Books published by University of California Press

Jewish Identities mounts a formidable challenge to prevailing essentialist assumptions about "e;Jewish music,"e; which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by members of that group. Klara Moricz scrutinizes concepts of Jewish identity and reorders ideas about twentieth-century "e;Jewish music"e; in three case studies: first, Russian Jewish composers of the first two decades of the twentieth century; second, the Swiss American Ernest Bloch; and third, Arnold Schoenberg. Examining these composers in the context of emerging Jewish nationalism, widespread racial theories, and utopian tendencies in modernist art and twentieth-century politics, Moricz describes a trajectory from paradigmatic nationalist techniques, through assumptions about the unintended presence of racial essences, to an abstract notion of Judaism.

Music Divided explores how political pressures affected musical life on both sides of the iron curtain during the early years of the cold war. In this groundbreaking study, Danielle Fosler-Lussier illuminates the pervasive political anxieties of the day through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary's most renowned twentieth-century composer, Bela Bartok. She shows how a tense period of political transition plagued Bartok's music and imperiled those who took a stand on its aesthetic value in the emerging socialist state. Her fascinating investigation of Bartok's reception outside of Hungary demonstrates that Western composers, too, formulated their ideas about musical style under the influence of ever-escalating cold war tensions.Music Divided surveys Bartok's role in provoking negative reactions to "e;accessible"e; music from Pierre Boulez, Hermann Scherchen, and Theodor Adorno. It considers Bartok's influence on the youthful compositions and thinking of Bruno Maderna and Karlheinz Stockhausen, and it outlines Bartok's legacy in the music of the Hungarian composers Andras Mihaly, Ferenc Szabo, and Endre Szervanszky. These details reveal the impact of local and international politics on the selection of music for concert and radio programs, on composers' choices about musical style, on government radio propaganda about music, on the development of socialist realism, and on the use of modernism as an instrument of political action.

This illuminating study explores a central but neglected aspect of modern Jewish history: the problem of abandoned Jewish wives, or agunes ("e;chained wives"e;)-women who under Jewish law could not obtain a divorce-and of the men who deserted them. Looking at seventeenth- and eighteenth-century Germany and then late nineteenth-century eastern Europe and twentieth-century United States, Enforced Marginality explores representations of abandoned wives while tracing the demographic movements of Jews in the West. Bluma Goldstein analyzes a range of texts (in Old Yiddish, German, Yiddish, and English) at the intersection of disciplines (history, literature, sociology, and gender studies) to describe the dynamics of power between men and women within traditional communities and to elucidate the full spectrum of experiences abandoned women faced.

The Persians of antiquity were renowned for their lavish cuisine and their never-ceasing fascination with the exotic. These traits still find expression in the cooking of India's rapidly dwindling Parsi population-descendants of Zoroastrians who fled Persia after the Sassanian empire fell to the invading Arabs. The first book published in the United States on Parsi food written by a Parsi, this beautiful volume includes 165 recipes and makes one of India's most remarkable regional cuisines accessible to Westerners. In an intimate narrative rich with personal experience, the author leads readers into a world of new ideas, tastes, ingredients, and techniques, with a range of easy and seductive menus that will reassure neophytes and challenge explorers.

This innovative work on Chinese concepts of the afterlife is the result of Stephen Bokenkamp's groundbreaking study of Chinese scripture and the incorporation of Indic concepts into the Chinese worldview. Here, he explores how Chinese authors, including Daoists and non-Buddhists, received and deployed ideas about rebirth from the third to the sixth centuries C.E. In tracing the antecedents of these scriptures, Bokenkamp uncovers a stunning array of non-Buddhist accounts that provide detail on the realms of the dead, their denizens, and human interactions with them. Bokenkamp demonstrates that the motive for the Daoist acceptance of Buddhist notions of rebirth lay not so much in the power of these ideas as in the work they could be made to do.

Sometimes by accident and sometimes on purpose, humans have transported plants and animals to new habitats around the world. Arriving in ever-increasing numbers to American soil, recent invaders have competed with, preyed on, hybridized with, and carried diseases to native species, transforming our ecosystems and creating anxiety among environmentalists and the general public. But is American anxiety over this crisis of ecological identity a recent phenomenon? Charting shifting attitudes to alien species since the 1850s, Peter Coates brings to light the rich cultural and historical aspects of this story by situating the history of immigrant flora and fauna within the wider context of human immigration. Through an illuminating series of particular invasions, including the English sparrow and the eucalyptus tree, what he finds is that we have always perceived plants and animals in relation to ourselves and the polities to which we belong. Setting the saga of human relations with the environment in the broad context of scientific, social, and cultural history, this thought-provoking book demonstrates how profoundly notions of nationality and debates over race and immigration have shaped American understandings of the natural world.

It happens every day: we pick up a newspaper or magazine or turn on the television and are bombarded with urgent advice about how to stay healthy. Lose weight! Lower your cholesterol! Early detection saves lives! Sunscreen prevents cancer! But in many cases, pronouncements we rarely think to question turn out to be half-truths that are being pushed by various individuals or groups to advance their own agendas. The Healthy Skeptic explores who these health promoters are-from journalists and celebrities to industry-funded groups and consumer activists-what their motives are, and how they are spinning us in ways we often don't realize. This treasure trove of little-known facts, written by a seasoned health reporter, provides invaluable tips, tools, and resources to help readers think more critically about what they're being told. Becoming a healthy skeptic is vital, Davis argues, because following the right advice can have a profound impact on overall health and longevity. IN TEN ENTERTAINING CHAPTERS, ROBERT J. DAVIS DISCUSSES: * Diets and why they don't work* Dietary supplements * The campaign to reduce cholesterol * Celebrity exhortations to "e;get tested"e; * Sunscreen and its promoters' claims * The antichemical activists

This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials-including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982-to create an expansive chronicle of Gershwin's meteoric rise to fame. He also traces Gershwin's powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses.Pollack's lively narrative describes Gershwin's family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin's entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.

This first Western-language translation of one of the great books of the Daoist religious tradition, the Taiping jing, or "e;Scripture on Great Peace,"e; documents early Chinese medieval thought and lays the groundwork for a more complete understanding of Daoism's origins. Barbara Hendrischke, a leading expert on the Taiping jing in the West, has spent twenty-five years on this magisterial translation, which includes notes that contextualize the scripture's political and religious significance. Virtually unknown to scholars until the 1970s, the Taiping jing raises the hope for salvation in a practical manner by instructing men and women how to appease heaven and satisfy earth and thereby reverse the fate that thousands of years of human wrongdoing has brought about. The scripture stems from the beginnings of the Daoist religious movement, when ideas contained in the ancient Laoziwere spread with missionary fervor among the population at large. The Taiping jing demonstrates how early Chinese medieval thought arose from the breakdown of the old imperial order and replaced it with a vision of a new, more diverse and fair society that would integrate outsiders-in particular women and people of a non-Chinese background.

Tom Waldman's lively and sweeping assessment of the state of American liberalism begins with the political turbulence of 1968 and culminates with the 2006 takeover of Congress by the Democratic Party. Not Much Left: The Fate of Liberalism in America vividly demonstrates how the progressive and liberal wing of the Democratic Party helped end a war, won the civil rights battle, and paved the way for blacks, women, gays, and other minorities to achieve full citizenship. Through reportage, anecdotes, and analysis-particularly of the disastrous defeat of Democrat George McGovern in 1972-Waldman chronicles how the grand coalition that achieved so much in the 1960s began to self-destruct in the early 1970s. Citing the Republican recovery from Barry Goldwater's 1964 defeat, Waldman demonstrates how the two parties' very different reactions to electoral debacle account for recent Republican dominance and Democratic impotence. Assessing liberalism's fate through the Carter and Reagan presidencies, the defeat of Michael Dukakis in the 1988 presidential election, and the on-again, off-again liberalism of the Clinton years, Waldman then brings the discussion up to date with analysis of the 2008 presidential campaign.

Sexuality and the occult arts have long been associated in the western imagination, but it was not until the nineteenth century that a large and sophisticated body of literature on sexual magic-the use of sex as a source of magical power-emerged. This book, the first history of western sexual magic as a modern spiritual tradition, places these practices in the context of the larger discourse surrounding sexuality in American and European society over the last 150 years to discover how sexual magic was transformed from a terrifying medieval nightmare of heresy and social subversion into a modern ideal of personal empowerment and social liberation. Focusing on a series of key figures including American spiritualist Paschal Beverly Randolph, Aleister Crowley, Julius Evola, Gerald Gardner, and Anton LaVey, Hugh Urban traces the emergence of sexual magic out of older western esoteric traditions including Gnosticism and Kabbalah, which were progressively fused with recently-discovered eastern traditions such as Hindu and Buddhist Tantra. His study gives remarkable new insight into sexuality in the modern era, specifically on issues such as the politics of birth control, the classification of sexual "e;deviance,"e; debates over homosexuality and feminism, and the role of sexuality in our own new world of post-modern spirituality, consumer capitalism, and the Internet.

Trained as a printer when still a boy, and thrilled throughout his life by the automation of printing and the headlong expansion of American publishing, Mark Twain wrote about the consequences of this revolution for culture and for personal identity. Printer's Devil is the first book to explore these themes in some of Mark Twain's best-known literary works, and in his most daring speculations-on American society, the modern condition, and the nature of the self. Playfully and anxiously, Mark Twain often thought about typeset words and published images as powerful forces-for political and moral change, personal riches and ruin, and epistemological turmoil. In his later years, Mark Twain wrote about the printing press as a center of metaphysical power, a force that could alter the fabric of reality. Studying these themes in Mark Twain's writings, Bruce Michelson also provides a fascinating overview of technological changes that transformed the American printing and publishing industries during Twain's lifetime, changes that opened new possibilities for content, for speed of production, for the size and diversity of a potential audience, and for international fame. The story of Mark Twain's life and art, amid this media revolution, is a story with powerful implications for our own time, as we ride another wave of radical change: for printed texts, authors, truth, and consciousness.

"e;Once in a lifetime."e; The phrase comes up over and over from the people who worked on Peter Jackson's The Lord of the Rings. The film's seventeen Oscars, record-setting earnings, huge fan base, and hundreds of ancillary products attest to its importance and to the fact that Rings is far more than a film. Its makers seized a crucial moment in Hollywood-the special effects digital revolution plus the rise of "e;infotainment"e; and the Internet-to satisfy the trilogy's fans while fostering a huge new international audience. The resulting franchise of franchises has earned billions of dollars to date with no end in sight. Kristin Thompson interviewed seventy-six people to examine the movie's scripting and design and the new technologies deployed to produce the films, video games, and DVDs. She demonstrates the impact Rings had on the companies that made it, on the fantasy genre, on New Zealand, and on independent cinema. In fast-paced, compulsively readable prose, she affirms Jackson's Rings as one the most important films ever made.

This thorough and meticulous study, the result of nearly a quarter-century of research, examines the island biogeography of plants on continental islands in Barkley Sound, British Columbia. Invaluable both because of its geographical setting and because of the duration of the study, Plants on Islands summarizes the diversity, dynamics, and distribution of the approximately three hundred species of plants on more than two hundred islands. Martin Cody uses his extensive data set to test various aspects of island biogeographic theory. His thoughtful analysis, constrained by taxon and region, elucidates and enhances the understanding of the biogeographic patterns and dynamics. He provides an overview of the basic theory, concepts, and analytical tools of island biogeography. Also discussed are island relaxation to lower equilibrium species numbers post-isolation, plant distributions variously limited by island area, isolation and climatic differences, adaptation to local abiotic and biotic environments within islands, and the evolution of different island phenotypes. The book concludes with a valuable consideration of equilibrium concepts and of the interplay of coexistence and competition. Certain to challenge, Plants on Islands is among the first books to critically analyze the central tenets of the theory of island biogeography.

Monitoring changes in the intertidal zone of rocky shores has never been more critical. This sensitive habitat at the interface of land and ocean may well be the marine equivalent of the canary in a coal mine as we advance into an era of global climate change. This handbook describes effective methods and procedures for monitoring the ecological and environmental status of these areas. Written by three collaborating authors with extensive field experience, it provides critical discussions and evaluation of the various sampling techniques and field procedures for studies of intertidal macroinvertebrates, seaweeds, and seagrasses. Rather than prescribing standard protocols or procedures, the authors break down the decision-making process into various elements so investigators can become aware of the advantages and disadvantages of choosing a particular method or approach. Chapters discuss topics such as site selection, field sampling layouts and designs, selection of sampling units, nondestructive and destructive methods of quantifying abundance, and methods for measuring age, growth rates, size, structure, and reproductive condition.

Throughout his distinguished career, Philip Brett wrote about the music of the Tudor period. He carried out pathbreaking work on the life and music of William Byrd (c.1540-1623), both as an editor and a historian. He also studied other composers working during the period, including John Taverner, Thomas Tallis, Orlando Gibbons, and Thomas Weelkes. Collecting these influential essays together for the first time, this volume is a tribute to Brett's agile mind and to his incomparable skill at synthesizing history and musical analysis.Byrd was a prominent court composer, but also a Catholic. Besides important instrumental music and English songs, he wrote a great deal of sacred music, some for his Protestant patrons, and some for his fellow Catholics who celebrated mass in secret. Ranging from the report of Brett's findings on the Paston manuscripts, an unpublished round-table paper that he delivered a few months before his untimely death, to his monograph-length study of Byrd's magnum opus, Gradualia, the essays collected here consider both sacred and secular music, and vocal and instrumental traditions, providing an intimate glimpse into what was unique about Byrd and his music. Elegantly written, with the particular brilliance for which Brett was known, this book opens a fascinating window onto one of the most fruitful periods of English musical history.

This remarkable book shines a fierce light on the current state of liberty and shows how longstanding restraints against tyranny-and the rights of habeas corpus, trial by jury, and due process of law, and the prohibition of torture-are being abridged. In providing a sweeping history of Magna Carta, the source of these protections since 1215, this powerful book demonstrates how these ancient rights are repeatedly laid aside when the greed of privatization, the lust for power, and the ambition of empire seize a state. Peter Linebaugh draws on primary sources to construct a wholly original history of the Great Charter and its scarcely-known companion, the Charter of the Forest, which was created at the same time to protect the subsistence rights of the poor.

This engaging book provides a broad and accessible analysis of Mexico's contemporary struggle for democratic development. Now completely revised, it brings up to date issues ranging from electoral reform and accountability to drug trafficking, migration, and NAFTA. It also considers the rapidly changing role of Mexico's mass and elite groups, and its national institutions, including the media, the military, and the Church.

In 1935, a Chinese woman by the name of Shi Jianqiao murdered the notorious warlord Sun Chuanfang as he prayed in a Buddhist temple. This riveting work of history examines this well-publicized crime and the highly sensationalized trial of the killer. In a fascinating investigation of the media, political, and judicial records surrounding this cause celebre, Eugenia Lean shows how Shi Jianqiao planned not only to avenge the death of her father, but also to attract media attention and galvanize public support. Lean traces the rise of a new sentiment-"e;public sympathy"e;-in early twentieth-century China, a sentiment that ultimately served to exonerate the assassin. The book sheds new light on the political significance of emotions, the powerful influence of sensational media, modern law in China, and the gendered nature of modernity.

In the late 1920s outside a sleepy remote New Mexico village, prehistory was made. Spear points, found embedded between the ribs of an extinct Ice Age bison at the site of Folsom, finally resolved decades of bitter scientific controversy over whether the first Americans had arrived in the New World in Ice Age times. Although Folsom is justly famous in the history of archaeology for resolving that dispute, for decades little was known of the site except that it was very old. This book for the first time tells the full story of Folsom. David J. Meltzer deftly combines the results of extensive new excavations and laboratory analyses from the late 1990s, with the results of a complete examination and analysis of all the original artifacts and bison remains recovered in the 1920s - now scattered in museums and small towns across the country. Using the latest in archaeological method and technique, and bringing in data from geology and paleoecology, this interdisciplinary study provides a comprehensive look at the adaptations and environments of the late Ice Age Paleoindian hunters who killed a large herd of bison at this spot, as well as a measure of Folsom's pivotal role in American archaeology.

While fads such as hula hoops or streaking are usually dismissed as silly enthusiasms, trends in institutions such as education, business, medicine, science, and criminal justice are often taken seriously, even though their popularity and usefulness is sometimes short-lived. Institutional fads such as open classrooms, quality circles, and multiple personality disorder are constantly making the rounds, promising astonishing new developments-novel ways of teaching reading or arithmetic, better methods of managing businesses, or improved treatments for disease. Some of these trends prove to be lasting innovations, but others-after absorbing extraordinary amounts of time and money-are abandoned and forgotten, soon to be replaced by other new schemes. In this pithy, intriguing, and often humorous book, Joel Best-author of the acclaimed Damned Lies and Statistics-explores the range of institutional fads, analyzes the features of our culture that foster them, and identifies the major stages of the fad cycle-emerging, surging, and purging. Deconstructing the ways that this system plays into our notions of reinvention, progress, and perfectibility, Flavors of the Month examines the causes and consequences of fads and suggests ways of fad-proofing our institutions.

This highly original, provocative, and poetic work explores the nexus of time, truth, and death in the symbolic world of medieval kabbalah. Demonstrating that the historical and theoretical relationship between kabbalah and western philosophy is far more intimate and extensive than any previous scholar has ever suggested, Elliot R. Wolfson draws an extraordinary range of thinkers such as Frederic Jameson, Martin Heidegger, Franz Rosenzweig, William Blake, Julia Kristeva, Friedrich Schelling, and a host of kabbalistic figures into deep conversation with one another. Alef, Mem, Tau also discusses Islamic mysticism and Buddhist thought in relation to the Jewish esoteric tradition as it opens the possibility of a temporal triumph of temporality and the conquering of time through time.The framework for Wolfson's examination is the rabbinic teaching that the word emet, "e;truth,"e; comprises the first, middle, and last letters of the Hebrew alphabet, alef, mem, and tau, which serve, in turn, as semiotic signposts for the three tenses of time-past, present, and future. By heeding the letters of emet we discern the truth of time manifestly concealed in the time of truth, the beginning that cannot begin if it is to be the beginning, the middle that re/marks the place of origin and destiny, and the end that is the figuration of the impossible disclosing the impossibility of figuration, the finitude of death that facilitates the possibility of rebirth. The time of death does not mark the death of time, but time immortal, the moment of truth that bestows on the truth of the moment an endless beginning of a beginningless end, the truth of death encountered incessantly in retracing steps of time yet to be taken-between, before, beyond.

Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today's bloated blockbusters. American filmmakers have created a durable tradition-one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960, from romantic comedies like Jerry Maguire and Love Actually to more imposing efforts like A Beautiful Mind. He also draws upon testimony from writers, directors, and editors who are acutely conscious of employing proven principles of plot and visual style. Within the limits of the "e;classical"e; approach, innovation can flourish. Bordwell examines how imaginative filmmakers have pushed the premises of the system in films such as JFK, Memento, and Magnolia. He discusses generational, technological, and economic factors leading to stability and change in Hollywood cinema and includes close analyses of selected shots and sequences. As it ranges across four decades, examining classics like American Graffiti and The Godfather as well as recent success like The Lord of the Rings: The Two Towers, this book provides a vivid and engaging interpretation of how Hollywood moviemakers have created a vigorous, resourceful tradition of cinematic storytelling that continues to engage audiences around the world.

Robin Blaser, one of the key North American poets of the postwar period, emerged from the "e;Berkeley Renaissance"e; of the 1940s and 1950s as a central figure in that burgeoning literary scene. The Holy Forest, now spanning five decades, is Blaser's highly acclaimed lifelong serial poem. This long-awaited revised and expanded edition includes numerous published volumes of verse, the ongoing "e;Image-Nation"e; and "e;Truth Is Laughter"e; series, and new work from 1994 to 2004. Blaser's passion for world making draws inspiration from the major poets and philosophers of our time-from friends and peers such as Robert Duncan, Jack Spicer, Charles Olson, Charles Bernstein, and Steve McCaffery to virtual companions in thought such as Hannah Arendt, Maurice Merleau-Ponty, Michel Foucault, and Jacques Derrida, among others. This comprehensive compilation of Blaser's prophetic meditations on the histories, theories, emotions, experiments, and countermemories of the late twentieth century will stand as the definitive collection of his unique and luminous poetic oeuvre.

Eighteenth-century Spanish women were not idle bystanders during one of Europe's most dynamic eras. As Theresa Ann Smith skillfully demonstrates in this lively and absorbing book, Spanish intellectuals, calling for Spain to modernize its political, social, and economic institutions, brought the question of women's place to the forefront, as did women themselves. In explaining how both discourse and women's actions worked together to define women's roles in the nation, The Emerging Female Citizen not only illustrates the rising visibility of women, but also reveals the complex processes that led to women's relatively swift exit from most public institutions in the early 1800s. As artists, writers, and reformers, Spanish women took up pens, joined academies and economic societies, formed tertulias-similar to French salons-and became active in the burgeoning public discourse of Enlightenment. In analyzing the meaning of women's presence in diverse centers of Enlightenment, Smith offers a new interpretation of the dynamics among political discourse, social action, and gender ideologies.

In this work of impressive scholarship, Sheldon Pollock explores the remarkable rise and fall of Sanskrit, India's ancient language, as a vehicle of poetry and polity. He traces the two great moments of its transformation: the first around the beginning of the Common Era, when Sanskrit, long a sacred language, was reinvented as a code for literary and political expression, the start of an amazing career that saw Sanskrit literary culture spread from Afghanistan to Java. The second moment occurred around the beginning of the second millennium, when local speech forms challenged and eventually replaced Sanskrit in both the literary and political arenas. Drawing striking parallels, chronologically as well as structurally, with the rise of Latin literature and the Roman empire, and with the new vernacular literatures and nation-states of late-medieval Europe, The Language of the Gods in the World of Men asks whether these very different histories challenge current theories of culture and power and suggest new possibilities for practice.

Three American missiles hit the Chinese embassy in Belgrade, and what Americans view as an appalling and tragic mistake, many Chinese see as a "e;barbaric"e; and intentional "e;criminal act,"e; the latest in a long series of Western aggressions against China. In this book, Peter Hays Gries explores the roles of perception and sentiment in the growth of popular nationalism in China. At a time when the direction of China's foreign and domestic policies have profound ramifications worldwide, Gries offers a rare, in-depth look at the nature of China's new nationalism, particularly as it involves Sino-American and Sino-Japanese relations-two bilateral relations that carry extraordinary implications for peace and stability in the twenty-first century. Through recent Chinese books and magazines, movies, television shows, posters, and cartoons, Gries traces the emergence of this new nationalism. Anti-Western sentiment, once created and encouraged by China's ruling PRC, has been taken up independently by a new generation of Chinese. Deeply rooted in narratives about past "e;humiliations"e; at the hands of the West and impassioned notions of Chinese identity, popular nationalism is now undermining the Communist Party's monopoly on political discourse, threatening the regime's stability. As readable as it is closely researched and reasoned, this timely book analyzes the impact that popular nationalism will have on twenty-first century China and the world.

Epic Encounters examines how popular culture has shaped the ways Americans define their "e;interests"e; in the Middle East. In this innovative book-now brought up-to-date to include 9/11 and the Iraq war-Melani McAlister argues that U.S. foreign policy, while grounded in material and military realities, is also developed in a cultural context. American understandings of the region are framed by narratives that draw on religious belief, news media accounts, and popular culture. This remarkable and pathbreaking book skillfully weaves lively and accessible readings of film, media, and music with a rigorous analysis of U.S. foreign policy, race politics, and religious history. The new chapter, titled "e;9/11 and After: Snapshots on the Road to Empire,"e; considers and brilliantly analyzes five images that have become iconic: (1) New York City firemen raising the American flag out of the rubble of the World Trade Center, (2) the televised image of Osama bin-Laden, (3) Afghani women in burqas, (4) the statue of Saddam Hussein being toppled in Baghdad, and (5) the hooded and wired prisoner in Abu Ghraib. McAlister's singular achievement is to illuminate the contexts of these five images both at the time they were taken and as they relate to current events, an accomplishment all the more remarkable since-to paraphrase her new preface-we are today struggling to look backward at something that is still rushing ahead.

Adventures in Yiddishland examines the transformation of Yiddish in the six decades since the Holocaust, tracing its shift from the language of daily life for millions of Jews to what the author terms a postvernacular language of diverse and expanding symbolic value. With a thorough command of modern Yiddish culture as well as its centuries-old history, Jeffrey Shandler investigates the remarkable diversity of contemporary encounters with the language. His study traverses the broad spectrum of people who engage with Yiddish-from Hasidim to avant-garde performers, Jews as well as non-Jews, fluent speakers as well as those who know little or no Yiddish-in communities across the Americas, in Europe, Israel, and other outposts of "e;Yiddishland."e;

Opera performances are often radically inventive. Composers' revisions, singers' improvisations, and stage directors' re-imaginings continually challenge our visions of canonical works. But do they go far enough? This elegantly written, beautifully concise book, spanning almost the entire history of opera, reexamines attitudes toward some of our best-loved musical works. It looks at opera's history of multiple visions and revisions and asks a simple question: what exactly is opera? Remaking the Song, rich in imaginative answers, considers works by Handel, Mozart, Donizetti, Verdi, Wagner, Puccini, and Berio in order to challenge what many regard as sacroscant: the opera's musical text. Scholarly tradition favors the idea of great operatic texts permanently inscribed in the canon. Roger Parker, considering examples ranging from Cecilia Bartoli's much-criticized insistence on using Mozart's alternative arias in the Marriage of Figaro to Luciano Berio's new ending to Puccini's unfinished Turandot, argues that opera is an inherently mutable form, and that all of us-performers, listeners, scholars-should celebrate operatic revisions as a way of opening works to contemporary needs and new pleasures.