Books published by University of Wales Press

By examining the pictorial episodes in the Spanish baroque novella, this book elucidates how writers create pictorial texts, how audiences visualise their words, what consequences they exert on cognition and what actions this process inspires. To interrogate characters' mental activity, internalisation of text and the effects on memory, this book applies methodologies from cognitive cultural studies, Classical memory treatises and techniques of spiritual visualisation. It breaks new ground by investigating how artistic genres and material culture help us grasp the audience's aural, material, visual and textual literacies, which equipped the public with cognitive mechanisms to face restrictions in post-Counter-Reformation Spain. The writers examined include prominent representatives of Spanish prose -Cervantes, Lope de Vega, Maria de Zayas and Luis Velez de Guevara- as well as Alonso de Castillo Solorzano, Gonzalo de Cespedes y Meneses and an anonymous group in Cordoba.

This volume delivers a comprehensive study of banditry in Latin America and of its cultural representation. In its scope across the continent, looking closely at nations where bandit culture has manifested itself forcefully - Mexico (the subject of the case study), the Hispanic south-west of the United States, Argentina, Brazil, Venezuela and Cuba - it imagines a 'Golden Age' of banditry in Latin America from the mid-nineteenth century to the 1940s when so-called 'social bandits', an idea first proposed by Eric Hobsbawm and further developed here, flourished. In its content, this work offers the most detailed and wide-ranging study of its kind currently available.ContentsIntroduction: The Idea of a Golden Age of Latin American Banditry 1850-19501. The Figure of the Bandit in History, Culture and Social Theory2. Mexico: The Myth of the Bandit Nation3. Mexico's Classic Bandit Narrative: Los de abajo4. Beyond Mexico I: Bandit Cultures in Latin America5. Beyond Mexico II: Chicano Bandit CulturesConclusion

A collection of essays by international experts on Vicente Carducho's treatise the Dialogues on Painting (1633), which dealt with the depiction of religious and profane subjects, the creation of collections and the status of the painter in baroque Spain.

This book is the first and most extensive academic monograph to be published on the work of the Mexican neo-conceptual artist Teresa Margolles. A range of art works produced by Margolles throughout the length of her career, which began in the 1990s (as part of the SEMEFO collective) and continues to the present day, are explored from such theoretical perspectives as the philosophy of death; the difficult spectatorship of death and the corpse; approaches to the representation of death and dead bodies in art from inside and outside Mexico; and the response of art to traumatic events in Mexico during and since the 1990s. The extensive scope of the study is a significant contribution to scholarly material on the artist, attending to difficult questions around art and ethics; its analysis of Margolles's work is situated within the contexts of the long tradition of the display of real bodies and body parts in Mexican visual culture, against the backdrop of the effects of NAFTA and the War on Drugs.

This book deals with significant televisual responses to the events of 9/11 and the subsequent `war on terror', with a focus on programmes from the UK and USA.

This book fills the Iberian linguistic and geographical gap in Arthurian studies, replacing the now-outdated work by William J. Entwistle (1925). It covers Arthurian material in all the major Peninsular Romance languages (Spanish, Portuguese, Catalan, Galician); it follows the spread of Arthurian material overseas with the seaborne expansion of Spain and Portugal from Iberia into America and Asia in the fifteenth and sixteenth centuries; and, as well as examining the specifically Arthurian texts themselves, it traces the continued influence of the medieval Arthurian material and its impact on the society, literature and culture of the Golden Age and beyond, including its presence in Don Quixote, the influential Spanish Arthurian-inspired romance Amadis de Gaula, and in Spanish ballads. Such was its influence that we find an indigenous American woman called 'Iseo' (Iseult); and an Arthurian story appeared in an indigenous language of the Philippines, Tagalog, as late as the nineteenth and early twentieth centuries.

Abbeys and Priories of Medieval Wales is the first comprehensive, illustrated guide to the religious houses of Wales from the twelfth to sixteenth centuries. It offers a thorough introduction to the history of the monastic orders in Wales (the Benedictines, Cluniacs, Augustinians, Premonstratensians, Cistercians, the military orders and the friars), and to life inside medieval Welsh monasteries and nunneries, in addition to providing the histories of almost sixty communities of religious men and women, with descriptions of the standing remains of their buildings. As well as a being a scholarly book, a number of maps, ground plans and practical information make this an indispensable guide for visitors to Wales's monastic heritage.

An authoritative and thorough analysis of the fortunes of the Welsh language in the most tumultuous period of its history.

The history of the men who worked in the dominant industry of north-west Wales and of the struggles they fought.

This is an engaging, best-selling volume reproduced with text panels that provide brief biographies of historical figures and descriptions of major historical sites in Wales. As the only concise history of Wales currently available in print, this book is an ideal introductory study for the general reader. From primitive Stone Age cave-dwellers who were the earliest recorded inhabitants of Wales, through settlement by the Celts before the Roman and Norman invasions, this book leads the reader through the age of the native Welsh princes that culminated with the eventual conquest of Wales by Edward I in 1282. Later seminal themes include the passage of the so-called Union legislations of 1536 and 1543, the impact of successive religious changes, the agrarian and industrial revolutions, and the severe interwar depression of the twentieth century. This new edition concludes with a discussion of the far-reaching political, social and economic changes covering the momentous period from the close of the twentieth century to the present day.

The Place-Names of Wales was originally published in 1998 and reissued in 2005 in the Pocket Guide series. This current updated publication adds some thirty entries, which importantly take into consideration more recent research. The entry for each place-name provides details of historical forms and dates; analyses each name into its component linguistic elements; tracks the later linguistic development of the name and the influences upon it particularly within a bilingual society; compares the name with similar names elsewhere, and interprets that meaning within the history of Wales and in the local context having regard for the landscape and changing land-use. In addition to explaining the link between place-names and language, history and landscape, the introduction includes a section on the significance of place-name study, and a short section to allow non-Welsh speakers to understand some relevant sound-changes.

American Gothic Art and Architecture in the Age of Romantic Literature analyses the impact British Gothic novels and historical romances had on American art and architecture in the Romantic era. Key figures include Thomas Jefferson, Washington Allston, Alexander Jackson Davis, James Fenimore Cooper, Washington Irving, Thomas Cole, Edwin Forrest and Nathaniel Hawthorne. Hawthorne articulated the subject of this book when he wrote that he could understand Sir Walter Scott's romances better after viewing Scott's Gothic Revival house Abbotsford, and he understood the house better for having read the romances. This study investigates this symbiotic relationship between the arts and Gothic literature to reveal new interpretative possibilities.ContentsIntroductionChapter One. Gothic Monticello: Thomas Jefferson's Garden NarrativesChapter Two. 'Banditti Mania': The Gothic Haunting of Washington Allston Chapter Three. 'Arranging the Trap Doors': The Gothic Revival Castles of Alexander Jackson DavisChapter Four. Old Dwellings Transmogrified: The Homes of James Fenimore Cooper and Washington IrvingChapter Five. Gothic Castles in the Landscape: Thomas Cole, Sir Walter Scott And the Hudson River School of PaintingChapter Six. The Theatrical Spectacle of Medieval Revival: Edwin Forrest's Fonthill CastleConclusion. 'Clap It Into a Romance:' Nathaniel Hawthorne's Gothic Houses

Rachel Bromwich's magisterial edition of Trioedd Ynys Prydein has long won its place as a classic of Celtic studies. This revised edition shows the author's continued mastery of the subject, including a new preface by Morfydd Owen, and will be essential reading for Celticists and for those interested in early British history, literature and Arthurian studies.

The story of Wales from the end of the Roman period to the conquest by Edward I in 1283 is unknown to most, but recent historiography has opened up the source material and allowed for a modern, critical reappraisal. The development of the country is traced within the context of the rest of post-Roman western Europe in a study that is a valuable resource for anyone with an interest in military history and the history of Wales in relation to its neighbours in Britain and on the continent.

Throughout the history of Thomas's critical reception, psychoanalytic interpretations have been applied that have privileged the psychosexual over the psycho-linguistic elements of his work. The wealth of sexual and pseudo-sexual imagery has acquired a negative charge, and has been used to evidence claims that Thomas was the epiphon of his own disturbed psyche, thus reducing the poetry to the expression of the poet's schizoid neuroses. Avoiding the biography-based approaches that have dominated hitherto, Liberating Dylan Thomas rescues his early poetry from the position of servitude to the discursive mastery of psychoanalysis. Placing the poetry and psychoanalysis together in a mutually illuminating dialogue, this book clearly demonstrates the ways in which the vital connection between post-Freudian psychoanalysis and Thomas's early poetry can be articulated without reductive simplification.

This volume critically examines and elucidates the complex relationship between politics and teleology in Kant's philosophical system. Examining this relationship is of key philosophical importance since Kant develops his political philosophy in the context of a teleological conception of the purposiveness of both nature and human history. Kant's approach poses the dual task of reconciling his normative political theory with both his priori moral philosophy and his teleological philosophy of nature and human history. The fourteen essays in this volume, by leading scholars in the field, explore the relationship between teleology and politics from multiple perspectives. Together, the essays explore Kant's normative political theory and legal philosophy, his cosmopolitanism and views on international relations, his theory of history, his theory of natural teleology, and the broader relationship between morality, history, nature and politics in Kant's works. This important new volume will be of interest to a wide audience, including Kant scholars, scholars and students working on topics in moral and political philosophy, the philosophy of history, political theory and political science, legal scholars and international relations theorists, as well as those interested broadly in the history of ideas.

This book explores the history of the paranormal romance genre; from its origins in the revisionist horror fiction of the 1970s, via its emergence as a minor sub-genre of romantic fiction in the early 1990s, to its contemporary expansion in recent years into an often-controversial genre of mainstream fiction. Tracing the genre from its roots in older Gothic fiction written by and for women, it explores the interconnected histories of Gothic and romantic fiction, from Ann Radcliffe and Jane Austen in the eighteenth century to Buffy, Twilight, True Blood and The Vampire Diaries in the present day. In doing so, it investigates the extent to which the post-Twilight paranormal romance really does represent a break from older traditions of Gothic fiction - and just what it is about the genre that has made it so extraordinarily divisive, captivating millions of readers whilst simultaneously infuriating and repelling so many others.

This book breaks new ground in the history of Welsh women's literature, by tracking the life and work of the two forgotten women from the countryside who made their mark on their communities, their society and their nation through their campaigns and literature.

This book discusses how Welsh Nonconformists responded to the challenges of the labour movement in early twentieth-century Wales.

This critical study covers the whole range of Dylan Thomas's writing, both poetry and prose, in an accessible appraisal of the work and achievement of a major and dynamic poet. It interrelates the man and his national-cultural background by defining in detail the Welshness of his poetic temperament and critical attitudes, as both man and poet. At the same time, it illustrates Thomas's wide knowledge of and impact on the long and varied tradition of poetry in English. In that connection, it delineates and delimits Thomas's relationship to surrealism, compares and contrasts his work with that of other poets of the 1930s and 1940s, and shows how its power survives his early death in 1953, in the decade of the 'Movement' poets and beyond. A major aspect of this book is the close textual analysis of the works quoted; it explores anew the recognition due to the man who wrote the work, and helps us to separate the intrinsic achievement of the work from the foisted perceptions of the 'legend'.

This fully illustrated, edited volume brings together fresh insights into the changing urban space of Barcelona from the beginning of the twentieth century to the present day.

The Second Edition of Hegel and Marx After the Fall of Communism surveys Hegel's close connection with world-famed economist Friedrich List, the declared enemy of Karl Marx. Illuminating the mysterious nature of Hegel's relationship with Marx and Friedrich List may help us to comprehend the extraordinary geopolitical transformations that have occurred in the last 15 years since the original publication in 1998. The Afterword to this Edition looks at Russia's revival as a world power under Vladimir Putin, and China's ambitious economic development efforts that bring to mind Sun Yat-sen's vision of The International Development of China.

This anthology represents four types of writing: autobiography; the short story; the novel; and the diary. Coombes's vision is one of balance and normality and through it we begin to understand how this society survived, how its citizens were not the stage army of historians but real people.

Commemorates the experience of Welshmen on the Western Front, aiming to collect together writing which provides an impression of what it meant to be a soldier in World War I. This anthology includes authors such as Edward Thomas, Robert Graves, David Jones and Saunders Lewis.

Cyfrol yw hon ar hanes John Penry a'i gyfraniad i dwf Piwritaniaeth yn Lloegr.

This book in the series Gender Studies in Wales uses representations of pregnancy and menstruation as a basis to interpret a wide range of Welsh fiction by women; a perspective of striking novelty in the context of contemporary Welsh.

The gothic, particularly in its contemporary incarnations, is often constructed around largely disembodied concepts such as spectrality or the haunted. Body Gothic offers a counter-narrative that reinstates the importance of viscerality to the gothic mode. It argues that contemporary discourses surrounding our bodies are crucial to our understanding of the social messages in fictional mutilation and of the pleasures we may derive from it. This book considers a number of literary and cinematic movements that have, over the past three decades, purposely turned the body into a meaningful gothic topos. Each chapter in Body Gothic is dedicated to a different corporeal subgenre: splatterpunk, body horror, the new avant-pulp, the slaughterhouse novel, torture porn and surgical horror are all covered in its pages. Close readings of key texts by Clive Barker, Richard Laymon, Joseph D'Lacey, Matthew Stokoe, Tony White or Stanley Manly are provided alongside in-depth analyses of landmark films such as Re-Animator (1985), The Fly (1986), Saw (2004), Hostel (2005), The Human Centipede (2011) and American Mary (2012).ContentsIntroduction: From Gothic Bodies to Body GothicChapter 1 - SplatterpunkChapter 2 - Body HorrorChapter 3 - The New Avant-PulpChapter 4 - The Slaughterhouse NovelChapter 5 - Torture PornChapter 6 - Surgical HorrorConclusion: The Gothic and the BodyNotesWorks CitedFilmography

This is an integrated range of studies, focussing on Wales, by a long-established, internationally-recognised academic authority and member of the House of Lords, on the advance of democracy and the evolving idea of national identity in modern Britain. Looking back to the impact of change in Europe and the wider world from the 1789 revolution in France onwards, this book covers key personalities such as Lloyd George, the impact of the First World War in Wales, and relates to contemporary debates on Scottish independence and the connections with Europe. It opens up wider issues of open government, foreign policy, the rule of law and and cultural diversity.