Books published by Univocal Publishing LLC

As historical processes increasingly become steeped in technology, it becomes more necessary for a discipline to emerge that is capable of comprehending these materialities to better understand the fields they inundate such as science, art, and warfare. This effort is further compromised by the inherent complexity and complete arbitrariness of technical languages—especially when they are algorithmic—along with the rapid pace in which they become obsolete, unintelligible, or simply forgotten. The Turing Machine plays a central role in the Archaeology of Algorithmic Artefacts, wherein the gradual developments of the individual components encompassed by this complex technology are placed within the context of engineering sciences and the history of inventions. This genealogy also traces the origin of the computer in mathematics, meta-mathematics, combinatorics, cryptology, philosophy, and physics. The investigations reveal that the history of apparatuses that process signs is in no way limited to the second half of the twentieth century; rather, it is possible they existed at all times and in all cultures.

Michael Marder is ikerbasque Research Professor of Philosophy at the University of the Basque Country (UPV-EHU), Vitoria-Gasteiz, Spain. His most recent works include¿Pyropolitics: When the World Is Ablaze (2015),¿Dust (2016), The Chernobyl Herbarium (2016), and, with Luce Irigaray, Through Vegetal Being: Two Philosophical Perspectives¿(2016).

In the heart of Australia, on the cracked red earth, among wild vegetation, weathered bush, and dried-up creeks, hundreds of invisible pathways exist that become entangled on the earth''s surface, underground, and in the sky, clouds, and wind. The Aboriginal people call them Jukurrpa: "the Dreamings."This web is the Warlpiri land. Practicing the Dreaming, by ritual art, is for the Warlpiri a way to reactivate their ancestral traditions to connect with the cosmos and respond to current social and political issues.In 1979, anthropologist Barbara Glowczewski embarked on a journey to study the Warlpiri in the Australian outback. Struggling at once to maintain their traditions and cultural heritage as well as adapting to the continuing secularization and techno-progress of their European Australian counterparts, she takes us into the landscape, artistic rituals, and turmoil of the Warlpiri over three decades. Becoming accepted among Aboriginal families as a translator, and at the same time a negotiator of two vastly different visions of the earth, contemporary Western culture and the ancient indigenous dreaming culture, Glowczewski created a singular document of ethnological fieldwork and of self-transformation and discovery.

Throughout a large part of the 1980s, F\u00e9lix Guattari, known for his collaborations with Gilles Deleuze and his experimental and groundbreaking practices in psychotherapy, decides to shift his experimental work into a different medium of artistic and creative thought practice: the world of science fiction. Part self-analysis, part cinematic expression of his theoretical work, Guattari\u2019s screenplay merges his theoretical concepts with his passion for comic books, free radio movements, and film. So begins Guattari\u2019s journey to write a screenplay wherein a group of squatters makes contact with a superior intelligence coming from the infinitely small Universe of the Infra-quark (UIQ). Guattari worked feverishly on his film, attempting to secure a budget, traveling to Hollywood, and enlisting the help of American screenwriter Robert Kramer. But the film would never see the light of day. Through the important archival work of artists, Silvia Maglioni and Graeme Thomson, Guattari\u2019s script is now published here, for the first time in English.

An insightful philosophical investigation and reading of the concept of utopia

Eugene Thacker is the author of several books, including In The Dust of This Planet. He teaches at the New School in New York

François Laruelle is professor emeritus at the University of Paris West Nanterre La Défence and the inventor of the science of philosophy, non-philosophy.

Gilbert Simondon was a French philosopher of technology whose work continues to attract new interest within a variety of academic fields.Drew S. Burk is a cultural theorist and translator of contemporary French philosophy.

Is there any room left for freedom in a programmed world? This is theessential question Vilem Flusser asks in Post-History. This first Englishtranslation of Post-History brings to an Anglophone readership Flusser'sfirst critique of apparatus as the aesthetic, ethical, and epistemological model of present times.

From Almanac of Fall (1984) to The Turin Horse (2011), renowned Hungarian filmmaker Bela Tarr has followed the collapse of the communist promise. The "time after" is the time when we are less interested in histories and their successes or failures than we are in the delicate fabric of time from which they are carved.