellsLouisa G. Fitzgerald HuberKarl JettmarDavid N. KeightleyFang Kuei LiHui-Lin LiWilliam MeachamRichard PearsonE.G. PulleyblankRobert Orr Whyte This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983.