Books published by University of Toronto Press

The first comprehensive study of Spanish writings on East and Southeast Asia from the Spanish colonial period, They Need Nothing draws attention to many essential but understudied Spanish-language texts from this era. Robert Richmond Ellis provides an engaging, interdisciplinary examination of how these writings depict Asia and Asians as both similar to and different from Europe and Europeans, and details how East and Southeast Asians reacted to the Spanish presence in Asia.They Need Nothing highlights texts related to Japan, China, Cambodia, and the Philippines, beginning with Francis Xavier’s observations of Japan in the mid-sixteenth century and ending with José Rizal’s responses to the legacy of Spanish colonialism in the late nineteenth century. Ellis provides a groundbreaking expansion of the geographical and cultural contours of Hispanism that bridges the fields of European, Latin American, and Asian Studies.

In classical and early modern rhetoric, to write or speak using the voice of a dead individual is known as eidolopoeia. Whether through ghost stories, journeys to another world, or dream visions, Renaissance writers frequently used this rhetorical device not only to co-opt the authority of their predecessors but in order to express partisan or politically dangerous arguments.In Speaking Spirits, Sherry Roush presents the first systematic study of early modern Italian eidolopoeia. Expanding the study of Renaissance eidolopoeia beyond the well-known cases of the shades in Dante’s Commedia and the spirits of Boccaccio’s De casibus vivorum illustrium, Roush examines many other appearances of famous ghosts – invocations of Boccaccio by Vincenzo Bagli and Jacopo Caviceo, Girolamo Malipiero’s representation of Petrarch in Limbo, and Girolamo Benivieni’s ghostly voice of Pico della Mirandola. Through close readings of these eidolopoetic texts, she illuminates the important role that this rhetoric played in the literary, legal, and political history of Renaissance Italy.

This collection of original essays offers new ways of understanding the production of epic poetry in Portugal and Spain from 1543 to 1639.

Despite having enemies in the powerful Spanish religious orders, and being warned of the controversies that would arise, Erasmus published the fourth edition of his New Testament in 1527, resulting in a major crisis for Erasmianism in Spain. This period is marked by a bitter dispute between Erasmus and the conservative elements in Spain, involving behind-the-scenes manoeuvring, where it was impossible to distinguish friend from foe. Following this tension, a confrontation culminated in the Valladolid conference where enemies of Erasmus were obliged to come forward and where, following these events, Erasmus himself was forced to respond publicly to the charges brought against him.The three texts in the present volume were written by Erasmus in response to his antagonists, and include An Apologia of Desiderius Erasmus of Rotterdam Against Several Articles Presented by Certain Monks in Spain, The Answer of Desiderius Erasmus to the Pamphlet of a Certain Fever-ridden Individual, and Letter to Certain Highly Impudent Jackdaws.

This book recounts the many and varied transformations in the history of law in Canada in the half century after Confederation.

A Woman’s Empire sheds light on how women’s voices, activities, and writings were part of Russia’s late imperial expansion into Asia.

Onscreen/Offscreen is an ethnographic study of the ontological politics of cinema in South India.

Built upon the principle that divides and elevates humans above other animals, humanism is the cornerstone of a worldview that sanctifies inequality and threatens all animal life. Adorno, Politics, and the Aesthetic Animal analyses this state of affairs and suggests an alternative - a way for humanity to make itself into a new kind of animal.Theodor W. Adorno has been accused of leading critical theory into a blind alley, divorced from practical social and political concerns. In Adorno, Politics, and the Aesthetic Animal, Caleb J. Basnett argues that by placing the problem of the human/animal distinction at the centre of Adorno's thought, we discover a new Adorno, one whose critique of domination is in dialogue with classic concerns of political thought forged by Aristotle, including questions of humanist political education and the role of art.Through a close reading of primary sources, Basnett identifies the principal conceptual structure entwined with the understanding of human life as antagonistic to other animals, and outlines how forms of aesthetic experience disrupt this problematic concept in favour of a reconceptualization of what we call human. His analysis displaces the centrality of the human and attempts to open up a space for its transformation, both in terms of how humans relate to each other and in how humans relate to other animals.

Balancing Acts offers consultants and managers a simple, powerful way to think about change, and ascribes a four-phase iterative process for implementing change. Reviewing change initiatives from different types of organizations, Balancing Acts confronts the problems and pitfalls head-on that often arise during workplace transitions. Conklin explains why organizational change can be so difficult, and shows that by balancing a set of competing psychological and systemic challenges, interveners will increase their chance of success.Conklin shows that human groups function as complex systems, and that a change initiative is not a linear progression toward a predefined result. Instead, change is an iterative process that involves a search for feasible and useful solutions. The book's central argument is that while leading or supporting this search, consultants and leaders must balance four critical concerns: confrontation and compassion, participation and observation, assertion and inquiry, and planfulness and emergence.

Costume design is a crucial, but frequently overlooked, aspect of film that fosters an appreciation of the diverse ways in which film and fashion enrich each other. These influential industries offer representations of ideas, values, and beliefs that shape and construct cultural identities. In Fashioning Spanish Cinema, Jorge Perez analyses the use of clothing and fashion as costumes within Spanish cinema, paying particular attention to the significance of those costumes in relation to the visual styles and the narratives of the films. The author examines the links between costume analysis and other fields and theoretical frameworks such as fashion studies, the history of dress, celebrity studies, and gender and feminist studies.Fashioning Spanish Cinema looks at instances in which costumes are essential to shaping the public image of stars, such as Conchita Montenegro, Sara Montiel, Victoria Abril, and Penlope Cruz. Focusing on examples in which costumes have discursive autonomy, it explores how costumes engage with broader issues of identity and, relatedly, how costumes impact everyday practices and fashion trends beyond cinema. Drawing on case studies from multiple periods, films by contemporary directors and genres, and red-carpet events such as the Oscars and Goya Awards, Fashioning Spanish Cinema contributes a pivotal Spanish perspective to expanding interdisciplinary work on the intersections between film and fashion.

The Hebrew Bible is a philosophical testament. Abraham, the first biblical philosopher, calls out to the world in God's name exactly as Plato calls out in the name of the Forms.Abraham comes forward as a critic of pagan thought about, specifically, persons. Moses, to whom the baton is passed, spells out the practical implications of the Bible's core anthropological teachings. In Persons and Other Things Mark Glouberman explores the Bible's philosophy, roughing out in the course of a defence of it how men and women who see themselves in the biblical portrayal (as he argues that most of us do once the "e;religious"e; glare is reduced) are committed to conduct their personal affairs, arrange their social ties, and act in the natural world.Persons and Other Things is also the author's testament about the practice of philosophy. Glouberman sets out the lessons he has acquired as a lifelong learner about thinking philosophically, about writing philosophy, and about philosophers.

With more than 25 years since the collapse of communism, the end of the wars and billions of dollars in aid, the Balkans are still characterized by corruption, state capture, and decidedly unmodern states that are often either weak or authoritarian. Taking the contemporary Balkans as a starting point, Making and Remaking the Balkans studies the region's history combined with observations based on more than twenty years of field experience.Primarily concerned with current issues in the Balkans since 1989, this book explains why the region has endured such a prolonged and fraught transition to democracy and eventual membership in the European Union. The young and educated have largely left. Governmental crisis and economic stagnation is the norm and much-needed regional cooperation has been suppressed by renewed nationalism. Wars on corruption have proved to be largely rhetorical. Making and Remaking the Balkans offers a systematic study of the issues the entire region faces as it struggles to complete the European integration process at a time when the European Union faces bigger problems elsewhere.

Picturing Punishment examines representations of criminal bodies as they moved in, through, and out of publicly accessible spaces in the city during punishment rituals in the seventeenth-century Dutch Republic. Once put to death, the criminal cadaver did not come to rest. Its movement through public spaces indicated the potent afterlife of the deviant body, especially its ability to transform civic life.Focusing on material culture associated with key sites of punishment, Anuradha Gobin argues that the circulation of visual media related to criminal punishments was a particularly effective means of generating discourse and formulating public opinion, especially regarding the efficacy of civic authority. Certain types of objects related to criminal punishments served a key role in asserting republican ideals and demonstrating the ability of officials to maintain order and control. Conversely, the circulation of other types of images, such as inexpensive paintings and prints, had the potential to subvert official messages. As Gobin shows, visual culture thus facilitated a space in which potentially dissenting positions could be formulated while also bringing together seemingly disparate groups of people in a quest for new knowledge.Combining a diverse array of sources including architecture, paintings, prints, anatomical illustrations, and preserved body parts, Picturing Punishment demonstrates how the criminal corpse was reactivated, reanimated, and in many ways reintegrated into society.

In Unbound in War?, Sean Richmond examines the influence and interpretation of international law in the use of force by two important but understudied countries, Canada and Britain, during two of the most significant conflicts since 1945, namely the Korean War and the Afghanistan Conflict. Through innovative application of sociological theories in International Relations (IR) and International Law (IL), and rigorous qualitative analysis of declassified documents and original interviews, the book advances a two-pronged argument.First, contrary to what some dominant IR perspectives might predict, international law can play four underappreciated roles when states use force. It helps constitute identity, regulate behaviour, legitimate certain actions, and structure the development of new rules. However, contrary to what many IL approaches might predict, it is unclear whether these effects are ultimately attributable to an obligatory quality in law. This ground-breaking argument promises to advance interdisciplinary debates and policy discussions in both IR and IL.

Bilingual Legacies examines fatherhood in the work of four canonical Spanish authors born in Barcelona and raised during the dictatorship of Francisco Franco. Drawing on the autobiographical texts of Juan Goytisolo, Carlos Barral, Terenci Moix, and Clara Janes, the book explores how these authors understood gender roles and paternal figures as well as how they positioned themselves in relation to Spanish and Catalan literary traditions.Anna Casas Aguilar contends that through their presentation of father figures, these authors subvert static ideas surrounding fatherhood. She argues that this diversity was crucial in opening the door to revised gender models in Spain during the democratic period. Moving beyond the shadow of the dictator, Casas Aguilar shows how these writers distinguished between the patriarchal "e;father of the nation"e; and their own paternal figures. In doing so, Bilingual Legacies sheds light on the complexity of Spanish conceptions of gender, language, and family and illustrates how notions of masculinity, authorship, and canon are interrelated.

In January 1829, an angry mob in Tehran murdered Russian poet and diplomat Alexander Griboedov, author of the verse comedy Woe from Wit and architect of the Russian annexation of the north Caucasus from Persia after the Russo-Persian War. A century later, the Russian formalist writer Yury Tynianov wrote a historical novel about the event entitled The Death of Vazir-Mukhtar.In this wide-ranging study, Anna Aydinyan posits that The Death of Vazir-Mukhtar conceptualizes Orientalism fifty years before Edward Said coined the term. She argues that Tynianov parodied historical works on the Caucasus in his novel in order to critique the ways in which exoticizing the East enabled imperialism and colonization. Analysing literary and non-literary texts on Russia's relationship with Iran, along with the economic and cultural development of Transcaucasia after the Russo-Persian War, Formalists against Imperialism studies Russian culture within the framework of comparative colonialisms and examines the twentieth-century Russian reconsideration of the country's imperial past.