Books published by University of Nebraska Press

A collection of serial poems, Think of Lampedusa addresses the 2013 shipwreck that killed 366 Africans attempting to migrate secretly to Lampedusa, an Italian island in the Mediterranean Sea. The crossing from North Africa to this island and other Mediterranean way stations has become the most dangerous migrant route in the world. Interested in what is producing such epic displacement, Josue Guebo's poems combine elements of history and mythology.Guebo considers the Mediterranean not only as a literal space but also as a space of expectation, anxiety, hope, and anguish for migrants. He meditates on the long history of narratives and bodies trafficked across the Mediterranean Sea. What did it--and what does it--connect and separate? Whose sea is it? Ultimately he is searching for what motivates a person to become part of what he calls a "seasonal suicide epidemic."This translation of Guebo's Songe a Lampedusa, winner of the Tchicaya U Tam'si Prize for African Poetry, is a searing work from a major African poet.

Michael K. Bess studies the social, economic, and political implications of road building and state formation in Mexico through a comparative analysis of Nuevo Leon and Veracruz from the 1920s to the 1950s. He examines how both foreign and domestic actors, working at local, national, and transnational levels, helped determine how Mexico would build and finance its roadways.

Explores the impact of natural and man-made disasters in the turn-of-the-century French Caribbean, examining the social, economic, and political implications of shared citizenship in times of civil unrest.

South Africa is a complicated, contradictory, and haunted place. Len Verwey captures the trajectory of life in such a place, dealing with childhood, war, marriage, divorce, and death. He explores the challenges posed by place and history, shared identities, deep embeddedness in the continent, and the legacies of violence and exclusion, as well as beauty.

Hockey has had its share of bizarre tales over the years, but none compares to the fascinating story of the California Golden Seals, a team that remains the benchmark for how not to run a sports franchise. From 1967 to 1978, a revolving door of players, apathetic owners, and ridiculous marketing decisions turned the Seals, originally based in Oakland, into hockey's travelling circus.

French-colonial Tunisia in the late nineteenth and early twentieth centuries witnessed shifting concepts of identity, including varying theories of ethnic essentialism, a drive toward "modernization," and imperialist interpretations of science and medicine. As French colonizers worked to realize ideas of a "modern" city and empire, they undertook a program to significantly alter the physical and social realities by which the people of Tunisia lived, often in ways that continue to influence life today.Medical Imperialism in French North Africa demonstrates the ways in which diverse members of the Jewish community of Tunis received, rejected, or reworked myriad imperial projects devised to foster the social, corporeal, and moral "regeneration" of their community. Buttressed by the authority of science and medicine, regenerationist schemes such as urban renewal projects and public health reforms were deployed to destroy and recast the cultural, social, and political lives of Jewish colonial subjects. Richard C. Parks expands on earlier scholarship to examine how notions of race, class, modernity, and otherness shaped these efforts. Looking at such issues as the plasticity of identity, the collaboration and contention between French and Tunisian Jewish communities, Jewish women's negotiation of social power relationships in Tunis, and the razing of the city's Jewish quarter, Parks fills the gap in current literature by focusing on the broader transnational context of French actions in colonial Tunisia. 

The poems in Tsitsi Ella Jaji's Beating the Graves meditate on the meaning of living in diaspora, an experience increasingly common among contemporary Zimbabweans. Vivid evocations of the landscape of Zimbabwe filter critiques of contemporary political conditions and ecological challenges, veiled in the multiple meanings of poetic metaphor.

Offer a deeply human and intensely felt poetic explorations of Fleda Brown's life and world. Her account includes her brain-damaged brother, a rickety family cottage, a puzzling and sometimes frightening father, a timid mother, and the adult life that follows with its loves, divorces, and serious illnesses.