Books published by University of Nebraska Press

When Sunflowers Bloomed Red provides a synopsis of a Kansas style of radical tradition and shows how the Great Plains agrarian movement transformed and coalesced with socialist and syndicalist political movements to influence politics and culture in the twentieth century and beyond.

Storytelling and singing is a vital part of community life for Native peoples. This book gathers stories and songs from many Native groups in North America - including the Inupiaqs in the frigid North, the Lushootseeds along the forested coastline of the far West, the Catawbas in the humid South, and the Maliseets of the rugged woods of the East.

Bighorn sheep graze on the last of the green grass on Gets-Struck-By-Lightning Mountain in the late fall. Two Hawk's father and older brother, Night Heron, set off through newly fallen snow to hunt with their dogs. Two Hawk is sad to be left behind, but he has heard the bull elk's mating call for seven seasons, too few to be old enough to hunt.

Kit Carson, the quintessential frontiersman, is remembered as a larger-than-life mountain man, explorer, trapper, guide, soldier, Indian agent, officer, hunter, and rancher. This book lets you join Kit Carson as he strikes out on his own at the age of sixteen, and witness his encounters with Indians in the Navaho and Southern Plains campaigns.

Includes stories like "The Snake" and "The Quick and the Dead" as well as the previously unpublished "Anniversary," which stirred a national controversy when it was censored by the University of Nebraska and barred from appearing in Prairie Schooner.

When Martha Summerhayes (1844-1926) came as a bride to Fort Russell in Wyoming Territory in 1874, she saw not much in those first few days besides bright buttons, blue uniforms, and shining swords. This is a memoir of her years as a military wife as her husband's Eighth Regiment conducted Gen George Crook's expedition against the Apaches.

The storytelling traditions of the Alto Perene Arawaks of eastern Peru are showcased in this bilingual collection of traditional narratives, ethnographic accounts, women's autobiographical stories, songs, chants, and ritual speeches. It covers a range of themes in the Alto Perene oral tradition, through genres such as myths, folk tales, autobiographical accounts, and ethnographic texts.

Offers an information about Dakota culture and a classic in its elegant clarity of insight. Beginning with a general discussion of American Indian origins, language families, and culture areas, the author focuses on her own people, the Dakotas, and the intricate kinship system that governed all aspects of their life.

More than 100 pieces in this surprising and impressive collection are drawn from a body of Willa Cather''s writing that was not known to exist until its recent discovery by the editor. Previous scholars have assumed that Willa Cather was inactive as a journalist during the year following her graduation from the university in June, 1895; the truth is, she not only continued to contribute drama criticism to Lincoln newspapers, but also, in Miss Slote''s words, had time to "consider thoughtfully and work out some of the guiding principles of fiction, the certain range in the Kingdom of Art which was becoming . . . her own."Miss Slote has focused on those of the 1893-1896 writings in which Willa Cather formulates and tests her critical attitudes, and on those--even more crucially relevant to her own situation--in which she asks the great questions: What makes an artist? How does one join the two selves of artist and person? Exactly how can one create the creation? Part I presents two essays by the editor: "Writer in Nebraska," incorporating new biographical material, and "The Kingdom of Art," a critical reassessment in the light of new findings. Part II consists of some 220 selections accompanied by extensive editorial commentary, grouped as follows: "The Individual Talent"--observations on artists who lives evoked Willa Cather''s sympathy, wonder, or respect, and who success or failure seemed to embody the principles of human endeavor; "The Way of the World"--on art in Philistia, the relations of things (e.g., poetry and football), and history in the arts; "Drama"--pieces on the playwright and his craft and the critic''s responsibilities, as well as lay reviews; "Literature"--major essays on Stevenson, Dumas, Poe, Wilde, Verlaine, Ruskin, and Pierre Loti, and shorter pieces on such writers as Hardy, James, Swinburne, Kipling, Burns, Zola, Tolstoi, and Whitman; and "Improvisations Toward a Credo, 1894-1896"--culminating in two statements in which as last, as the editor notes, "Willa Cather could recognize clearly the emerging form of the artist-self she had been seeking, and with it the individual talent in which all credos must begin."Bernice Slote, a distinguished Cather scholar, was a professor of English at the University of Nebraska-Lincoln. Her publications included editions of April Twilights (1903); Poems of Willa Cather (1962, 1968); The Kingdom of Art: Willa Cather''s First Principles and Critical Statements, 1893-1896 (1967); and Uncle Valentine and Other Stories: Willa Cather''s Uncollected Short Fiction (1973, 1986), all published by the UNP.

Risking Immeasurable Harm elucidates how the prospect of immigration restrictions affect diplomatic relations by analyzing U.S. efforts to place a quota on immigration from Mexico during the late 1920s and early 1930s.

As Siobhan Senier researches the ways Indigenous Americans in New England have sustained and developed various literary and cultural traditions, she considers anew the overlapping notions of sovereignty and sustainability and concerns of social sustainability, culture, literature, the environment, and economics.

Gunnar Olsson's tale follows an explorer from the oldest creation epics extant to the power struggles of today, an attempt to codify the taken-for-granted, a struggle with the invisible powers that make us so obedient and so predictable.

In a gathering of griot traditions fusing storytelling, cultural history, social, and literary criticism, Put Your Hands on Your Hips and Act Like a Woman "re-members" and represents how women of the African diaspora have drawn on ancient traditions to record memory, history, and experience in song, dance, and poetics in performance.

Patrick Madden's unconventional essays aim to make readers laugh while considering such abstract subjects as happiness and memory, reflecting the current zeitgeist with a touch of cleverness, a dash of humor, and a little help from his friends.

Presents twenty-two original essays offering a critical survey of the anthropology of Israel inspired by Alex Weingrod, emeritus professor and pioneering scholar of Israeli anthropology. Drawing from Weingrod's perspective, this collection considers the gaps, ruptures, and juxtapositions in Israeli society and the cultural categories undergirding and subverting these divisions.

This book shows how the inspiration of a high school coach became the dominant offense in college football.

Examines the legacy of submarine warfare in the American imagination. Combining nautical adventure, military history, and underwater archaeology, Dubbs shares the previously untold story of German submarines and their impact on American culture and reveals their legacy and Americans' attitudes toward this new wonder weapon.

As a student of American history, as a hunter, horseman, and former Marine, and as someone passionate about the West, Dan Aadland had long felt a kinship with Theodore Roosevelt. One day, on a single-footing horse, lever-action rifle under his knee, Aadland set out to become acquainted with TR as only those who shared his experiences could. In Trace of TR documents that quest.

Copublished with the Vidal Sassoon International Center for the Study of Antisemitism, this study asks if the European Union (EU) has the capacity or the will to counter antisemitism. The desire to counter antisemitism was a significant impetus toward the formation of the EU in the twentieth century and now prejudice against Jews threatens to subvert that goal in the twenty-first. The European Union, Antisemitism, and the Politics of Denial offers an overview of the circumstances that obliged European political institutions to take action against antisemitism and considers the effectiveness of these interventions by considering two seemingly dissimilar EU states, Austria and Sweden.  This examination of the European Union¿s strategy for countering antisemitism discloses escalating prejudice within the EU in the aftermath of 9/11. R. Amy Elman contends that Europe¿s political actors have responded to the challenge and provocation of antisemitism with only sporadic rhetoric and inconsistent commitment; this halfhearted strategy for countering anti-Semitism exacerbates skepticism toward EU institutions and their commitment to equality and justice. This exposition of the insipid character of the EU¿s response simultaneously suggests alternatives that might mitigate the subtle and potentially devastating creep of antisemitism in Europe. The author offers a new approach insofar as scholarly considerations of the EU¿s attempts to combat racism rarely focus on antisemitism, while scholarship on antisemitism rarely considers the political context of the European Union.

In this psychologically gripping memoir, Blake Allmendinger returns to his childhood home after a forty-year absence. His homecoming to the struggling farming community of Rocky Ford, Colorado, formerly known as the Melon Capital of the World, forces the author to confront his own sad and disturbing history, one that parallels his hometown's decline.

Offers a multifaceted study of the race toward space in the first half of the twentieth century, examining how the Russian, European, and American pioneers competed against one another in the early years to acquire the fundamentals of rocket science, engineer simple rockets, and ultimately prepare the path for human spaceflight.