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Valerie Forman contends that three seemingly unrelated domains-new economic theories and practices; the discourses of Christian redemption; and the rise of tragicomedy as the stage's most popular genre-were together crucial to the formulation of a new and paradoxical way of thinking about loss and profit in relationship to one another.
Focusing on the shared vocabulary of images and ideas with which late ancient Christians and Muslims imagined the past, present, and future, this book seeks to understand why violent expressions of religious devotion became central to the self-understandings of Christian and Muslim communities between the fourth and ninth centuries.
Ethnographic study of traditional sculpture from Santa Cruz Island.
"A wonderful introduction to those new to the subject as well as a welcome contribution to the debate on the nature of the medieval nobility."-Medieval Review
"Katherine French puts a human face on the history of the English medieval parish between the end of the fourteenth century and the Reformation."-Carol Davidson-Cragoe, TMR
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