Books published by University of North Texas Press,U.S.

Tells the story of artist, revolutionary, and early North Texas resident Francois Ignace (Adolphe) Gouhenant (1804-1871).

During the late 1880s, the Cornett-Whitley gang rose on the Texas scene with a daring train robbery at McNeil Station. In the frenzy that followed the robbery, the media castigated both lawmen and government officials, and at times lauded the outlaws. Readers of the Old West and true crime stories will appreciate this sordid tale of outlawry.

Owen McLeod's extraordinary debut maps the contours of an ordinary life: the rise and fall of romantic love, the struggle against mental illness, and the unending quest for meaning and transcendence. Ranging from sonnets and sestinas to experimental forms, these poems are unified by their musicality, devotion to craft, and openness of heart.

The WWI memoir of Ward Schrantz, a National Guard officer and machine gun company commander in the Kansas-Missouri 35th Division. He documents his experiences from training at Camp Doniphan to the voyage across the Atlantic, and his time in the trenches in France's Vosges Mountains and ultimately his return home.

This anthology collects the eleven winners of the 2018 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference, an event hosted by the Frank W. Mayborn Graduate Institute of Journalism at the University of North Texas.

Mel Lewis (1929-1990) first picked up his father's drumsticks at the age of two. At 17 he was a full-time professional musician. The View from the Back of the Band is the first biography of this legendary jazz drummer. For over 50 years, Lewis provided the blueprint for how a drummer could subtly support any musical situation.

Drawing from fairy tales, ghost stories, and science-fiction, the stories in ActivAmerica explore how we confront (and exert) power and re-imagine ourselves through sports and athletic activities.

There is sometimes a fine line between history and folklore. This publication from the Texas Folklore Society tells stories about real-life characters from Texas's history, as well as personal reflections about life from diverse perspectives throughout the last century. All of these works capture something of our past, if only to carry it on and keep it alive for generations to come.

Charles Darwin spent the majority of his 1831-1836 voyage around the world in southern South America, and his early experiences in the Cape Horn region seem to have triggered his first ideas on human evolution. Richly illustrated with maps and coloru photographs, this book offers a guide to the sites visited by Darwin, and a compass for present-day visitors to follow Darwin's path.

This anthology collects the ten winners of the 2016 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference, an event hosted by the Frank W. Mayborn Graduate Institute of Journalism at the University of North Texas.

During the Civil War, Charles Curtis served in the 5th United States Infantry on the New Mexico and Arizona frontier. He spent his years from 1862 to 1865 on garrison duty, interacting with Native Americans, both hostile and friendly. This memoir was serialized and published in a New England newspaper and remained unknown, until now.

Anshel Brusilow played with or conducted many top-tier classical musicians, and he has opinions about each and every one. This memoir offers a fascinating and unique view of American classical music during an important era, as well as an inspiring story of a working-class immigrant child making good in a tough arena.

An anthology of the twelve winners of the 2013 Best American Newspaper Narrative Writing Contest, run by the Mayborn Literary Nonfiction Conference. The contest honours exemplary narrative work and encourages narrative non-fiction storytelling at newspapers across the United States.

The task of providing military defense for the Texas Frontier was never an easy one because the territory was claimed by some of the greatest querrilla fighters of all times-the Comanches, Kiowas, Apaches, and Lipans. Protecting a line running from the Red River southwest to El Paso was an impossible task, but following the Mexican War the federal government attempted to do so by establishing a line of forts. During the Civil War the forts were virtually abandoned and the Indians once again ruled the area. Following the war when the military began to restore the old forts, they found that the Indians no longer fought with bows and arrows but shouldered the latest firearms. With their new weapons the Indians were able to inflict tremendous destruction, bringing demands from settlers for more protection. In the summer of 1866 a new line of forts appeared through central Texas under the leadership of General Philip H. Sheridan, commander of federal forces in Louisiana and Texas. Guardians of a raw young land and focal points of high adventure, the old forts were indispensable in their day of service and it is fitting that they be preserved. In and around the forts and along the route of the Texas Forts Trail, history is abundant and enduring. Historian Rupert Richardson first wrote the travel guide of the fort locations for the Texas Highway Department. B. W. Aston and Donathan Taylor took the original version and revised and expanded it, giving additional historical information on the forts and their role in frontier defense, making this a valuable historical resource as well as a travel guide to the forts and surrounding towns.

Winner of the Vassar Miller Prize in Poetry, 1996.

Collects the ten winners of the 2012 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference, which is hosted by the Frank W. Mayborn Graduate Institute of Journalism at the University of North Texas, USA. The contest honours exemplary narrative work and encourages narrative nonfiction storytelling at newspapers across the US.

Historians acknowledge that World War II touched every man, woman, and child in the United States. In Small Town America in World War II, Ronald E. Marcello uses oral history interviews with civilians and veterans to explore how the citizens of Wrightsville, Pennsylvania, responded to the war effort. Located along the western shore of the Susquehanna River in York County, Wrightsville was a transportation hub with various shops, stores, and services as well as industrial plants. Interviews with citizens and veterans are organized in sections on the home front; the North African-Italian, European, and Pacific theatres; stateside military service; and occupation in Germany. Throughout Marcello provides introductions and contextual narrative on World War II as well as annotations for events and military terms. Overseas the citizens of Wrightsville turned into soldiers. An infantryman in the Italian campaign, Alfred Forry, explained, "I was forty-five days on the line wearing the same clothes, but everybody was in the same situation, so you didn't mind the stench and body odors." A veteran of the Battle of the Bulge, Edward Reisinger, remembered, "Replacements had little chance of surviving. They were sent to the front one day, and the next day they were coming back with mattress covers over them. The sergeants never knew the names of these people." Mortar man Donald Peters described the death of a buddy who was hit by artillery shrapnel: "His arm was just hanging on by the skin, and his intestines were hanging out." In the conclusion Marcello examines how the war affected Wrightsville. Did the war bring a return to prosperity? What effects did it have on women? How did wartime trauma affect the returning veterans? In short, did World War II transform Wrightsville and its citizens, or was it the same town after the war?

Trying to make sense of a disordered world, Stefanie Wortman's debut collection examines works of art as varied as casts of antique sculpture, 19th-century novels, and even scenes from reality television to investigate the versions of order that they offer. These deft poems yield moments of surprising levity even as they mount a sharp critique of human folly.

Lonnie Johnson (1894-1970) was a virtuoso guitarist who influenced generations of musicians from Django Reinhardt to Eric Clapton to Bill Wyman and especially B. B. King. Born in New Orleans, he began playing violin and guitar in his father's band at an early age. When most of his family was wiped out by the 1918 flu epidemic, he and his surviving brother moved to St. Louis, where he won a blues contest that included a recording contract. His career was launched.Johnson can be heard on many Duke Ellington and Louis Armstrong records, including the latter's famous "Savoy Blues" with the Hot Five. He is perhaps best known for his 12-string guitar solos and his ground-breaking recordings with the white guitarist Eddie Lang in the late 1920s. After World War II he began playing rhythm and blues and continued to record and tour until his death.This is the first full-length work on Johnson. Dean Alger answers many biographical mysteries, including how many members of Johnson's large family were left after the epidemic. He also places Johnson and his musical contemporaries in the context of American race relations and argues for the importance of music in the fight for civil rights. Finally, Alger analyzes Johnson's major recordings in terms of technique and style. A new Lonnie Johnson music CD will be released by the author to coordinate with the publication of this book.

The essays selected in this study collectively suggest that political agency can encompass everything from voting, lobbying, networking, grassroots organizing, and mobilization, to dramatic protest.

In 1972 a North Vietnamese offensive of more than 30,000 men raced to capture Saigon. All that stood in their way was a small band of 6,800 South Vietnamese (ARVN) soldiers and militiamen, and a handful of American advisors with U.S. air support, guarding An Loc. Thi believes that it is time to set the record straight and here tells the South Vietnamese side of the story.

Jake Heggie and Gene Scheer's grand opera Moby-Dick was a stunning success in the world premiere production by the Dallas Opera in 2010. Robert K. Wallace attended the final performance of the Dallas production and has written this book so readers can experience the process by which this contemporary masterpiece was created and performed on stage.