Books published by University of California Press

Deeply researched, this is the untold story of the robber baron, politician, and historic influencer who became this country's original "disruptor," reshaping industry and engineering one of the greatest raids on the public treasury.

America's expansion west was the driving force for issues of democracy, politics, race, freedom, and property. This book re-writes the history of the United States through a western lens. It reflects the important role of the West in national narratives of American history, from 1850 to the late twentieth century.

America's expansion west was the driving force for issues of democracy, politics, race, freedom, and property. This title re-writes the history of the United States through a western lens. It reflects the important role of the West in national narratives of American history, from the pre-Columbian era to 1877.

Uses the work of contemporary American artist Kara Walker to investigate a range of storytelling traditions with roots in the nineteenth century and ramifications in the present. This book also explores a significant yet neglected aspect of Walker's production: her commitment to examining narrative depictions of race, gender, power, and desire.

Traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art.

Retells the story of Prince Rama - with all its nobility of spirit, courtly intrigue, heroic renunciation, fierce battles, and triumph of good over evil.

Focusing on black Americans' participation in world's fairs, Emancipation expositions, and early black grassroots museums, this book traces the evolution of black public history from the Civil War through the civil rights movement of the 1960s.

Based on an in-depth examination of Mexico's print and broadcast media since the late 1970s, this provides a detailed account of the role of the media in democratization, demonstrating the reciprocal relationship between changes in the press and changes in the political system.

The California Tortoiseshell, West Coast Lady, Red Admiral, and Golden Oak Hairstreak are just a few of the many butterfly species found in the floristically rich San Francisco Bay and Sacramento Valley regions. This guide, written for both beginning and experienced butterfly watchers by one of the nation's best-known professional lepidopterists, provides thorough, up-to-date information on all of the butterfly species found in this diverse and accessible region. Written in lively prose, it discusses the natural history and conservation status for these butterflies and at the same time provides an integrated view of butterfly biology based on studies conducted in northern California and around the world. Compact enough for use in the field, the guide also includes tips on butterfly watching, photography, gardening, and more.* Discusses and identifies more than 130 species* Species accounts include information on identifying butterflies through behavior, markings, and host plants* Beautiful full-color plates illustrate top and bottom views of wings for easier identification* Includes a species checklist and a glossary

The received wisdom of popular jazz history is that the era of the big band was the 1930s and '40s, when swing was at its height. But as practicing jazz musicians know, even though big bands lost the spotlight once the bebop era began, they never really disappeared. Making the Scene challenges conventional jazz historiography by demonstrating the vital role of big bands in the ongoing development of jazz. Alex Stewart describes how jazz musicians have found big bands valuable. He explores the rich "e;rehearsal band"e; scene in New York and the rise of repertory orchestras. Making the Scene combines historical research, ethnography, and participant observation with musical analysis, ethnic studies, and gender theory, dismantling stereotypical views of the big band.

How, a mere generation after Vatican Council II initiated the biggest reform since the Reformation, can the Catholic Church be in such deep trouble? The question resonates through this new book by Andrew Greeley, the most recognized, respected, and influential commentator on American Catholic life. A timely and much-needed review of forty years of Church history, The Catholic Revolution offers a genuinely new interpretation of the complex and radical shift in American Catholic attitudes since the second Vatican Council (1962-1965). Drawing on a wealth of data collected over the last thirty years, Greeley points to a rift between the higher and lower orders in the Church that began in the wake of Vatican Council II-when bishops, euphoric in their (temporary) freedom from the obstructions of the Roman Curia, introduced modest changes that nonetheless proved too much for still-rigid structures of Catholicism: the "e;new wine"e; burst the "e;old wineskins."e; As the Church leadership tried to reimpose the old order, clergy and the laity, newly persuaded that "e;unchangeable"e; Catholicism could in fact change, began to make their own reforms, sweeping away the old "e;rules"e; that no longer made sense. The revolution that Greeley describes brought about changes that continue to reverberate-in a chasm between leadership and laity, and in a whole generation of Catholics who have become Catholic on their own terms. Coming at a time of crisis and doubt for the Catholic Church, this richly detailed, deeply thoughtful analysis brings light and clarity to the years of turmoil that have shaken the foundations, if not the faith, of American Catholics.

This first critical biography of Arturo Islas (19381991) brings to life the complex and overlapping worlds inhabited by the gay Chicano poet, novelist, scholar, and professor. Gracefully written and deeply researched, Dancing with Ghosts considers both the larger questions of Islas's life-his sexuality, racial identification, and political personality-and the events of his everyday existence, from his childhood in the borderlands of El Paso to his adulthood in San Francisco and at Stanford University. Frederick Aldama portrays the many facets of Islas's engaging and often contradictory personality. He also explores Islas's coming into the craft of poetry and fiction-his extraordinary struggle to publish his novels, The Rain God, La Mollie and the King of Tears, and Migrant Souls-as well as his pivotal role in paving the way for a new generation of Chicano/a scholars and writers. Through a skillful interweaving of life history, criticism, and literary theory, Aldama paints an unusually rich and wide-ranging portrait of both the man and the eventful times in which he lived. He describes Islas's struggle with polio as a child, his near-death experience and ileostomy as a thirty-year-old beginning to explore his queer sexuality in San Francisco in the 1970s, and his fatal struggle with AIDS in the late 1980s. Drawing from hundreds of unpublished letters, lecture notes, drafts of essays, novels, and poetry archived at Stanford University, Aldama also deals frankly with the controversies that swirled around Islas's impassioned love life, his drug addictions, and his scholarly and professional career as one of the first Chicano/a professors in the United States. He discusses the importance of Islas's pioneering role in bridging Anglo, Latin American, Chicano/a, and European storytelling styles and voices. Dancing with Ghosts succeeds brilliantly both as an account of a fascinating life that embraced many different worlds and as a chronicle of the grand historical shifts that transformed the late-twentieth-century American cultural landscape.

What Muscovites get in a soup kitchen run by the Christian Church of Moscow is something far more subtle and complex-if no less necessary and nourishing-than the food that feeds their hunger. In Not by Bread Alone, the first full-length ethnographic study of poverty and social welfare in the postsocialist world, Melissa L. Caldwell focuses on the everyday operations and civil transactions at CCM soup kitchens to reveal the new realities, the enduring features, and the intriguing subtext of social support in Russia today.In an international food aid community, Caldwell explores how Muscovites employ a number of improvisational tactics to satisfy their material needs. She shows how the relationships that develop among members of this community-elderly Muscovite recipients, Russian aid workers, African student volunteers, and North American and European donors and volunteers-provide forms of social support that are highly valued and ultimately far more important than material resources. In Not by Bread Alone we see how the soup kitchens become sites of social stability and refuge for all who interact there-not just those with limited financial means-and how Muscovites articulate definitions of hunger and poverty that depend far more on the extent of one's social contacts than on material factors.By rethinking the ways in which relationships between social and economic practices are theorized-by identifying social relations and social status as Russia's true economic currency-this book challenges prevailing ideas about the role of the state, the nature of poverty and welfare, the feasibility of Western-style reforms, and the primacy of social connections in the daily lives of ordinary people in post-Soviet Russia.

Commonly portrayed in the media as holding women in strict subordination and deference to men, Islam is nonetheless attracting numerous converts among African American women. Are these women "e;reproducing their oppression,"e; as it might seem? Or does their adherence to the religion suggest unsuspected subtleties and complexities in the relation of women, especially black women, to Islam? Carolyn Rouse sought answers to these questions among the women of Sunni Muslim mosques in Los Angeles. Her richly textured study provides rare insight into the meaning of Islam for African American women; in particular, Rouse shows how the teachings of Islam give these women a sense of power and control over interpretations of gender, family, authority, and obligations. In Engaged Surrender, Islam becomes a unique prism for clarifying the role of faith in contemporary black women's experience. Through these women's stories, Rouse reveals how commitment to Islam refracts complex processes-urbanization, political and social radicalization, and deindustrialization-that shape black lives generally, and black women's lives in particular. Rather than focusing on traditional (and deeply male) ideas of autonomy and supremacy, the book-and the community of women it depicts-emphasizes more holistic notions of collective obligation, personal humility, and commitment to overarching codes of conduct and belief. A much-needed corrective to media portraits of Islam and the misconceptions they engender, this engaged and engaging work offers an intimate, in-depth look into the vexed and interlocking issues of Islam, gender, and race.

How do landscapes-defined in the broadest sense to incorporate the physical contours of the built environment, the aesthetics of form, and the imaginative reflections of spatial representations-contribute to the making of politics? Shifting through the archaeological, epigraphic, and artistic remains of early complex societies, this provocative and far-reaching book is the first systematic attempt to explain the links between spatial organization and politics from an anthropological point of view. The Classic-period Maya, the kingdom of Urartu, and the cities of early southern Mesopotamia provide the focal points for this multidimensional account of human polities. Are the cities and villages in which we live and work, the lands that are woven into our senses of cultural and personal identity, and the national territories we occupy merely stages on which historical processes and political rituals are enacted? Or do the forms of buildings and streets, the evocative sensibilities of architecture and vista, the aesthetics of place conjured in art and media constitute political landscapes-broad sets of spatial practices critical to the formation, operation, and overthrow of polities, regimes, and institutions? Smith brings together contemporary theoretical developments from geography and social theory with anthropological perspectives and archaeological data to pursue these questions.

To be a black woman of faith in the American South is to understand and experience spirituality in a particular way. How this understanding expresses itself in everyday practices of faith is the subject of Between Sundays, an innovative work that takes readers beyond common misconceptions and narrow assumptions about black religion and into the actual complexities of African American women's spiritual lives. Gracefully combining narrative, interviews, and analysis, this book explores the personal, political, and spiritual commitments of a group of Baptist women whose experiences have been informed by the realities of life in a rural, southern community. In these lives, "e;spirituality"e; emerges as a space for creative agency, of vital importance to the ways in which these women interpret, inform, and reshape their social conditions--conditions often characterized by limited access to job opportunities, health care, and equitable schooling. In the words of these women, and in Marla F. Frederick's deft analysis, we see how spirituality-expressed as gratitude, empathy, or righteous discontent-operates as a transformative power in women's interactions with others, and in their own more intimate renegotiations of self.

At the dawn of the twenty-first century, America finds itself on the brink of a new racial consciousness. The old, unquestioned confidence with which individuals can be classified (as embodied, for instance, in previous U.S. census categories) has been eroded. In its place are shifting paradigms and new norms for racial identity. Eva Marie Garroutte examines the changing processes of racial identification and their implications by looking specifically at the case of American Indians.

Micheline Ishay recounts the dramatic struggle for human rights across the ages in a book that brilliantly synthesizes historical and intellectual developments from the Mesopotamian Codes of Hammurabi to today's era of globalization. As she chronicles the clash of social movements, ideas, and armies that have played a part in this struggle, Ishay illustrates how the history of human rights has evolved from one era to the next through texts, cultural traditions, and creative expression. Writing with verve and extraordinary range, she develops a framework for understanding contemporary issues from the debate over globalization to the intervention in Kosovo to the climate for human rights after September 11, 2001. The only comprehensive history of human rights available, the book will be essential reading for anyone concerned with humankind's quest for justice and dignity. Ishay structures her chapters around six core questions that have shaped human rights debate and scholarship: What are the origins of human rights? Why did the European vision of human rights triumph over those of other civilizations? Has socialism made a lasting contribution to the legacy of human rights? Are human rights universal or culturally bound? Must human rights be sacrificed to the demands of national security? Is globalization eroding or advancing human rights? As she explores these questions, Ishay also incorporates notable documents-writings, speeches, and political statements-from activists, writers, and thinkers throughout history.

Ants are among the most conspicuous and the most ecologically important of insects. This concise, easy-to-use, authoritative identification guide introduces the fascinating and diverse ant fauna of the United States and Canada. It features the first illustrated key to North American ant genera, discusses distribution patterns, explores ant ecology and natural history, and includes a list of all currently recognized ant species in this large region. * New keys to the 73 North American ant genera illustrated with 250 line drawings ensure accurate identification * 180 color images show the head and profile of each genus and important species groups * Includes a glossary of important terms

Ghosts of Futures Past guides readers through the uncanny world of nineteenth-century American spiritualism. More than an occult parlor game, this was a new religion, which channeled the voices of the dead, linked present with past, and conjured new worldly and otherworldly futures. Tracing the persistence of magic in an emergent culture of secularism, Molly McGarry brings a once marginalized practice to the center of American cultural history. Spiritualism provided an alchemical combination of science and magic that called into question the very categories of male and female, material and immaterial, self and other, living and dead. Dissolving the boundaries between them opened Spiritualist practitioners to other voices and, in turn, allowed them to imagine new social worlds and forge diverse political affinities.

In this enlightening and timely work, Pierrette Hondagneu-Sotelo highlights the voices, experiences, and views of Mexican and Central American women who care for other people's children and homes, as well as the outlooks of the women who employ them in Los Angeles. The new preface looks at the current issues facing immigrant domestic workers in a global context.

In this first comprehensive comparison of left-wing violence in the United States and West Germany, Jeremy Varon focuses on America's Weather Underground and Germany's Red Army Faction to consider how and why young, middle-class radicals in prosperous democratic societies turned to armed struggle in efforts to overthrow their states. Based on a wealth of primary material, ranging from interviews to FBI reports, this book reconstructs the motivation and ideology of violent organizations active during the 1960s and 1970s. Varon conveys the intense passions of the era--the heat of moral purpose, the depth of Utopian longing, the sense of danger and despair, and the exhilaration over temporary triumphs. Varon's compelling interpretation of the logic and limits of dissent in democratic societies provides striking insights into the role of militancy in contemporary protest movements and has wide implications for the United States' current "e;war on terrorism."e;Varon explores Weatherman and RAF's strong similarities and the reasons why radicals in different settings developed a shared set of values, languages, and strategies. Addressing the relationship of historical memory to political action, Varon demonstrates how Germany's fascist past influenced the brutal and escalating nature of the West German conflict in the 60s and 70s, as well as the reasons why left-wing violence dropped sharply in the United States during the 1970s. Bringing the War Home is a fascinating account of why violence develops within social movements, how states can respond to radical dissent and forms of terror, how the rational and irrational can combine in political movements, and finally how moral outrage and militancy can play both constructive and destructive roles in efforts at social change.

This innovative study of modern Turkey is the result of many years of ethnographic fieldwork and archival research. Michael Meeker expertly combines anthropological and historical methods to examine the transition from the Ottoman Empire to the Turkish Republic in a major region of the country, the eastern Black Sea coast. His most significant finding is that a state-oriented provincial oligarchy played a key role in successive programs of reform over the course of more than two hundred years of imperial and national history. As Meeker demonstrates, leading individuals backed by interpersonal networks determined the outcome of the modernizing process, first during the westernizing period of the Empire, then during the revolutionary period of the Republic.To understand how such a state-oriented provincial oligarchy was produced and reproduced along the eastern Black Sea coast, Meeker integrates a contemporary ethnographic study of public life in towns and villages with a historical study of official documents, consular reports, and travel narratives. A Nation of Empire provides anthropologists, historians, and students of Eastern Europe and the Middle East with a new understanding of the complexities and contradictions of modern Turkish experience.

When Theodore Dreiser first published Sister Carrie in 1900 it was suppressed for its seamy plot, colloquial language, and immorality-for, as one reviewer put it, its depiction of "e;the godless side of American life."e; It was a side of life experienced firsthand by Dreiser, whose own circumstances often paralleled those of his characters in the turbulent, turn-of-the-century era of immigrants, black lynchings, ruthless industrialists, violent labor movements, and the New Woman. This masterful critical biography, the first on Dreiser in more than half a century, is the only study to fully weave Dreiser's literary achievement into the context of his life. Jerome Loving gives us a Dreiser for a new generation in a brilliant evocation of a writer who boldly swept away Victorian timidity to open the twentieth century in American literature. Dreiser was a controversial figure in his time, not only because of his literary efforts, which included publication of the brutal and heartbreaking An American Tragedy in 1925, but also because of his personal life, which featured numerous sexual liaisons, included membership in the communist party, merited a 180-page FBI file, and ended in Hollywood. The Last Titan paints a full portrait of the mature Dreiser between the two world wars-through the roaring twenties, the stock market crash, and the Depression-and describes his contact with important figures from Emma Goldman and H.L. Mencken to two presidents Roosevelt. Tracing Dreiser's literary roots in Hawthorne, Emerson, Thoreau, and especially Whitman, Loving has written what will surely become the standard biography of one of America's best novelists.

Dhooleka S. Raj explores the complexities of ethnic minority cultural change in this incisive examination of first- and second-generation middle-class South Asian families living in London. Challenging prevalent understandings of ethnicity that equate community, culture, and identity, Raj considers how transnational ethnic minorities are circumscribed by nostalgia for culture. Where Are You From? argues that the nostalgia for culture obscures the complexities of change in migrant minority lives and limits the ways the politics of diversity can be imagined by the nation. Based on ethnographic research with Indian migrants and their children, this book examines how categories of identity, culture, community, and nation are negotiated and often equated.

The Emancipation of Writing is the first study of writing in its connection to bureaucracy, citizenship, and the state in Germany. Stitching together micro- and macro-level analysis, it reconstructs the vibrant, textually saturated civic culture of the German southwest in the aftermath of the French Revolution and Napoleon's invasions. Ian F. McNeely reveals that Germany's notoriously oppressive bureaucracy, when viewed through the writing practices that were its lifeblood, could also function as a site of citizenship. Citizens, acting under the mediation of powerful local scribes, practiced their freedoms in written engagements with the state. Their communications laid the basis for civil society, showing how social networks commonly associated with the free market, the free press, and the voluntary association could also take root in powerful state institutions.