Books published by University of Washington Press

Bioart, art that uses either living materials (such as bacteria or transgenic organisms) or more traditional materials to comment on, or even transform, biotechnological practice. This book offers a theoretical account of the art form, situating it in the contexts of art history, laboratory practice, and media theory.

"In Southeast Asia reversals of earlier agrarian reforms have rolled back "land-to-the-tiller" policies created in the wake of Cold War-era revolutions. This trend, marked by increased land concentration and the promotion of export-oriented agribusiness at the expense of smallholder farmers, exposes the convergence of capitalist relations and state agendas that expand territorial control within and across national borders. Through the lens of land capitalization, Turning Land into Capital examines the contradictions produced by superimposing twenty-first-century neoliberal projects onto diverse landscapes etched by decades of war and state socialism. Chapters in the book explore geopolitics, legacies of colonialism, ideologies of development, and strategies to achieve land justice in Cambodia, Laos, Myanmar, Thailand, and Vietnam. The resulting picture reveals the place-specific interactions of state and market ideologies, regional geopolitics, and local elites in concentrating control over land"--

"The exquisite ceramic ware produced at the Imperial Porcelain Manufactory at Jingdezhen in southern China functioned as a kind of visual propaganda for the Qing dynasty (1644-1911) court. Through a detailed study of porcelain manufacture loosely structured around the career of the Manchu bannerman Tang Ying, who supervised ceramic production for the emperor, this volume considers the role of specialist officials in producing the technological knowledge and distinctive artistic forms that were essential to cultural policies of the Chinese state. Through fiscal management, technical experimentation, and design, these imperial technocrats facilitated rationalized manufacturing in precapitalist and preindustrial society. The volume draws on first-hand archaeological evidence from Jingdezhen, the foremost site of porcelain manufacture, as well as the voluminous Archive of the Imperial Handicraft Workshops to investigate a regional factory, the imperial design system, technological treatises, experiments deployed in porcelain manufacture, and court regulations. Grounded in methods for studying science and technology in society, as well as literary and art history, it contributes to scholarship on global empires and on the history of science and technology in China. In describing how the imperial state's intervention in industry has left a lingering imprint on modern China through its labor-intensive modes of production, the division of domestic and foreign markets, and a technocratic culture of centralization, it provides a new perspective for understanding the technology behind goods "made in China.""--

The pig played a key role in the German Democratic Republic's attempts to create a modern, industrial food system built on communist principles. By the mid-1980s, East Germany produced more pork per capita than West Germany and the UK, while also suffering the unintended consequences of manure pollution, animal disease, and rolling food shortages. The pig is a highly adaptive animal, and Thomas Fleischman uncovers three types of pig that played roles in this history: the industrial pig, remade to suit the conditions of factory farming; the wild boar, whose overpopulation was a side effect of agricultural development; and the garden pig, reflective of the regime's growing acceptance of private farming within the planned economy. Fleischman chronicles East Germany's journey from family farms to factory farms, explaining how communist principles shaped the adoption of industrial agriculture practices. More broadly, Fleischman argues that agriculture under communism came to reflect the practices of capitalist agriculture, and that the pork industry provides a clear illustration of this convergence. His analysis sheds light on the causes of the country's environmental and political collapse in 1989 and offers a warning about the high cost of cheap food in the present and future. Communist Pigs was a finalist for the Turku Book Award, European Society for Environmental History.

The creation of Seattle and the displacement of those who built itFrom the origins of the city in the mid-nineteenth century to the beginning of World War II, Seattle's urban workforce consisted overwhelmingly of migrant laborers who powered the seasonal, extractive economy of the Pacific Northwest. Though the city benefitted from this mobile labor forceconsisting largely of Indigenous peoples and Asian migrantsmunicipal authorities, elites, and reformers continually depicted these workers and the spaces they inhabited as troublesome and as impediments to urban progress. Today the physical landscape bears little evidence of their historical presence in the city.Tracing histories from unheralded sites such as labor camps, lumber towns, lodging houses, and so-called slums,Seattle from the Marginsshows how migrant laborers worked alongside each other, competed over jobs, and forged unexpected alliances within the marine and coastal spaces of the Puget Sound. By uncovering the historical presence of marginalized groups and asserting their significanceinthe development of the city, Megan Asaka offers a deeper understanding of Seattle'scomplex past.

Accompanying an exhibition at the Wallace Collection, this catalog will seek to examine relationships between these two works and their creation, focusing on establishing common threads drawn from contemporary French social and cultural history. When seen together, the two paintings acquire a new resonance, showing the imaginative and Parisian response of two very different painters to a new interest in scenes from everyday life. The paintings are examined in the context of a dozen further works by the artists, and prints, drawings, books and decorative art objects including oriental textiles and porcelain. This provides an opportunity to address undercurrent social history themes, such as the artists attitudes to fashion, interior decoration, and even the consumption of tea a pastime borne from the contemporary fashion in eighteenth-century France and Great Britain for anything oriental, influenced by new trade links with China.

An inkstone, a piece of polished stone no bigger than an outstretched hand, is an instrument for grinding ink, an object of art, a token of exchange between friends or sovereign states, and a surface on which texts and images are carved. As such, the inkstone has been entangled with elite masculinity and the values of wen (culture, literature, civility) in China, Korea, and Japan for more than a millennium. However, for such a ubiquitous object in East Asia, it is virtually unknown in the Western world.Examining imperial workshops in the Forbidden City, the Duan quarries in Guangdong, the commercial workshops in Suzhou, and collectors¿ homes in Fujian, The Social Life of Inkstones traces inkstones between court and society and shows how collaboration between craftsmen and scholars created a new social order in which the traditional hierarchy of ¿head over hand¿ no longer predominated. Dorothy Ko also highlights the craftswoman Gu Erniang, through whose work the artistry of inkstone-making achieved unprecedented refinement between the 1680s and 1730sThe Social Life of Inkstones explores the hidden history and cultural significance of the inkstone and puts the stonecutters and artisans on center stage.

In 17 BCE the Han dynasty archivist Liu Xiang presented to the throne a collection of some seven hundred items of varying length, mostly quasi-historical anecdotes and narratives, that he deemed essential reading for wise leadership. Garden of Eloquence (Shuoyuan), divided into twenty books grouped by theme, follows a tradition of narrative writing on historical and philosophical themes that began seven centuries earlier. Long popular in China as a source of allusions and quotations, it preserves late Western Han views concerning history, politics, and ethics. Many of its anecdotes are attributed to Confucius¿s speeches and teachings that do not appear in earlier texts, demonstrating that long after Confucius¿s death in 479 BCE it was still possible for new ¿historical¿ narratives to be created.Garden of Eloquence is valuable as a repository of items that originally appeared in other early collections that are no longer extant, and it provides detail on topics as various as astronomy and astrology, yin-yang theory, and quasi-geographical and mystical categories. Eric Henry¿s unabridged translation with facing Chinese text and extensive annotation will make this important primary source available for the first time to Anglophone world historians.

"In the struggles for prison abolition, global anti-imperialism, immigrant rights, affordable housing, environmental justice, fair labor, and more, twenty-first-century Asian American activists are speaking out and standing up to systems of oppression. Creating emancipatory futures requires collective action and reciprocal relationships that are nurtured over time and forged through cross-racial solidarity and intergenerational connections, leading to a range of on-the-ground experiences. Bringing together grassroots organizers and scholar-activists, Contemporary Asian American Activism presents lived experiences of the fight for transformative justice and offers lessons to ensure the longevity and sustainability of organizing. In the face of imperialism, white supremacy, racial capitalism, heteropatriarchy, ableism, and more, the contributors celebrate victories and assess failures, reflect on the trials of activist life, critically examine long-term movement building, and inspire continued mobilization for coming generations"--

"From the 1950s through the 1970s, blue-collar Filipino Americans, or Pinoys, lived a hardscrabble existence. Immigrant parents endured blatant racism, sporadic violence, and poverty while their US-born children faced more subtle forms of racism, such as the low expectations of teachers and counselors in the public school system. In this collection of autobiographical essays, acclaimed novelist and short-story writer Peter Bacho centers the experiences of the Pinoy generation that grew up in Seattle's multiethnic neighborhoods, from the Central Area to Beacon Hill to Rainier Valley. He recounts intimate moments of everyday life: fishing with marshmallows at Madison Beach, playing bruising games of basketball at Madrona Park, and celebrating with his uncles in Chinatown as hundreds of workers returned from Alaska canneries in the fall. He also relates vivid stories of defiance and activism, including resistance to the union-busting efforts of the federal government in the 1950s and organizing for decent housing and services for elders in the 1970s. Sharing a life inextricably connected to his community and the generation that came before him, this memoir is a tribute to Filipino Seattle"--