Books published by University of Georgia Press

Oysters are a narrative food: in each shuck and slurp, an eater tastes the place where the animal was raised. But that's just the beginning. Andre Joseph Gallant uses the bivalve as a jumping of point to tell the story of a changing southeastern coast, the bounty within its waters, and what the future may hold for the area and its fishers.

Explores through sculpture, painting, pornography, and performance art changing views on gender and sexuality. The elegiac meditations throughout this collection link the objectification of women in art and life to personal narratives of heartbreak, urban estrangement, and suicide.

A book about how the impossible became possible - about things that happened in China and America to the people Wang Ping grew up with, met, and befriended along her journeys between these two distant rivers. This is also a story about water, alive with spirits and energy, giving birth to all sentient beings.

Uses imaginings of the South to illuminate the recent American past. Zachary Lechner bridges the fields of southern studies, southern history, and post- World War II American cultural and popular culture history in an effort to discern how conceptions of a tradition-bound, "timeless" South shaped Americans' views of themselves and their society.

One of the most extensive records of the political climate on a historically black college in 1960s America, Howard Zinn's diary offers an in-depth view. It is a fascinating historical document of the free speech, academic freedom, and student rights battles that rocked Spelman and led to Zinn's dismissal from the college in 1963.

Explores the influence Sicilian immigrants have had on New Orleans foodways. Justin Nystrom's culinary journey follows these immigrants from their first impressions on Louisiana food culture in the mid-1830s. Each chapter touches on events that involved Sicilian immigrants and the relevancy of their lives and impact on New Orleans.

Long recognised as a master teacher at writing programs, with A Stranger's Journey, David Mura has written a book on creative writing that addresses an increasingly diverse American literature. Mura argues for a more inclusive definition of craft, particularly in relationship to race.

Using the lens of environmental history, William D. Bryan provides a sweeping reinterpretation of the post-Civil War South by framing the New South as a struggle over environmental stewardship. Bryan writes the region into the national conservation movement for the first time and shows that business leaders played a key role shaping the ideals of American conservationists.

Garden writing is not just a place to find advice about roses; it also contains hidden histories of desire, hope, and frustration and tells a story about how Americans have invested grand fantasies in the common soil of everyday life. Gardenland chronicles the development of this genre across key moments in American literature and history.

The poems in Hummingbird Sleep move associatively between Coleman Barks's personal experience and his extensive reading, weaving together a wild and eclectic range of material. New poems from the best-selling translator of Rumi successfully achieve intimacy and expansiveness at the same time.

In her second collection, Idra Novey steps in and out of jails, courthouses, and caves to explore what confinement means in the twenty-first century. Novey writes of the expanding prison complex that was once a field and imagines what's next for the civilians who enter and exit it each day.

Guillaume de Machaut is the most important poet and composer of late medieval France. His unique and inventive output is the subject of this edition of Machaut's poetry. Le Jugement Du Roy De Behaigne and Remede De Fortune are among de Machaut's most important works artistically.

Attempting to stitch a quilt of language for the new millennium, Kyle Dargan finds himself in his third collection propelled forward by a melange of voices - individuals passed on the street, journalists, philosophers, movie and cartoon characters, hip-hop emcees, and fellow poets - all of which build to a self-diagnosed logorrhea dementia.

In 1947, Eugene Talmadge died before he could be inaugurated as governor of Georgia. For 63 days, Georgia waited for the state supreme court to decide whether Herman, Talmadge's son, or the lieutenant governor-elect would be seated. This book examines this period in Georgia's political history.

How do southerners feel about the ways in which the rest of the America regards them? In this volume, twelve observers of the modern South discuss its persistent image as a people and place at odds with mainstream American ideals and values. This volume allows us all to view the current state and future course of the South, as well as its link to the broader culture and polity, in a new light.

How do women writers cope with changes and juggle the demands in their already full lives to make time for their lives as artists? In this anthology, noted female novelists, journalists, essayists, poets, and nonfiction writers address the old and new challenges of 'doing it all' that face women writers as the twenty-first century approaches.

In Smile When You Call Me a Hillbilly, Jeffrey J. Lange examines the 1940s and early 1950s as the most crucial period in country music's transformation from a rural, southern folk art form to a national phenomenon.

Gathers personal recollections by fifteen eminent historians of the American South. Coming from distinctive backgrounds, travelling diverse career paths, and practicing different kinds of history, the contributors exemplify the field's richness on many levels.

Explores how competing interests among the keepers of a community's heritage shape how that community both regards itself and reveals itself to others. As editors Celeste Ray and Luke Eric Lassiter note in their introduction, such stakeholders are no longer just of the community itself, but are now often "outsiders" - tourists, the mass media, and even anthropologists and folklorists.

The ten essays in this volume explore the vast diversity of religions in the United States, from Judaic, Catholic, and African American to Asian, Muslim, and Native American traditions. Chapters on religion and the South, religion and gender, indigenous sectarian religious movements, and the metaphysical tradition round out the collection.

More than 50 writers are profiled in this survey of the literature of the 1960s including Timothy Leary, Malcolm X, Helen Gurley Brown and Rachel Carson. The background of the youth movements are highlighted in the investigation in order to compare literacy in the USA in the 1990s.

Looking at the Latin American liberal project during the century of post-independence, this collection of essays draws attention to an under appreciated dilemma confronting liberals: idealistic visions and fiscal restraints. This volume focuses on the inventiveness of nineteenth-century Latin Americans who applied liberal ideology to the founding and maintenance of new states.

Contrary to the attitudes that have been marketed and taught to us, says C. A. Bowers, the fact is that computers operate on a set of Western cultural assumptions and a market economy that drives consumption. Our indoctrination includes the view of global computing innovations as inevitable and on a par with social progress.