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In Lamentations Carol Kammen imagines the 1842 crossing of the first group of families to go to Oregon through the perspectives of the dozen women who made the journey.
This anthology features work by and about queer, trans, and gender nonconforming Latinx communities, including immigrants and social dissidents who reflect on and write about diaspora and migratory movements while navigating geographical and embodied spaces in the United States.
Writing Anthropologists, Sounding Primitives offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early twentieth-century U.S.-American cultural anthropologists.
French St. Louis places St. Louis, Missouri, in a broad colonial context, shedding light on its francophone history.
Critically examines the move toward educational integration that took shape during the immediate postwar period. Growing linkages to the metropolitan school system ultimately had powerful impacts on the course of decolonisation and the making of postcolonial Africa.
Everybody’s Jonesin’ for Something takes an imagistic leap through the darker side of our search for life, liberty, and the pursuit of happiness, perusing what we lose, what we leave behind, and what strange beauty we uncover.
Your Crib, My Qibla interrogates loss, the death of a child, and a father's pursuit of language able to articulate grief.
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