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Grandchildren meet their grandparents at the end, Denise Low says, as tragic figures. We remember their decline and deaths.... The story we see as grandchildren is like a garden covered by snow, just outlines visible. Low brings to light deeply held secrets of Native ancestry as she recovers the life story of her Kansas grandfather, Frank Bruner (1889-1963).
In this candid and moving memoir, John W. Evans articulates the complicated joys of falling in love again as a young widower. Should I Still Wish chronicles Evans' efforts to leave an intense year of grief behind, to make peace with the natural world again, and to reconnect with a woman who promises a life of abundance and charm.
Written as a tribute to family, place, and bodily awareness, Mukoma Wa Ngugi's poems speak of love, war, violence, language, immigration, and exile. From a baby girl's penchant for her parents' keys to a warrior's hunt for words, Wa Ngugi's poems move back and forth between the personal and the political.
Described by African scholar and literary critic Chielozona Eze as “one of the most prolific African poets of the twenty-first century,” Patricia Jabbeh Wesley composed When the Wanderers Come Home during a four-month visit to her homeland of Liberia in 2013. She gives powerful voice to the pain and inner turmoil of a homeland still reconciling itself in the aftermath of multiple wars and destruction. Wesley, a native Liberian, calls on deeply rooted African motifs and proverbs, utilizing the poetics of both the West and Africa to convey her grief. Autobiographical in nature, the poems highlight the hardships of a diaspora African and the devastation of a country and continent struggling to recover. When the Wanderers Come Home is a woman’s story about being an exile, a survivor, an outsider in her own country and is her cry for the Africa that is being lost in wars across the continent, creating more wanderers and world citizens.Patricia Jabbeh Wesley is an associate professor of English and creative writing at Pennsylvania State University–Altoona. She has four other books of poetry, including Where the Road Turns and Becoming Ebony, part of the Crab Orchard Award Series in Poetry.
Rare voices in fiction, the lives of the working class consume this collection. Winner of the Prairie Schooner Book Prize in Fiction, One-Hundred-Knuckled Fist brings to life the narratives of midwestern blue-collar workers. In these sixteen stories, author Dustin M. Hoffman invites readers to peek behind the curtain of the invisible-but-ever-present "working stiff".
Over the past four decades, Bruce L. Smith has worked with most big-game species in some of the American West's most breathtaking and challenging landscapes. In Stories from Afield, readers join Smith on his adventures as a naturalist, sportsman, and wildlife biologist, as he pulls us into the field of learning and discovery.
Whether exploring the porous borders between sin and virtue or examining the lives of saints and mystics to find the human experiences in stories of the divine, the poems in No Confession, No Mass move toward restoration and reunion.
Through the lens of fashion and style, Dressing for the Culture Wars guides us through the competing political and social movements of the culture war. Betty Luther Hillman illustrates how self-presentation influenced the culture and politics of the era and carried connotations similarly linked to the broader political challenges of the time.
Modern manhood is confusing and complicated, but Joey Franklin, a thirtysomething father of three, is determined to make the best of it. In My Wife Wants You to Know I'm Happily Married, he offers frank, self-deprecating meditations on everything from male-pattern baldness and the balm of blues harmonica to Grand Theft Auto and the staying power of first kisses.
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