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A study of the significant role that Indigenous activists living in Chicago played in shaping local and national public perception of Native Americans in the early twentieth century.
Follow Sue William Silverman, a one-woman cultural mash-up, on her exploration of identity among the mishmash of American idols and ideals that confuse most of us - or should. This searching, bracing, hilarious and moving book tries to make sense of that most troubling American condition: belonging, but to what?
For nearly half a century, Jared Carter has been quietly mapping the American heartland. In this title, in poems selected from his first five books, is the summer-long buzz of the cicada and the crack of the cue ball, the young rebel on his big Harley, and the YMCA secretary who backstrokes her way across the indoor pool.
Twenty-seven years in the making (1940-67), this tapestry of nearly two hundred American popular and protest songs was created by three giants of performance and musical research: Alan Lomax, indefatigable collector and preserver; Woody Guthrie, performer and prolific balladeer; and Pete Seeger, entertainer and educator who has introduced three generations of Americans to their musical heritage.
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