Books published by University of Minnesota Press

Examines how images of accumulation help open up the climate to political mobilization  The current epoch is one of accumulation: not only of capital but also of raw, often unruly material, from plastic in the ocean and carbon in the atmosphere to people, buildings, and cities. Alongside this material growth, image-making practices embedded within the fields of art and architecture have proven to be fertile, mobile, and capacious. Images of accumulation help open up the climate to cultural inquiry and political mobilization and have formed a cultural infrastructure focused on the relationships between humans, other species, and their environments.The essays in Accumulation address this cultural infrastructure and the methodological challenges of its analysis. They offer a response to the relative invisibility of the climate now seen as material manifestations of social behavior. Contributors outline opportunities and ambitions of visual scholarship as a means to encounter the challenges emergent in the current moment: how can climate become visible, culturally and politically? Knowledge of climatic instability can change collective behavior and offer other trajectories, counteraccumulations that draw the present into a different, more livable, future.Contributors: Emily Apter, New York U; Hans Baumann; Amanda Boeztkes, U of Guelph; Dominic Boyer, Rice U; Lindsay Bremner, U of Westminster; Nerea Calvillo, U of Warwick; Beth Cullen, U of Westminster; T. J. Demos, U of California, Santa Cruz; Jeff Diamanti, U of Amsterdam; Jennifer Ferng, U of Sydney; Jennifer Gabrys, U of Cambridge; Ian Gray, U of California, Los Angeles; Gökçe Günel, Rice U; Orit Halpern, Concordia U; Gabrielle Hecht, Stanford U; Cymene Howe, Rice U; Wendy Hui Kyong Chun, Simon Fraser U; Robin Kelsey, Harvard U; Bruno Latour, Sciences Po, Paris; Hannah le Roux, U of the Witwatersrand, Johannesburg; Stephanie LeMenager, U of Oregon; Nashin Mahtani; Kiel Moe, McGill U; Karen Pinkus, Cornell U; Stephanie Wakefield, Life U; McKenzie Wark, The New School; Kathryn Yusoff, Queen Mary U of London.

RayAnne’s next adventure takes our intrepid heroine, haunted by her beloved grandmother’s death, to New Zealand to film a new season of her all-women fishing talk show What stage of grief is it when your grandmother’s ghost keeps popping up on your electronic devices? Denial? For RayAnne that seems to be the stage for launching the second season of Fishing!—in New Zealand. Ready or not, she is taking public television’s first all-women fishing talk show on the road, putting the cold Minnesota winter in the rearview mirror—which, it turns out, Gran is haunting, too.After a challenging first season, and RayAnne’s serendipitous ascension to host, there’s a lot at stake. With camera-wielding twins Rongo and Rangi along as crew and tour guides, RayAnne and her indefatigable producer Cassi set out across New Zealand in search of noteworthy women who fish: a skipjack boat captain navigating sexist harbors; a writer of historical suffragette fiction, which is, apparently, a thing; a reclusive M¿ori octogenarian who ties fishing flies for dignitaries. Their stories, and a good dose of the country’s history, are almost enough to take the edge off RayAnne’s homesickness and grief, to say nothing of jetlag—and it doesn’t hurt to discover a bird dog who fishes, an anti-fashionista, a pair of sisters fishing their way through recovery, and . . . a Hobbit? Meanwhile, the romantic and family entanglements she left behind at home haven’t exactly come untangled in her absence.Those who met RayAnne in Fishing!, Sarah Stonich’s first outing with the intrepid, accidental talk-show host, will encounter familiar and unexpected pleasures in her latest antics—and a story whose lighthearted surface and surprising depths will charm readers who now find her for the first time.

The story of Nordic skiing in the Midwest—its origins and history, its star athletes and races, and its place in the region’s social fabric and the nation’s winter recreation  In the winter of 1841, a Norwegian immigrant in Wisconsin strapped on a pair of wooden boards and set off across the snow to buy flour—leaving tracks that perplexed his neighbors and marked the arrival of Nordic skiing in America. To this day, the Midwest is the nation’s epicenter of cross-country skiing, sporting a history as replete with athleticism and competitive spirit as it is steeped in old-world lore and cold-world practicality. This history unfolds in full for the first time in Winter’s Children.Nordic skiing first took hold as a sport in the Upper Midwest at the end of the nineteenth century, giving rise to an early ski league and a host of star athletes. With the arrival of a pair of brothers from Telemark, Norway, the world’s best skiers at the time, the sport—and the ski manufacturing industry—reached new heights in Minnesota, only to see its fortunes fall after World War II, when downhill skiing surged in popularity. In Winter’s Children Ryan Rodgers traces the rise and fall of Nordic skiing in the Midwest from its introduction in the late 1800s to its uncertain future in today’s rapidly changing climate. Along the way he profiles the sport’s stars and stalwarts, from working-class Norwegian immigrants with a near-spiritual reverence for cross-country skiing to Americans passionately committed to the virtues of competitive sport, and he chronicles races like the thrilling 1938 Arrowhead Derby (which ran from Duluth to St. Paul over five days) and the American Birkebeiner, the nation’s largest cross-country event, which takes place every year in northern Wisconsin, snowpack permitting. Generously illustrated with vintage photography and ski posters, and featuring firsthand observations drawn from interviews, Winter’s Children is an engaging look at the earliest ski teams and touring clubs; the evolution of cross-country skis, gear, and fashion; and the ambitious and ongoing effort to establish and maintain a vast trail network across the Minnesota state park system.