Books published by University of Wales Press

This interdisciplinary study of medieval English anchoritism from 1080-1450, explodes the myth of the anchorhold as solitary death-cell, reveals it instead as the site of potential intellectual exchange, and demonstrates an anchoritic spirituality in synch with the wider medieval world.

This book tells the dramatic and often surprising story of the learning of the Irish language by Irish Republican prisoners held in the infamous H-block cells during the bloody political conflict in Northern Ireland. Using research methods and techniques, the author closely analyses the emergence of the Irish language amongst republican prisoners and ex prisoners in Northern Ireland from the 1970s up until the present. This pioneering study shows how the language was used exclusively in parts of the prison, despite the efforts of the prison authorities to suppress the language, and the dramatic impact this had on Irish society. Drawing on interviews with the prisoners, and various other materials, Mac Giolla Chriost shows how these developments gave rise to the popular coinage of the term 'Jailtacht', a deformation of 'Gaeltacht' - the official Irish-speaking districts of the Republic of Ireland, to describe this unique linguistic phenomenon.

This modern history of Gibraltar updates and enhances scholarship on the Rock's history by bringing together the author's extensive archival research and developments in the secondary literature surrounding British Gibraltar. Central to its narrative is an examination of the development of a Gibraltarian community amidst British imperial rise and decline and Anglo-Spanish diplomatic vicissitudes. Gibraltar: A Modern History, is the first twenty-first century treatment of the Rock's history and as such it augments and, in many ways, replaces older treatments of Gibraltar's History.

This is the first monograph on the performance and reception of sixteenth- and seventeenth- century national drama in contemporary Spain, which attempts to remedy the traditional absence of performance-based approaches in Golden Age studies. The book contextualises the socio-historical background to the modern-day performance of the country's three major Spanish baroque playwrights (Calderon de la Barca, Lope de Vega and Tirso de Molina), whilst also providing detailed aesthetic analyses of individual stage and screen adaptations.

One of the few points critics and readers can agree upon when discussing the fiction popularly known as New Space Opera - a recent subgenre movement of science fiction - is its canny engagement with contemporary cultural politics in the age of globalisation. This book avers that the complex political allegories of New Space Opera respond to the recent cultural phenomenon known as neoliberalism, which entails the championing of the deregulation and privatisation of social services and programmes in the service of global free-market expansion. Providing close readings of the evolving New Space Opera canon and cultural histories and theoretical contexts of neoliberalism as a regnant ideology of our times, this book conceptualises a means to appreciate this thriving movement of popular literature.

R. S. Thomas is recognised globally as one of the major poets of the twentieth century. Such detailed attention as has been paid to the religious dimensions of his work has, however, largely limited itself to such matters as his obsession with the 'absent God', his appalled fascination with the mixed cruelty and wonder of a divinely created world, his interest in the world-view of the 'new physics', and his increasingly heterodox stance on spiritual matters. What has been largely neglected is his central indebtedness to key features of the 'classic' Christian tradition. This book concentrates on one powerful and compelling example of this, reading Thomas's great body of religious work in the light of the three days that form the centre of the Gospel narrative; the days which tell of the death, entombment and resurrection of Christ.

The Glossa Ordinaria, the medieval glossed Bible first printed in 1480/81, has been a rich source of biblical commentary for centuries. Circulated first in manuscript, the text is the Latin Vulgate Bible of St. Jerome with patristic commentary both in the margins and within the text itself.

Wales has a long history of interest in Palestine and Israel, and a close interest in Jews and Zionism. This monograph, the first to explore the subject, asks searching questions about the relationship that Wales has with the Israel-Palestine situation.

This ground-breaking anthology presents loyalist and radical poetry and prose from the newspapers, almanacs and periodicals current in Wales from the outbreak of the French Revolution in1789 to the Peace of Amiens in 1802, together with an extended introduction and two maps.

Presents the events of the period 1485 - 1660 that were decisive in the development of modern Wales. This book covers from the crowning of Henry Tudor as King of England in 1485 to the profoundly transformed religious and economic conditions that the Wales and Welsh society would stride forward in a committed partnership within a greater Britain.

This experimental volume of literary criticism offers various interpretations of the work of the poet Menna Elfyn, and gives an outline of our relationship with literature and our reading habits. It is an attempt to provide a fresh interpretation of the work by experimenting for the first time in Welsh with the epistolary method of criticism, through a series of fictional letters. This is also the first extended study of Menna Elfyn's poetry: addressed to the poet's work in particular, but also looking at contemporary issues such as interpretation, performance and the marketing of literature in contemporary Wales. Academic practices are vigorously challenged by walking the line between 'fact' and 'fiction' to create a multi-vocal and readable criticism reflecting the complex and multifaceted nature of the reading process.

A study of the Jewish communities of South Wales in the nineteenth and twentieth centuries, both in their everyday lives and in more dramatic and sensational moments. New edition.

Poetry, Geography, Gender examines how questions of place, identity and creative practice intersect in the work of some of Wales' best known contemporary poets, including Gillian Clarke, Gwyneth Lewis, Ruth Bidgood and Sheenagh Pugh. Merging traditional literary criticism with cultural-political and geographical analysis, Alice Entwistle shows how writers' different senses of relationship with Wales, its languages, history and imaginative, as well as political, geography feeds the form as well as the content of their poetry. Her innovative critical study thus takes particular interest in the ways in which author, text and territory help to inform and produce each other in the culturally complex and confident small nation that is twenty-first century Wales.

France's Colonial Legacies offers a timely intervention in the debates around the French empire and its place in the life of the contemporary nation, drawing on the expertise of researchers working in the fields of politics, media, cultural studies, literature and film, to offer a wide-ranging picture of remembrance in contemporary France.

This volume explores the changing nature of the settlement archaeology in north-west Wales over a period of almost two millennia, setting the region within wider discourses on the nature of the societies occupying Britain between 1150 BC and AD 1050.

After Raymond Williams: Cultural Materialism and the Break-Up of Britain has two broad aims. The first is to re-examine the concept of cultural materialism, the term used by Raymond Williams to describe his theory of how writing and other cultural forms relate to general social and historical processes. Using this theory, the second objective is to explore the material ways in which contemporary British writing participates in one particular political process - that of the break-up of Britain. The general trajectory of the book is a matter of superseding Williams: the early chapters are devoted to extrapolating Williams's materialist theory of cultural forms, while later chapters are concerned with applying this theoretical material to a series of readings of books and films produced in the years since his death in 1988. This volume provides a detailed account of some of the writing produced in Scotland and Wales in the years surrounding political devolution, and also considers the ways in which different subcultural communities use fiction to renegotiate their relationships with the British whole.

In this volume of essays, specialists explore the relations between modern literary text and visual image across a range of media - from novel, poetry and film to painting, fabric and print culture.

Gwenlyn Parry was one of the most important Welsh-language playwrights of the twentieth century and played a key role in the popularisation and flourishing of drama in the theatre and on television during the 1970s and 1980s. Parry's major stage plays - Saer Doliau, Ty ar y Tywod, Y Ffin and Y Twr - had a substantial impact, and were instrumental in solidifying a new relationship between drama and theatrical production in Welsh, bringing the theatricality of the Absurd to a popular audience for the first time. His plays have been the subject of much critical attention in Welsh, and have been reinterpreted in production on many occasions, both in their original form and in translation. This study is the first extended treatment of his life and work in English, and examines the complex and occasionally paradoxical relationship between the autobiographical aspects of his writing and his use of theatrical form.

In the nineteenth century, the `Age of Nationalism', when nationalisms flowered in every small European country, no Welsh national movement emerged. Contrary to the popular view that Welsh radical politics was a boost for Welsh nationalism, Why Wales Never Was shows that this was the very reason for its failure.

The tensions and ambivalences emerging from four memoirs written in Welsh and Spanish by Welsh Patagonians towards the end of the twentieth century are explored, to foreground a broader panorama of what it means to be a Welsh descendant in Patagonia in a modern Argentine context.

This study of the works of late eighteenth-century American Gothic author Charles Brockden Brown argues that Brown was a seminal figure in the development of four forms of Gothic fiction: the Frontier Gothic, the Urban Gothic, the Psychological Gothic, and the Female Gothic.

This fourth volume in the county history of Gwent/Monmouthshire deals with the explosion of industrial development from 1780 to the eve of the First World War, and as such is first authoritative treatment of the transformation of south-east Wales into a centre of the iron and coal industry.

Presents a history of 20th-century Christianity in Wales. This title assesses the effect which the Great War made on people's spiritual convictions and on religious opinion and practise. It analyses the state of the disestablished church in Wales, an increasingly confident Catholicism and the growing inter-war crisis of Nonconformity.

This book charts and analyses the emergence of the conventional representation of the French events of 1968 and argues that the dominance of this narrative, despite its limitations, stems from the convenience that such a consensus provides for those that have been pivotal in shaping the collective memory of this critical moment in recent history.

This is a treatment of the impact of the copper industry upon society and environment in south Wales. For the 18th century and much of the 19th a belt of coastal smelters using local coals and ores from Cornwall, Cuba and Chile produced nearly all of Britain's and much of the world's copper.

Queer Others in Victorian Gothic: Transgressing Monstrosity explores the intersections of Gothic, cultural, gender, queer, socio-economic and postcolonial theories in nineteenth-century British representations of sexuality, gender, class and race. From mid-century authors like Wilkie Collins and Elizabeth Gaskell to fin-de-siecle writers such as J. Sheridan Le Fanu, Florence Marryat and Vernon Lee, this study examines the ways that these Victorian writers utilized gothic horror as a proverbial 'safe space' in which to grapple with taboo social and cultural issues. This work simultaneously explores our current assumptions about a Victorian culture that was monolithic in its disdain for those who were 'other'.

This volume investigates the roles played by the concept of the uncanny, as defined by Sigmund Freud and other theorists, in the representation of lesbian and male gay sexualities and transgender in a selection of contemporary British, American and Caribbean fiction published 1980-2007.