Books published by University Press of Mississippi

A study of the fragmented world in the Nobel Prize author's first six novels

The first comprehensive anthology of Native American literature representing tribes of the Southeastern U.S

This penetrating analysis of one of the most extraordinary fads ever to strike America details how dance marathons manifested a potent from of drama. Between the two world wars they were a phenomenon in which working-class people engaged in emblematic struggles for survival. Battling to outlast other contestants, the dancers hoped to become notable. There was crippling exhaustion and anguish among the contenders, but ultimately it was the coupling of authentic pain with staged displays that made dance marathons a national craze. Within the well-controlled space of theatre they revealed actual life's unpredictability and inconsistencies, and, indeed, the frightful aspects of social Darwinism. In this grotesque theatrical setting we see also a horrifying metaphor - the ailing nation grappling with difficult times.

Papers presented in 1990 at the seventeenth annual Faulkner and Yoknapatawpha Conference at the University of Mississippi. A volume extolling the Nobel Laureate's short story masterpieces with homage and critical appreciation

The meaning of art, artistry, and the figure of the artist in William Faulkner's life and fiction. Original essays from the Faulkner and Yoknapatawpha Conference held at the University of Mississippi in 1993

"(In) a multi-layered book of great warmth and feeling, (Evans) reminds us anew of the Jewish southern inheritance, its ancient intensities and rhythms and heartbeats. This is a very southern book, and also an immensely American one" (Willie Morris). "The Jews of the South have found their poet laureate".--Abba Eban.

Roman Polanski arrived on the international scene in 1962 with his first feature film, "Knife in the Water", and his face was on the cover of "Time magazine" by the end of that year. His vibrant, disturbing, and often violent films have both entertained and infuriated audiences. His films have elevated him to the pinnacle of his oeuvre.

Uniting Mississippi applies a new, philosophically informed theory of democratic leadership to Mississippi's challenges. Governor William F. Winter has written a foreword for the book, supporting its proposals.The book begins with an examination of Mississippi's apparent Catch-22, namely the difficulty of addressing problems of poverty without fixing issues in education first, and vice versa. These difficulties can be overcome if we look at their common roots, argues Eric Thomas Weber, and if we practice virtuous democratic leadership. Since the approach to addressing poverty has for so long been unsuccessful, Weber reframes the problem. The challenges of educational failure reveal the extent to which there is a caste system of schooling. Certain groups of people are trapped in schools that are underfunded and failing. The ideals of democracy reject hierarchies of citizenship, and thus, the author contends, these ideals are truly tested in Mississippi. Weber offers theories of effective leadership in general and of democratic leadership in particular to show how Mississippi's challenges could be addressed with the guidance of common values.The book draws on insights from classical and contemporary philosophical outlooks on leadership, which highlight four key social virtues: wisdom, courage, moderation, and justice. Within this framework, the author approaches Mississippi's problems of poverty and educational frustration in a novel way that is applicable in and beyond the rural South. Weber brings to bear each of the virtues of democratic leadership on particular problems, with some overarching lessons and values to advance. The author's editorial essays are included in the appendix as examples of engaging in public inquiry for the sake of democratic leadership.

How the collision of folk understandings with medical definitions affect disability and stigmaContributions by Sheila Bock, London Brickley, Olivia Caldeira, Diane E. Goldstein, Darcy Holtgrave, Kate Parker Horigan, Michael Owen Jones, Elaine J. Lawless, Amy Shuman, Annie Tucker, and Kristiana WillseyDiagnosing Folklore provides an inclusive forum for an expansive conversation on the sensitive, raw, and powerful processes that shape and imbue meaning in the lives of individuals and communities beleaguered by medical stigmatization, conflicting public perceptions, and contextual constraints. This volume aims to showcase current ideas and debates, as well as promote the larger study of disability, health, and trauma within folkloristics, helping bridge the gaps between the folklore discipline and disability studies.This book consists of three sections, each dedicated to key issues in disability, health, and trauma. It explores the confluence of disability, ethnography, and the stigmatized vernacular through communicative competence, esoteric and exoteric groups in the Special Olympics, and the role of family in stigmatized communities. Then, it considers knowledge, belief, and treatment in regional and ethnic communities with case studies from the Latino/a community in Los Angeles, Javanese Indonesia, and Middle America. Lastly, the volume looks to the performance of mental illness, stigma, and trauma through contemporary legends about mental illness, vlogs on bipolar disorder, medical fetishism, and veteran's stories.Trevor J. Blank, Malone, New York, is assistant professor of communication at the State University of New York at Potsdam. He is the author of The Last Laugh: Folk Humor, Celebrity Culture, and Mass-Mediated Disasters in the Digital Age and coauthor of Maryland Legends: Folklore from the Old Line State. Andrea Kitta, Greenville, North Carolina, is associate professor at East Carolina University. She is the author of Vaccinations and Public Concern in History: Legend, Rumor, and Risk Perception.

Tammy L. Brown uses the life stories of Caribbean intellectuals as "e;windows"e; into the dynamic history of immigration to New York and the long battle for racial equality in modern America. The majority of the 150,000 black immigrants who arrived in the United States during the first-wave of Caribbean immigration to New York hailed from the English-speaking Caribbean--mainly Jamaica, Barbados, and Trinidad. Arriving at the height of the Industrial Revolution and a new era in black culture and progress, these black immigrants dreamed of a more prosperous future. However, northern-style Jim Crow hindered their upward social mobility. In response, Caribbean intellectuals delivered speeches and sermons, wrote poetry and novels, and created performance art pieces challenging the racism that impeded their success.Brown traces the influences of religion as revealed at Unitarian minister Ethelred Brown's Harlem Community Church and in Richard B. Moore's fiery speeches on Harlem street corners during the age of the "e;New Negro."e; She investigates the role of performance art and Pearl Primus's declaration that "e;dance is a weapon for social change"e; during the long civil rights movement. Shirley Chisholm's advocacy for women and all working-class Americans in the House of Representatives and as a presidential candidate during the peak of the Feminist Movement moves the book into more overt politics. Novelist Paule Marshall's insistence that black immigrant women be seen and heard in the realm of American Arts and Letters at the advent of "e;multiculturalism"e; reveals the power of literature. The wide-ranging styles of Caribbean campaigns for social justice reflect the expansive imaginations and individual life stories of each intellectual Brown studies. In addition to deepening our understanding of the long battle for racial equality in America, these life stories reveal the powerful interplay between personal and public politics.

A classic ethnographic study of rural children, their community, and their school

Winner of the Caribbean Studies Association's 2016 Barbara T. Christian AwardTourists flock to the Caribbean for its beaches and spread more than just blankets and dollars. Indeed tourism has overly affected the culture there. Resisting Paradise explores the import of both tourism and diaspora in shaping Caribbean identity. It examines Caribbean writers and others who confront the region's overdependence on the tourist industry and the many ways that tourism continues the legacy of colonialism.Angelique V. Nixon interrogates the relationship between culture and sex within the production of "e;paradise"e; and investigates the ways in which Caribbean writers, artists, and activists respond to and powerfully resist this production. Forms of resistance include critiquing exploitation, challenging dominant historical narratives, exposing tourism's influence on cultural and sexual identity in the Caribbean and its diaspora, and offering alternative models of tourism and travel.Resisting Paradise places emphasis on the Caribbean people and its diasporic subjects as travelers and as cultural workers contributing to alternate and defiant understandings of tourism in the region. Through a unique multidisciplinary approach to comparative literary analysis, interviews, and participant observation, Nixon analyzes the ways Caribbean cultural producers are taking control of representation. While focused mainly on the Anglophone Caribbean, the study covers a range of territories including Antigua, the Bahamas, Grenada, Haiti, Jamaica, as well as Trinidad and Tobago, to deliver a potent critique.

As Mississippi's attorney general from 1956 to 1969, Joe T. Patterson led the legal defense for Jim Crow in the state. He faced a dilemma that confronted all white southerners: how to maintain an artificially elevated position for whites in southern society without resorting to violence or intimidation.

Includes original scholarship on a wide array of current archaeological research across the US South. Essays explore the effects of climate on early cultures in Mississippi; reveal the production and distribution of stone effigy beads; explore small, enigmatic sites in the hill country of northern Mississippi; and describe a mound group in Chickasaw County built by early agriculturalists.

How naive or realistic is Barack Obama's vision of a more perfect American union that brings together people across racial, class, and political lines? How can this vision of a more inclusive America be realized in a society that remains racist at its core? These essays seek answers to these questions by examining the 2008 and 2012 elections and the events of President Obama's first term.

Out of the artifacts of their memory and imagination, Italian immigrants and their descendants used embroidering, sewing, knitting, and crocheting to help define who they were and who they have become. This book is an interdisciplinary collection of creative work by authors of Italian origin and academic essays.

An anthology that examines the many achievements of the Nobel Laureate. Toni Morrison: Memory and Meaning boasts essays by well-known international scholars focusing on the author's literary production and including her very latest works - the theatrical production Desdemona and her tenth and latest novel, Home.

Even Mississippi textbooks rarely mention the part Mississippi men and women played in World War I. Mississippians in the Great War presents in their own words the story of Mississippians and their roles. This body of work divides into five sections, each associated with crucial dates of American action. Comments relating to various military actions are interspersed throughout to give the reader a context of the wide variety of experiences. Additionally, where possible, Anne L. Webster provides information on the soldier or sailor to show what became of him after his service.Webster examined newspapers from all corners of the state for "e;letters home,"e; most appearing in newspapers from Natchez, Greenville, and Pontotoc. The authors of the letters gathered here are from soldiers, aviators, sailors, and relief workers engaged in the service of their country. Letter writing skills varied from citizens of minimal literacy to those who would later become published authors and journalists.These letters reflect the experiences of green, young Mississippians as they endured training camp, voyaged across the Atlantic to France, and participated in horrific battles leaving some scarred for life. To round out the picture, Webster includes correspondence from nurses and YMCA workers who describe drills, uniforms, parades, and celebrations.

During the early years of the Cold War, racial segregation in the American South became an embarrassing liability to the international reputation of the United States. For America to present itself as a model of democracy in contrast to the Soviet Union's totalitarianism, Jim Crow needed to end. While the discourse of anticommunism added the leverage of national security to the moral claims of the civil rights movement, the proliferation of Red Scare rhetoric also imposed limits on the socioeconomic changes necessary for real equality.Describing the ways anticommunism impaired the struggle for civil rights, James Zeigler reconstructs how Red Scare rhetoric during the Cold War assisted the black freedom struggle's demands for equal rights but labeled "e;un-American"e; calls for reparations. To track the power of this volatile discourse, Zeigler investigates how radical black artists and intellectuals managed to answer anticommunism with critiques of Cold War culture. Stubbornly addressed to an American public schooled in Red Scare hyperbole, black radicalism insisted that antiracist politics require a leftist critique of capitalism.Zeigler examines publicity campaigns against Dr. Martin Luther King Jr.'s alleged Communist Party loyalties and the import of the Cold War in his oratory. He documents a Central Intelligence Agency-sponsored anthology of ex-Communist testimonials. He takes on the protest essays of Richard Wright and C. L. R. James, as well as Frank Marshall Davis's leftist journalism. The uncanny return of Red Scare invective in reaction to President Obama's election further substantiates anticommunism's lasting rhetorical power as Zeigler discusses conspiracy theories that claim Davis groomed President Obama to become a secret Communist. Long after playing a role in the demise of Jim Crow, the Cold War Red Scare still contributes to the persistence of racism in America.

A challenge to the primacy of the Windrush generation as the sole founders of Caribbean literatureContributors: Edward Baugh, Michael Bucknor, Raphael Dalleo, Alison Donnell, Nadia Ellis, Donette Francis, Glyne Griffith, Kate Houlden, Evelyn O'Callaghan, Lisa Outar, Atreyee Phukan, Kim Robinson-Walcott, Faith Smith, and Michelle StephensThis edited collection challenges a long sacrosanct paradigm. Since the establishment of Caribbean literary studies, scholars have exalted an elite cohort of émigré novelists based in postwar London, a group often referred to as "the Windrush writers" in tribute to the SS Empire Windrush, whose 1948 voyage from Jamaica inaugurated large-scale Caribbean migration to London. In critical accounts this group is typically reduced to the canonical troika of V. S. Naipaul, George Lamming, and Sam Selvon, effectively treating these three authors as the tradition's founding fathers. These "founders" have been properly celebrated for producing a complex, anticolonial, nationalist literature. However, their canonization has obscured the great diversity of postwar Caribbean writers, producing an enduring but narrow definition of West Indian literature.Beyond Windrush stands out as the first book to reexamine and redefine the writing of this crucial era. Its fourteen original essays make clear that in the 1950s there was already a wide spectrum of West Indian men and women--Afro-Caribbean, Indo-Caribbean, and white-creole--who were writing, publishing, and even painting. Many lived in the Caribbean and North America, rather than London. Moreover, these writers addressed subjects overlooked in the more conventionally conceived canon, including topics such as queer sexuality and the environment. This collection offers new readings of canonical authors (Lamming, Roger Mais, and Andrew Salkey); hitherto marginalized authors (Ismith Khan, Elma Napier, and John Hearne); and commonly ignored genres (memoir, short stories, and journalism).J. DILLON BROWN, St. Louis, Missouri, is associate professor of English and African and African American studies at Washington University in St. Louis. He is the author of Migrant Modernism: Postwar London and the West Indian Novel. LEAH READE ROSENBERG, Gainesville, Florida, is associate professor of English at the University of Florida. She is the author of Nationalism and the Formation of Caribbean Literature.

Derived from the nationalist writings of Jos Mart, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes identities. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since independence in 1898. In this book, Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic national discourse. Given that the music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional, local, and national identities. This book suggests that regional identity exerts a significant influence on the aesthetic choices made by Cuban musicians. Through the examination of several genres, Bodenheimer explores the various ways that race and place are entangled in contemporary Cuban music. She argues that racialized notions which circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed in the book--including rumba, timba, eastern Cuban folklore, and son--are examples of the intersections between regional identity formation, racialized notions of place, and music-making.

Despite Puerto Rico being the hub of the United States' naval response to the German blockade of the Caribbean, there is very little published scholarship on the island's heavy involvement in the global conflict of World War II. Island at War brings together outstanding new research on Puerto Rico and makes it accessible in English.

Van Johnson's dazzling smile, shock of red hair, and suntanned freckled cheeks made him a movie-star icon. Among teenaged girls in the 1940s, he was popularized as the bobbysoxer's heartthrob. This solid, thoroughly researched biography traces the career and influence of a favourite star and narrates a fascinating, sometimes troubled life story.

Exploring the diverse functions of space in Faulkner's artistic vision, the eleven essays in Faulkner's Geographies delve deep into Yoknapatawpha but also reach beyond it, to uncover unsuspected connections and flows linking local, regional, national, hemispheric, and global geographies in Faulkner's writings.

Provides an indispensable and significant understanding of Eric Williams's contributions to the now independent nation of Trinidad and Tobago and his impact on the broader international understanding of the Caribbean. This book stands out because of its simultaneous investigation into Eric Williams as a scholar/intellectual, a political leader, and, most importantly, a key postcolonial figure.

Offers the first in-depth study of Guyanese musical life. It is also a richly detailed description of the social, economic, and political conditions that have encouraged and sometimes discouraged musical and cultural creativity in Guyana. The book contributes to the study of the interactions between the policies and practices by national governments and musical communities in the Caribbean.

Follows Brian De Palma's fortunes as he makes the difficult transition from underground filmmaker to celebrity auteur. In profiles and q&a interviews, he emerges as a fascinating figure of excess and ambivalence who is not afraid to share his opinions.