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Throughout the twentieth century, American filmmakers have embraced cinematic representations of China. Beginning with D.W. Griffith's silent classic Broken Blossoms (1919) and ending with the computer-animated Kung Fu Panda (2008), this book explores China's changing role in the American imagination.
This is an ethnographic investigation of the power of the landscape in eastern Indonesia and its implications for human needs, behavior, and emotions. The book describes the intense, personal connections between Manggarai individuals and certain places a
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