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In this prize-winning poetry collection, R. A. Villanueva embraces liminal, in-between spaces in considering an ever-evolving Filipino American identity. Languages and cultures collide; mythologies and faiths echo and resound. Part haunting, part prayer, part prophecy, these poems resonate with the voices of the dead and those who remember them.
While plot is among the integral aspects of storytelling, it is perhaps the least studied aspect of narrative. Using plot theory to chart the development of narrative fiction from the Renaissance to the present, this title demonstrates how the novel has evolved over time and how writers have developed increasingly complex narrative strategies.
Provides an examination of coming-of-age-ceremonies for American Indian girls past and present, featuring an in-depth look at Native ideas about human development and puberty. Psychologist Carol A. Markstrom reviews indigenous, historical, and anthropological literatures and conveys the results of her fieldwork to provide descriptive accounts of North American Indian coming-of-age rituals.
A collection of interviews with Gerald Vizenor, one of the most powerful and provocative voices in the Native world today. These conversations with the novelist and cultural critic reveal much about the man, his literary creations, and his critical perspectives on important issues affecting Native peoples in the late twentieth century.
A memoir that guides us through the New York of the 1960s. Caught between his uncle Fred, a man-about-town, and his aunt Linda, a secretary at Paramount Pictures, 16-year-old John Skoyles finds himself exploring everything from the bars and swank apartments of Manhattan's Upper East Side to the flophouses and haunts of Forty-second Street.
Wisconsin is not where Alice, a girl raised in Florida, meant to end up. But when she falls in love with Anders Dahl, the son of Norwegian farmers born for generations in the same stone farmhouse, she realizes that to love Anders is to settle into a life in Wisconsin in the small house they buy before their daughter, Maude, is born.
"A little voice sings/from the back of the auditorium/of my throat. Aren't all of us/waiting to be discovered?" Here, the poet's answer is sometimes grave, sometimes comic, but tuned to the incidental music of daily life.
Offers three tales that features a commanding female protagonist trapped in her place of origin, neither able nor wanting to escape from the home that gave her life but which now threatens to destroy her. This title presents personal images of utopia, the importance of heritage, and the necessity of burying the dead to approach the future.
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