Books published by University of Nebraska Press

Tanella Boni is a major African poet, and this book, The Future Has an Appointment with the Dawn, is her first full collection to be translated into English. These poems wrestle with the ethnic violence and civil war that dominated life in West Africa's Ivory Coast in the first decade of the new millennium.

Examines the life of Modesto C. Rolland, a revolutionary propagandist and a prominent figure in the development of Mexico, to gain a better understanding of the role engineers played in creating revolution-era policies and the reconstruction of the Mexican nation. In the telling of Rolland's story, Castro offers a captivating account of the Mexican Revolution.

Focuses on the lives, activism, and intellectual contributions of Henry Cloud (1884-1950), a Ho-Chunk, and Elizabeth Bender Cloud (1887-1965), an Ojibwe, both of whom grew up amid settler colonialism that attempted to break their connection to Native land, treaty rights, and tribal identities.

Examines the work and influence of Hans Sidonius Becker, Franz Boas, Sigmund Freud, Margaret Mead, Karl Popper, and Anthony F. C. Wallace, as well as anthropological perspectives on the 1964 Project Camelot, Latin American cultures at the 1892 Madrid International Expositions, sixteenth-century cosmography and topography in Amazonia, and community-produced wartime narratives in Ontario, Canada.

What does it mean to speak Sakha in the city? Words like Birds, a linguistic ethnography of Sakha discourses and practices in urban Far Eastern Russia, examines the factors that have aided speakers in maintaining - and adapting - their minority language over the course of four hundred years of contact with Russian speakers and the federal power apparatus.

A memoir that bridges the personal and professional experiences of Elizabeth Cook-Lynn. Having spent much of her life illuminating the tragic irony of being an Indian in America, this provocative and often controversial writer narrates the story of her intellectual life in the field of Indian studies.

Paradoxes of Stasis examines the literary and intellectual production of the Francoist period by focusing on Spanish writers following the Spanish Civil War: the regime's supporters and its opponents, the victors and the vanquished.Concentrating on the tropes of immobility and movement, Tatjana Gajic analyzes the internal politics of the Francoist regime and concurrent cultural manifestations within a broad theoretical and historical framework in light of the Greek notion of stasis and its contemporary interpretations. In Paradoxes of Stasis, Gajic argues that the combination of Francoism's long duration and the uncertainty surrounding its ending generated an undercurrent of restlessness in the regime's politics and culture. Engaging with a variety of genres--legal treatises, poetry, novels, essays, and memoir--Gajic examines the different responses to the underlying tensions of the Francoist era in the context of the regime's attempts at reform and consolidation and in relation to oppositional writers' critiques of Francoism's endurance.By elucidating different manifestations of stasis in the politics, literature, and thought of the Francoist period, Paradoxes of Stasis reveals the contradictions of the era and offers new critical tools for understanding their relevance. 

What forges the unique human personality? In Island in the City Micah McCrary, taking his genetic inheritance as immutable, considers the role geography has played in shaping who he is. McCrary considers three places he has called home (Normal, Illinois; Chicago; and Prague) and reflects on how these surroundings have shaped him.

Winner of the Prairie Schooner Book Prize in Poetry, American Radiance, at turns funny, tragic, and haunting, reflects on the author's experience emigrating as a child to the United States from Ukraine in 1991.

Scholars of ecocriticism have long tried to articulate emotional relationships to environments. Only recently, however, have they begun to draw on the complex interdisciplinary body of research known as affect theory. Affective Ecocriticism takes as its premise that ecocritical scholarship has much to gain from the rich work on affect and emotion happening within social and cultural theory, geography, psychology, philosophy, queer theory, feminist theory, narratology, and neuroscience, among others. This vibrant and important volume imagines a more affective--and consequently more effective--ecocriticism, as well as a more environmentally attuned affect studies.These interdisciplinary essays model a range of approaches to emotion and affect in considering a variety of primary texts, including short story collections, films, poetry, curricular programs, and contentious geopolitical locales such as Canada's Tar Sands. Several chapters deal skeptically with familiar environmentalist affects like love, hope, resilience, and optimism; others consider what are often understood as negative emotions, such as anxiety, disappointment, and homesickness--all with an eye toward reinvigorating or reconsidering their utility for the environmental humanities and environmentalism. Affective Ecocriticism offers an accessible approach to this theoretical intersection that will speak to readers across multiple disciplinary and geographic locations.

Tells the story of French feminism between 1944 and 1981, when feminism played a central political role in the history of France. The key women during this epoch were often leftists committed to a materialist critique of society and were part of a postwar tradition that produced widespread social change, revamping the workplace and laws governing everything from abortion to marriage.

 After contracting polio as a child, Sandra Gail Lambert progressed from braces and crutches to a manual wheelchair to a power wheelchair—but loneliness has remained a constant, from the wild claustrophobia of a child in body casts to just yesterday, trapped at home, gasping from pain. A Certain Loneliness is a meditative and engaging memoir-in-essays that explores the intersection of disability, queerness, and female desire with frankness and humor.Lambert presents the adventures of flourishing within a world of uncertain tomorrows: kayaking alone through swamps with alligators; negotiating planes, trains, and ski lifts; scoring free drugs from dangerous men; getting trapped in a too-deep snow drift without crutches. A Certain Loneliness is literature of the body, palpable and present, in which Lambert’s lifelong struggle with isolation and independence—complete with tiresome frustrations, slapstick moments, and grand triumphs—are wound up in the long history of humanity’s relationship to the natural world.Sandra Gail Lambert is a writer of both fiction and memoir. She is the author of The River’s Memory. She was awarded an NEA fellowship based on an excerpt from A Certain Loneliness.