Books published by University of Illinois Press

Explores the making of an University through biographies of legendary contributions by the University of Illinois faculty.

A lively analysis of the scandalous cases of women on trial in turn-of-the-century America

How Japanese immigrants embraced America's pastime

This innovative comparative study provides nuanced accounts of the personal experiences of young people who care deeply about their communities and are actively engaged in a variety of public issues

An engaging new portrait of the seminal American composer

At turns fervent and elegiac, dishy and sly, this title features poems that confront the effect of AIDS and HIV on a brotherhood that dealt firsthand with grief and loss and, later, the tenuous prospect of survival. It includes poems that are unified by their preoccupation with what erodes us and what we can hold onto when life and love devolve.

Features G E Murray's eighth collection of poems.

States that American journalism is a class institution serving the rich and spurning the poor. This title likens journalists to prostitutes and the title of the book refers to a chit that was issued to patrons of urban brothels of the era. It presents a critique of the structural basis of US media.

Presents a musing on the role of memory and myth in women's lives. This title explores the catalytic function of cautionary tales in reviving older women's sense of agency. Through conversations with women who had lost sons on the battlefield, it emphasizes the importance of voicing a female perspective on war.

Investigates the ways in which contemporary queer fictions offer insight on environmental issues.

Contributors: Andrew J. Brown, Julio Capó, Jr., Anna Carastathis, Jack Cáraves, Karma R. Chávez, Ryan Conrad, Elif, Katherine Fobear, Monisha Das Gupta, Jamila Hammami, Edward Ou Jin Lee, Leece Lee-Oliver, Rachel A. Lewis, Eithne Luibhéid, Hana Masri, Yasmin Nair, Bamby Salcedo, Fadi Saleh, Rafael Ramirez Solórzano, José Guadalupe Herrera Soto, Myrto Tsilimpounidi, Suyapa Portillo Villeda, Sasha Wijeyeratne, Ruben Zecena

Celebrated storyteller, cultural commentator, friend of astronauts, prophet of the Space Age—by the end of the 1960s, Ray Bradbury had attained a level of fame and success rarely achieved by authors, let alone authors of science fiction and fantasy. He had also embarked on a phase of his career that found him exploring new creative outlets while reinterpreting his classic tales for generations of new fans. Drawing on numerous interviews with Bradbury and privileged access to personal papers and private collections, Jonathan R. Eller examines the often-overlooked second half of Bradbury's working life. As Bradbury's dreams took him into a wider range of nonfiction writing and public lectures, the diminishing time that remained for creative pursuits went toward Hollywood productions like the award-winning series Ray Bradbury Theater. Bradbury developed the Spaceship Earth narration at Disney's EPCOT Center; appeared everywhere from public television to NASA events to comic conventions; published poetry; and mined past triumphs for stage productions that enjoyed mixed success. Distracted from storytelling as he became more famous, Bradbury nonetheless published innovative experiments in autobiography masked as detective novels, the well-received fantasy The Halloween Tree and the masterful time travel story "The Toynbee Convector." Yet his embrace of celebrity was often at odds with his passion for writing, and the resulting tension continuously pulled at his sense of self.The revelatory conclusion to the acclaimed three-part biography, Bradbury Beyond Apollo tells the story of an inexhaustible creative force seeking new frontiers.