Books published by University of California Press

Donna M. Goldstein presents a hard-hitting critique of urban poverty and violence and challenges much of what we think we know about the "e;culture of poverty"e; in this compelling read. Drawing on more than a decade of experience in Brazil, Goldstein provides an intimate portrait of everyday life among the women of the favelas, or urban shantytowns in Rio de Janeiro, who cope with unbearable suffering, violence and social abandonment. The book offers a clear-eyed view of socially conditioned misery while focusing on the creative responses-absurdist and black humor-that people generate amid daily conditions of humiliation, anger, and despair. Goldstein helps us to understand that such joking and laughter is part of an emotional aesthetic that defines the sense of frustration and anomie endemic to the political and economic desperation among residents of the shantytown.

Lady Hyegyong's memoirs, which recount the chilling murder of her husband by his father, is one of the best known and most popular classics of Korean literature. From 1795 until 1805 Lady Hyegyong composed this masterpiece, which depicts a court life whose drama and pathos is of Shakespearean proportions.

Brings social scientific understandings to bear on tourism in the postindustrial age, during which the middle class has acquired leisure time for international travel. This title examines notions of authenticity, high and low culture, and the construction of social reality around tourism.

Suitable for fellow conductors, players, students, and professional musicians, and also for those interested in the performance of orchestral music.

Why do we look at lynching photographs? What is the basis for our curiosity, rage, indignation, or revulsion? This book examines lynching photographs as a way of analyzing photography's historical role in promoting and resisting racial violence. It charts the history of lynching photographs - their meanings, uses, and controversial display.

At the end of WWII, several Latin American countries seemed to be ready for industrialization. Instead, they found that they had exchanged old forms of economic dependence for a new kind of dependency on the international capitalism of multinational corporations. This book offers an analysis of the economic development of Latin America.

Features an argument that ranges from highly theoretical speculations to highly topical problems of modern art and practical hints for the art teacher, and it is most unlikely that I can find a reader who will feel at home on every level of the argument.

Margaret Levi's wide-ranging theoretical and historical study demonstrates the importance of political relative to economic factors in accounting for revenue production policies.

Introduces an archaeological approach to the study of media - one that sifts through the evidence to learn how media were written about, used, designed, preserved, and sometimes discarded. This book helps us understand how the media that predate interactive, digital forms were in their time contested, adopted and embedded in the everyday.

In this brand new radical analysis of globalization, Cynthia Enloe examines recent events-Bangladeshi garment factory deaths, domestic workers in the Persian Gulf, Chinese global tourists, and the UN gender politics of guns-to reveal the crucial role of women in international politics today. With all new and updated chapters, Enloe describes how many women's seemingly personal strategies-in their marriages, in their housework, in their coping with ideals of beauty-are, in reality, the stuff of global politics. Enloe offers a feminist gender analysis of the global politics of both masculinities and femininities, dismantles an apparently overwhelming world system, and reveals that system to be much more fragile and open to change than we think.

Divided into three sections - Vineyard Profiles, Domaine Profiles, and Vintage Assessments, this title considers the leading vineyards and today's top estates, and features detailed maps and a wealth of tasting notes that reflect how the wine develops as it ages.

Nearly half of all Americans will be diagnosed with an invasive cancer-an all-too ordinary aspect of daily life. Through a powerful combination of cultural analysis and memoir, this stunningly original book explores why cancer remains so confounding, despite the billions of dollars spent in the search for a cure. Amidst furious debates over its causes and treatments, scientists generate reams of data-information that ultimately obscures as much as it clarifies. Award-winning anthropologist S. Lochlann Jain deftly unscrambles the high stakes of the resulting confusion. Expertly reading across a range of material that includes history, oncology, law, economics, and literature, Jain explains how a national culture that simultaneously aims to deny, profit from, and cure cancer entraps us in a state of paradox-one that makes the world of cancer virtually impossible to navigate for doctors, patients, caretakers, and policy makers alike. This chronicle, burning with urgency and substance leavened with brio and wit, offers a lucid guide to understanding and navigating the quicksand of uncertainty at the heart of cancer. Malignant vitally shifts the terms of an epic battle we have been losing for decades: the war on cancer.

Over the past four decades, Richard Taruskin's publications have redefined the field of Russian-music study. This volume gathers thirty-six essays on composers ranging from Bortnyansky in the eighteenth century to Tarnopolsky in the twenty-first, as well as all of the famous names in between. Some of these pieces, like the ones on Chaikovsky's alleged suicide and on the interpretation of Shostakovich's legacy, have won fame in their own right as decisive contributions to some of the most significant debates in contemporary musicology. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment, which has been particularly marked by the end of the cold war in Europe.

A comprehensive and analytical study of therapeutic concepts and practices in China. It traces the history of documented health care from its earliest extant records to present developments. It features a preface which details the ideological intersections between Chinese and European medicines.

From his dazzling conducting debut in 1943 until his death in 1990, Leonard Bernstein's star blazed brilliantly. In this fresh and revealing biography of Bernstein's political life, Barry Seldes examines Bernstein's career against the backdrop of cold war America-blacklisting by the State Department in 1950, voluntary exile from the New York Philharmonic in 1951 for fear that he might be blacklisted, signing a humiliating affidavit to regain his passport-and the factors that by the mid-1950s allowed his triumphant return to the New York Philharmonic. Seldes for the first time links Bernstein's great concert-hall and musical-theatrical achievements and his real and perceived artistic setbacks to his involvement with progressive political causes. Making extensive use of previously untapped FBI files as well as overlooked materials in the Library of Congress's Bernstein archive, Seldes illuminates the ways in which Bernstein's career intersected with the twentieth century's most momentous events. This broadly accessible and impressively documented account of the celebrity-maestro's life deepens our understanding of an entire era as it reveals important and often ignored intersections of American culture and political power.

Examines the built environment of Los Angeles, looking at its manifestations of popular taste and industrial ingenuity, as well as its traditional modes of residential and commercial building. This title also examines 'four ecologies' in the ways Angelenos relate to the beach, the freeways, the flatlands, and the foothills.

Offers a framework for understanding contemporary debates as they have evolved in Europe and the United States. From the visionary museums of Boullee in the eighteenth century to the new Guggenheim in Bilbao and beyond, this book explores various aspects of museum theory and practice: ideals and mission; architecture; the public and commercialism.

Offers an interpretation of American society. This book features a preface relating the arguments of the book both to the realities of American society and to the debate about the country's future.

In this powerful, compassionate work, one of anthropology's most distinguished ethnographers weaves together rich fieldwork with a compelling critical analysis in a book that will surely make a signal contribution to contemporary thinking about violence and how it affects everyday life. Veena Das examines case studies including the extreme violence of the Partition of India in 1947 and the massacre of Sikhs in 1984 after the assassination of then Prime Minister Indira Gandhi. In a major departure from much anthropological inquiry, Das asks how this violence has entered "e;the recesses of the ordinary"e; instead of viewing it as an interruption of life to which we simply bear witness. Das engages with anthropological work on collective violence, rumor, sectarian conflict, new kinship, and state and bureaucracy as she embarks on a wide-ranging exploration of the relations among violence, gender, and subjectivity. Weaving anthropological and philosophical reflections on the ordinary into her analysis, Das points toward a new way of interpreting violence in societies and cultures around the globe. The book will be indispensable reading across disciplinary boundaries as we strive to better understand violence, especially as it is perpetrated against women.

These poems, written between 1900 and 1908, and selected from "Das Buch der Bilder" and the two parts of "Neue Gedichte", show Rilke's deep concern with sculpture and painting. The book includes an introduction and notes. The German text faces the English translation.

A study of one of the most pivotal movements in the art of the 1957. This title seemed like an eccentric manifestation far removed from what was then considered the mainstream of modern art.

Expands the field to human ways of persuasion and identification.

Serves as a sociological examination of art which explores the cooperative network of suppliers, performers, dealers, critics, and consumers who - along with the artist - 'produce' a work of art. This book looks at the conventions essential to this operation and, prospectively, at the extent to which art is shaped by this collective activity.

Gathers some of the author's widely read articles. This book reflects on the complex negotiations we make day to day to juggle the conflicting demands of love and work.

Pieter Bruegel (1525-1569), generally considered the greatest Flemish painter of the sixteenth century, was described as a supremely comic artist. This book explores the function and production of laughter in the sixteenth century, and also examines the ways in which Bruegel exploited the comic potential of Hieronymus Bosch.

Taking stock of a century of pervasive loss - of warfare, disease, and political strife - this book considers 'what is lost' in terms of 'what remains'. It reveals how melancholia can lend meaning and force to notions of activism, ethics, and identity.

Highlights the larger meaning of what is happening to the author's subjects with an imagery that testifies to the fundamental dignity of all humanity while simultaneously protesting its violation by war, poverty, and other injustices.

An essay that outlines a perspective for the study of leadership in administrative organizations. It was written in the conviction that more reflective, theoretical discussion is needed to guide the gathering of facts that the diagnosis of troubles.

"This book is utterly indispensable to an understanding of Matisse, and therefore of early modernism as well. The original edition transformed Matisse studies by making broadly accessible as never before this great artist's writings, interviews, and other statements on the purposes of his work. This new, revised edition, with its additional texts, sharpened translations, and new annotations, will prove even more essential--as both a work of reference and as an engrossing, highly accessible introduction to the depth and diversity of Matisse's thought." --John Elderfield, Chief Curator at Large, The Museum of Modern Art, New York "Flam has edited Matisse . . . with close translation (thank God), admirable editorial introductions, and detailed notes to the forty-four brief pieces from forty-seven years." --Robert Motherwell, New York Times Book Review "The publication of this anthology of forty-four of Matisse's 'writings' on art is long overdue and should prove to be an extremely useful and popular addition to the growing documentary literature of twentieth-century art." --John Hallmark Neff, Burlington Magazine

Taking absolute nothingness as the fundamental notion in rational explanations of the Eastern experience of human life, this book examines the relevance of this notion for contemporary life, and in particular for Western philosophical theories and religious believes.