Books published by University Press of Florida

In this ambitious work, Justin Jennings explores the origins, endurance, and elasticity of ideas about fairness and how these ideas have shaped the development of societies at critical moments over the last 20,000 years. He argues that humans have an innate expectation for fairness, a disposition that evolved during the Pleistocene era as a means of adapting to an unpredictable and often cruel climate. This deep-seated desire to do what felt right then impacted how our species transitioned into smaller territories, settled into villages, formed cities, expanded empires, and navigated capitalism. Paradoxically, the predilection to find fair solutions often led to entrenched inequities over time as cooperative groups grew in size, duration, and complexity.Using case studies ranging from Japanese hunter-gatherers to North African herders to protestors on Wall Street, this book offers a broad comparative reflection on the endurance of a universal human trait amidst radical social change. Jennings makes the case that if we acknowledge fairness as a guiding principle of society, we can better understand that the solutions to yesterday's problems remain relevant to the global challenges that we face today.Finding Fairness is a sweeping, archaeologically grounded view of human history with thought-provoking implications for the contemporary world.

Neil Armstrong in a space suit on the moon remains an iconic representation of America's technological ingenuity. Few know that the Model A-7L pressure suit worn by the Apollo 11 astronauts, and the Model A-7LB that replaced it in 1971, originated at ILC Industries (now ILC Dover, LP), an obscure Delaware industrial firm.i Longtime ILC space suit test engineer Bill Ayrey draws on original files and photographs to tell the dramatic story of the company's role in the Apollo Program. Though respected for its early designs, ILC failed to win NASA's faith. When the government called for new suit concepts in 1965, ILC had to plead for consideration before NASA gave it a mere six weeks to come up with a radically different design. ILC not only met the deadline but won the contract. That underdog success led to its greatest challenge: winning a race against time to create a suit that would determine the success or failure of the Apollo missions-and life or death for the astronauts.A fascinating behind-the-scenes history of a vital component of the space program, Lunar Outfitters goes inside the suit that made it possible for human beings to set foot on the moon.

Through archaeological and archival research from sites associated with the 1893 World's Columbian Exposition in Chicago, Disposing of Modernity explores the changing world of urban America at the turn of the twentieth century. Featuring excavations of trash deposited during the fair, Rebecca Graff's first-of-its-kind study reveals changing consumer patterns, notions of domesticity and progress, and anxieties about the modernization of society.Graff examines artifacts, architecture, and written records from the 1893 fair's Ohio Building, which was used as a clubhouse for fairgoers in Jackson Park, and the Charnley-Persky House, an aesthetically modern city residence designed by Louis Sullivan and Frank Lloyd Wright. Many of the items she uncovers were products that first debuted at world's fairs, and materials such as mineral water bottles, cheese containers, dentures, and dinnerware illustrate how fairs created markets for new goods and influenced consumer practices. Graff discusses how the fair's ephemeral nature gave it transformative power in Chicago society, and she connects its accompanying "e;conspicuous disposal"e; habits to today's waste disposal regimes. Reflecting on the planning of the Obama Presidential Center at the site of the Chicago World's Fair, she draws attention to the ways the historical trends documented here continue in the present.Published in cooperation with the Society for Historical Archaeology

Providing a counterpoint to readings of modern American culture that focus on the cult of youth, Edith Wharton and the Modern Privileges of Age interrogates early twentieth-century literature's obsessions with aging past early youth. Exploring the ways in which the aging process was understood as generating unequal privileges and as inciting intergenerational contests, this study situates constructions of age at the center of modern narrative conflicts. Dawson examines how representations of aging connect the work of Edith Wharton to writings by a number of modern authors, including Willa Cather, Marjorie Kinnan Rawlings, Zora Neale Hurston, F. Scott Fitzgerald, Floyd Dell, Eugene O'Neill, and Gertrude Atherton. For these writers, age-based ideologies filter through narratives of mourning for youth lost in the Great War, the trauma connected to personal change, the contested self-determination of the aged, the perceived problem of middle-aged sexuality, fantasies of rejuvenation, and persistent patterns of patriarchal authority. The work of these writers shows that as the generational ascendancy of some groups was imagined to operate in tandem with disempowerment of others, the charged dynamics of age gave rise to contests about property and authority. Constructions of age-based values also reinforced gender norms, producing questions about personal value that were directed toward women of all ages. By interpreting Edith Wharton's and her contemporaries' works in relation to age-based anxieties, Dawson sets Wharton's work at the center of a vital debate about the contested privileges associated with age in contemporary culture.

Society for American Archaeology Scholarly Book AwardHighlighting the strong relationship between New England's Nipmuc people and their land from the pre-contact period to the present day, this book helps demonstrate that the history of Native Americans did not end with the arrival of Europeans. This is the rich result of a twenty-year collaboration between indigenous and nonindigenous authors, who use their own example to argue that Native peoples need to be integral to any research project focused on indigenous history and culture.The stories traced in this book center around three Nipmuc archaeological sites in Massachusetts-the seventeenth century town of Magunkaquog, the Sarah Boston Farmstead in Hassanamesit Woods, and the Cisco Homestead on the Hassanamisco Reservation. The authors bring together indigenous oral histories, historical documents, and archaeological evidence to show how the Nipmuc people outlasted armed conflict and Christianization efforts instigated by European colonists. Exploring key issues of continuity, authenticity, and identity, Historical Archaeology and Indigenous Collaboration provides a model for research projects that seek to incorporate indigenous knowledge and scholarship.

In Deadly Virtue, Heather Martel argues that the French Protestant attempt to colonize Florida in the 1560s significantly shaped the developing concept of race in sixteenth-century America. Telling the story of the short-lived French settlement of Fort Caroline in what is now Jacksonville, Florida, Martel reveals how race, gender, sexuality, and Christian morality intersected to form the foundations of modern understandings of whiteness. Equipped with Calvinist theology and humoral science, an ancient theory that the human body is subject to physical change based on one's emotions and environment, French settlers believed their Christian love could transform the cultural, spiritual, and political allegiances of Indigenous people. But their conversion efforts failed when the colony was wiped out by the Spanish. Martel explains that the French took this misfortune as a sign of God's displeasure with their collaborative ideals, and from this historical moment she traces the growth of separatist colonial strategies. Through the logic of Calvinist predestination, Martel argues, colonists came to believe that white, Christian bodies were beautiful, virtuous, entitled to wealth, and chosen by God. The history of Fort Caroline offers a key to understanding the resonances between religious morality and white supremacy in America today.

In Show Thyself a Man, Gregory Mixon explores the ways African Americans in postbellum Georgia used the militia as a vehicle to secure full citizenship, respect, and a more stable place in society. As citizen-soldiers, black men were empowered to get involved in politics, secure their own financial independence, and publicly commemorate black freedom with celebrations such as Emancipation Day.White Georgians, however, used the militia as a different symbol of freedom--to ensure the postwar white right to rule. This book is a forty-year history of black militia service in Georgia and the determined disbandment process that whites undertook to destroy it, connecting this chapter of the post-emancipation South to the larger history of militia participation by African-descendant people through the Western hemisphere and Latin America.