Books published by University of Illinois Press

Summarizes the archaeological data on the Paleolithic occupation of Siberia. This book traces the routes of human migration throughout Eurasia, shows Siberian lithic industries as they evolved from the Early through the Middle and Late Paleolithic, and correlates them with reports from Mongolia, China, Japan, and America.

"Provides a rich prism through which to explore the social, economic, and political development of black Cincinnati. These studies offer insight into both the dynamics of racism and a community's changing responses to it." -- Peter Rachleff, author of Black Labor inRichmond

"This collection belongs on the shelf of anyone teaching American labor history, but it also should prove useful to scholars with related interests." -- Illinois Historical Journal

Here are nearly a hundred stunning reproductions (three-quarters in full color) of many of the Illinois prairie landscapes, as well as the cityscapes, townscapes, interior views, works with social and political themes, and murals done by Jackson over the past forty years, all of them reflecting his fascination with the subtle yet pervasive impact of time and light on art and on life. Howard Wooden surveys Jackson's stylistic and technical developments as an artist, beginning with his early black-and-white woodblock prints executed in Mexico in 1949 and 1950 and ending with three large murals painted in the late 1980s, one of which adorns the Illinois State Capitol. Jackson's work, which hangs in the National Museum of American Art, the National Gallery of Art, and the Library of Congress in Washington, D.C., and in many other museums across America, feature images derived, but not copied, from reality. A brief essay by Jackson on his painting technique appears in an appendix.

Shows the witty and vividly humorous side of Hindemith's personality.

Robert Parker ranges widely through literary history and theory to give the poems of Elizabeth Bishop (1911-79) the serious critical attention they deserve. The Unbeliever shows that Bishop's poems, already famous for their clear and quiet tone, also struggle with confusion and wonder about things she can never make quiet or clear.

In this pioneering study, Robin Lydenberg focuses upon the stylistic accomplishments of this controversial and experimental writer. In doing so, she skillfully demonstrates that the ideas we now recognize as characteristic of post-structuralism and deconstruction were being developed independently by Burroughs long ago.