Books published by UWA Publishing

The Weave is the second book collaboration between Thurston Moore and John Kinsella - dubbed a ''work in progress'' by the two poets, the book guides readers through a world in decay, crafting an invigorating language of spontaneity and survival out of the destruction. Moore and Kinsella aren''t just observing - they implicate us all in the harms of global capitalism and environmental disaster, charting a back and forth between the individual and the crowd. ROSIE LONG DECTER These poems start in Dolphy''s key + end with a quarryman''s dream. In between secrets are stored. See how many you can find. CLARK COOLIDGE

There has been a dearth of longitudinal attention to the prosecution of ''road traffic deaths'' in Australia and worldwide, surprising given more than 50 million people have died or been killed to date. Globally, the ''road toll'' is estimated at 1.35 million per year. Almost all of those deaths are attributable to some form of human error. A Lesser Species of Homicide examines the shifting nexus where human error, fault, act or omission meet the question of criminal liability.In the first study of its kind in the world, Kerry King examines how parliaments, prosecutors, police and the courts have responded to deaths occasioned by the use of motor vehicles from the mid-twentieth century to the present, including the extent to which the community and judiciary have been prepared to label driving conduct culpable. She explores how wedded we are to the residual notion of ''accident'', to speed, drink-driving, risk, masculinity and the broader driving culture, and how these have intersected with the tenets of intention, negligence, dangerousness and carelessness to affect judgments about drivers'' conduct. Drawing on hundreds of cases, King carefully traces the construction of offences and case law while observing key emerging themes, including approaches to multiple fatalities, outcomes in cases involving vulnerable road users, the difficulties with prosecuting intoxicated drivers and, most importantly, trends in charging standards and sentencing.For rigour, one Australian jurisdiction, Western Australia, has been chosen as the site of inquiry, yet there is little evidence to suggest that the trends explored herein are peculiar or exceptional. The status quo elsewhere in Australia and overseas appears remarkably similar.A Lesser Species of Homicide seeks to explore how and why deaths on the road have been treated as a species apart.

In the summer of 2016 musician Joanna Wallfisch released her third album and decided to do something radically different to promote it: a solo tour down the West Coast of America - by bicycle. Across six weeks and 1,850 kilometres, she would pedal from Portland to Los Angeles, performing concerts in every town along the way.

In her characteristically direct approach, political analyst Loretta Napoleoni takes on the vexed story-and threat-of North Korea for those of us in the West who remain blinded by its myths and bigotry. Like China's Mao Zedong, Kim Il-Sung - North Korea's leader from its founding in 1948 until his death in 1994 - washed away the humiliation caused by Japanese colonisation and re-created an ancient nation. He consolidated and protected the country with strict principles of unity and isolation. His grandson Kim Jong-un is following in the footsteps of Chinese revolutionary politics by modernising the country using the economy as the main tool of transformation. This short, informative book is an account of a country central to world politics and yet little understood. Further, it presents insider narratives of its people, whose self-image is radically different to the image we have of them.

'Munden's vivid, well realised poems range across hemispheres and centuries, embracing music, art, film, historical events, and the potent catalysts of love, illness and death. In these pages our human frailties are apprehended with both a clear eye and a tender attentiveness.' Judy Johnson 'In Chromatic, Munden's superb use of contrapuntal texture and accumulating melodies announce a fractured and injured reality, set against the visceral burn of passion. The rich musicality of these poems speaks eloquently of beauty and love, both physical and divine. The darker harmonies are often brilliantly jittery in their interwoven and compulsive juxtapositions, accentuating the poems' silences and apertures. In Chromatic, Munden unlocks the musical performance inside his poems, and the result is transportive and rapturous.' Cassandra Atherton 'In this complex and intricately constructed volume, lyric poems address sometimes difficult, sometimes bewildering aspects of human existence head on, and in surprising and scintillating ways. Paul Munden tantalises and beguiles us with rich evocations of the mysterious and the opaque, reminding us of the strangeness of life and the mystery at the core of what we know.' Paul Hetherington

No longer knowing which is sweeter the cherry or the feel of the word in my mouth Fingertip of the Tongue explores the texture, tone, taste, and touch of language. These are poems that feel their way through word and world with tongue and ear and fingertip. 'In Fingertip of the Tongue we find a poetry of close observation of people and everyday objects, finding in them new and deeper implications. These poems are sometimes whimsical, sometimes deeply personal, always satisfying. Sarah Rice displays a fascination with form and a great skill in finding the startlingly apt word, the evocative insight. Hers is a poetry of mind and heart.' Ron Pretty 'Sarah Rice writes poems of astonishing grace. To read her is to walk a hill and lose your limp and breathe your grief out among eucalypt leaves and return to your life smarter than you left it. Light and grave at once, bright with intelligence, masterfully made, and written with a musical ear, they dance ordinary days into epiphanies, suffering into wisdom, and they put a reader back inside the natural world, as if they'd never left it.' Mark Tredinnick 'This poetry collection explores how the self, the body and poetry are intimately connected in their various expressions, while obliquely mapping a personal history of loss, change and rejuvenation. Sarah Rice is fascinated by the flux, flow and harmonic resources of language, and entranced with the transformations words work on the world. These poems ruminate on connections between the imagination, the extraordinary and what is close at hand.' Paul Hetherington

"Winner of the 2016 Dorothy Hewett Award for an unpublished manuscript"--Front cover.

'Ross Gibson's poetry is marked by the numinous, then undercut by the quotidian, the earthy, a different way of seeing.' Jen Webb, Australian Book Review Here are scrummed gangs of criminals and police, with all their lurks, quirks and argots. The underworld and its overlords: how ingenious and energetic, how ardent both sides can be. What brutes they can be too, day after day, as they track and trick each other, as they make and need each other. Ross Gibson's poignant rewriting of a found dossier of police records has some Dickens, some Dostoevsky, and some DeLillo threaded through it. The sharp local language of Christina Stead, Kenneth Slessor, Arthur Stace and Ruth Park resounds in here too.

Highly Commended in the 2016 Dorothy Hewett Award for an Unpublished Manuscript. "Carolyn Abbs's poems in her poised collection The Tiny Museums live in the gap between deep time and now. They are insistently alive to the rich tensions between those two registers. This pairing of past/present plays out in other unifying doublings and mirrorings, particularly those between the UK and Western Australia, between photography and poetry, and a fertile creative relationship shared by sisters. Abbs deftly creates the world of her book through a phenomenological approach. Elegant layers of textures, colours, sounds and movement invite the reader into an experiential sense of this trench between the past and the present. In this way, her sensibility is painterly but its a Northern light in her poems reminiscent of the crisp mysteries of Vermeer. Abbs's poems dealing with family grief are the centrepieces of the book and are admirable in their ability to move the reader without any cloying sentimentality. Along with a skilled attentiveness to the ways in which sound moves through a line, this beautifully modulated emotional intelligence is a very great strength of her poetry."--The 2016 Dorothy Hewett Award judges' report. (Series: UWAP Poetry) [Subject: Poetry]

"From the winner of the 2014 Windham Campbell Prize"--Cover.

The room rustled as the children looked around. They knew no one had been to the coast but they checked in case for liars, for the too-dumb to know the difference between the real world and the television, for the dreamers. A young boy yearns for a rabbit; a man battles for his father's love; a group of middle-class Australians find themselves in a newly renovated house; and an elderly refugee worries about his daughter's sea voyage. Seabirds Crying in the Harbour Dark is about seeking refuge, about how we define home and what makes us feel safe.

In Collie in 1929, a murder-suicide took place. The killer was identified as Andrew Straw. Dressed in war uniform and a slouch hat, a hauntingly familiar face stared out at me from the front page of Truth. Andrew Straw bore a striking resemblance to my husband. I had unearthed an unexpected family story. Of the 330,000 Australian men who enlisted and served in World War I, close to 60,000 never returned home. As much as it is important to commemorate the war dead, it is also imperative that we remember the survivors as they moved into peacetime. Of the 32,000 West Australian men who enlisted, 23,700 returned from the war. These men tried to create a semblance of a civilian life following on from the traumas of war. War receded from immediate view as these men readjusted to civilian life, but its impacts endured. Many returned with disabilities, mental health problems and a lowered sense of self-worth that led some to take their own lives. In this deeply personal account, historian and writer Leigh Straw seeks a better understanding of what soldiers experienced once the fighting stopped. After the War uses the personal struggles of soldiers and their families to increase public understanding of the legacies of World War I in Western Australia and across the nation. The scars of war - mental and physical - can be lifelong for soldiers who serve their country. This is a story of surviving life after war.

Attention Deficit Hyperactivity Disorder (ADHD) is the most common mental-health condition in children and is present in most countries around the world. Although there is an abundance of literature on ADHD with plenty of scientific information, this condition remains controversial and often under diagnosed. Many books have been written for parents about ADHD, but most of them are quite scientific. This book is a go-to guide for parents and teachers, providing up-to-date knowledge in a simple, easy-to-read format. It is filled with information a doctor would like to provide but is often unable to do so in the limited appointment times available. This book also gives a framework and practical tips for how you can manage and advocate for your child in different settings, with or without medication. It summarizes evidence to date for medication and alternative therapies, examines commonly held beliefs about ADHD, and debunks myths. This book is written by a developmental pediatrician, Desiree Silva, and an ADHD coach, Michele Toner, both of whom are passionate about improving the lives of children with ADHD and their families. They both have over 20 years of experience in the field and recognize the need for this practical guide. Allied health workers, general practitioners, and others who have contact with children will also benefit from the information in this guide. [Subject: Health Studies, ADHD, Child Health]

Old magic and strange memories swirl through The Art of Navigation, as Elizabethan alchemy and the technologies of the future ingeniously intersect. --Brenda Walker ***1987. Silently the forest closed around them. One, two, three girls left the dark garden and disappeared from sight under the green canopy that reached towards the house on the hill. 1587. Sometimes the visions Mr Kelley sees in the glass clarify as he gazes upon them: as though this precious stone is the lens of Dr Dee's spyglass projecting a scene from far away and Ed, homing in, is polishing the surface with his spying, lying mind. 2087. A skrying app-an icon containing infinite space, maintaining ultimate time-will be tapped. Directing the dark obsidian discs of a nova millennium's hundred-eyed crystalline ball. What refined magic science has become... [Subject: Fiction, Slipstream Fiction, Literary Fiction]

The archive is a source of power. It takes control of the past, deciding which voices will be heard and which won't, how they will be heard and for what purposes. Indigenous archivists were at work well before the European Enlightenment arrived and began its own archiving. Sometimes at odds, other times not, these two ways of ordering the world have each learned from, and engaged with, the other. Colonialism has been a struggle over archives and its processes as much as anything else.The eighteen essays by twenty authors investigate different aspects of this struggle in Australia, from traditional Indigenous archives and their developments in recent times to the deconstruction of European archives by contemporary artists as acts of cultural empowerment. It also examines the use of archives developed for other reasons, such as the use of rainfall records to interpret early Papunya paintings. Indigenous Archives is the first overview of archival research in the production and understanding of Indigenous culture. Wide-ranging in its scope, it reveals the lively state of research into Indigenous histories and culture in Australia.

It is a little known fact that eleven African American convicts arrived in Australia on the First Fleet in 1788. Two of these ex-slaves were the author's ancestors. In extensively researched poems, award-winning writer Judy Johnson vividly portrays scenes from her black forebearers' lives, both before transportation and afterwards, in the fledgling colony of New South Wales. Dark Convicts uncovers a little known aspect of Australian colonial history, told from the unique vantage point of a descendant. (Series: UWAP Poetry) [Subject: Poetry]

Forty-eight years ago, a young and apprehensive Tony Kevin set off with his family on his first diplomatic posting, to Moscow at the height of the Cold War. In the Russian winter of 2016 he returns alone, a private citizen, aged 73. What will he find? How has Russia changed since those grim Soviet days? Tony Kevin had a successful and challenging diplomatic career, ending with ambassadorships to Poland (1991-94) and Cambodia (1994-97). He now applies his attention to Vladimir Putin's Russia, a government and nation routinely demonized and disdained in Western capitals. Why does President Putin arouse such a high level of Western antagonism? Is the West throwing away the lessons of recent history in recklessly drifting into a perilous and unnecessary new Cold War confrontation against Russia? The author invites readers to see this great nation anew: to explore with him the complex roots of Russian national identity and values, drawing on its traumatic recent seventy-year Soviet Communist past and its momentous thousand-year history as a great Orthodox Christian nation that has both loved and feared 'the West, ' and which the West has loved and feared back in equal measure. Tony Kevin's previous books include A Certain Maritime Incident: the sinking of SIEV X (2004) and Reluctant Rescuers (2012) on Australia's well-resourced maritime border protection system. He published a travel memoir Walking the Camino (2007) about his long pilgrimage walk through Spain in 2006. In 2009, Crunch Time tackled issues, still unresolved, of framing an effective Australian policy against global warming. [Subject: Non-Fiction, Travel Memoir, Russian Studies

During the twentieth century, the southwestern corner of Australia was cleared for intensive agriculture. In the space of several decades, an arc from Esperance to Geraldton, an area of land larger than England, was cleared of native flora for the farming of grain and livestock. Today, satellite maps show a sharp line ringing Perth. Inside that line, tan-coloured land is the most visible sign from space of human impact on the planet. Where once there was a vast mosaic of scrub and forest, there is now the Western Australian wheatbelt. Tony Hughes-d'Aeth examines the creation of the wheatbelt through its creative writing. Some of Australia's most well-known and significant writers - Albert Facey, Peter Cowan, Dorothy Hewett, Jack Davis, Elizabeth Jolley, and John Kinsella - wrote about their experience of the wheatbelt. Each gives insight into the human and environmental effects of this massive-scale agriculture. Albert Facey records the hardship and poverty of small-time selection in Australia. Dorothy Hewett makes the wheatbelt visible as an ecological tragedy. Jack Davis shows us an Aboriginal experience of the wheatbelt. Through examining this writing, Tony Hughes-d'Aeth demonstrates the deep value of literature in understanding the human experience of geographical change.

Believe and trust in your children. But most of all, be kind. Parents ask, 'Why are children so anxious?', 'Has my child got autism?' 'How do I calm a screaming baby, yelling child or angry teenager?' and 'What can I do when my child wants to die?' Anxiety, autism, ADHD, and learning problems make school hard. Depression, self-harm, cyberbullying and eating disorders are part of our complex lives. Stress, busyness, and a digital world have changed parenting. Parenting is Forever reflects the ongoing conversations of paediatrician, Dr. Elizabeth Green, with those who care for children. It is influenced by her experience as a parent and from helping more than 30,000 families over twenty-five years. Dr. Green shares her practical tips for navigating the developmental stages of childhood. From before birth, through early childhood and adolescence to adulthood. Parenting is not a competition. It's okay to fail and try again. That's what makes us better parents. [Subject: Parenting Guide, Childhood Care]

Dominique Hecq writes through dulled topographies of mourning, avowing death is a "singular fear of finitude against a background of black light." Autobiographical, and sharply particular, Hush takes readers into an abyss where "grief is a caesura" and loss means "being hostage to a ghost." But this book is not only a poignant elegy to "losing your mother tongue and cracking your own voice"; Hush is also an incandescent lament from an "un / harmed" speaker locating the possibilities and lexicons of denouement. Silencing the undertones of a surpassing grief, Hecq's quest is finally epic and heroic. - Dan Disney "Life goes on, they say," says Dominique Hecq in her startling and moving new book of lined and prose poetry, Hush. Then, "Life goes on leaving." A response to the death of a child, charting the near death and revival of a marriage and family, Hush is the lyric meditation of a true scholar, deeply inflected by theory but driven by the urgencies of the body. Early and late, it poses unanswerable questions - "Why is white white?" - and answers them by returning to the world of "Chalk, rice, zinc / / Crystal falls / / " and, devastatingly, "Limestone graves," before the language of the world disintegrates. Seeming at first to span a year of seasons, then suddenly encompassing fifteen years, the poem charts a remarkable inner journey, which begins in starvation, a refusal of the sensuous, but finally recollects not joy so much as presence. The world reemerges in water, birds, flowers, and most of all food, prepared at first as sacrifice, for others, until it makes itself present - first through color but also through smell, through sound, and literally through ink - and becomes the poet's communion. - Katharine Coles, University of Utah

Noongar Bush Medicine provides for the first time a comprehensive information on the the medicinal plants that were used by Aboriginal people of the south-west of Western Australia before European settlement

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Flute of Milk is Susan Fealy's first full-length collection of poems after years of publication in Australian and US journals and anthologies, including Poetry (Chicago), Island, Cordite, Rabbit, and the Anthology of Australian Contemporary Feminist Poetry (Hunter, 2016). This collection is in two parts, with each one interrogating love, loss, gender and aesthetics. The poems refract these themes through personal experience, as well as through a broader cultural lens. Some of these works are direct responses to the act of reading literature. The hallmark of this collection is precision with language: these works are always present and vivid. Susan Fealy is a Melbourne-based poet, writer, and clinical psychologist. (Series: UWAP Poetry) [Subject: Poetry]

A Personal History of Vision expands on the concerns of Fischer's acclaimed first collection Paths of Flight and embodies what Judith Beveridge has described as his 'seemingly effortless ability to blend visual detail and imaginative vision.' Intertwining the personal and the historical, the modern and the primeval, and culture and nature, these poems explore vision in its many senses, often with reference to the visual arts. At their heart is a search for an enlarged awareness of ourselves and the world, in which the visible and the invisible, nature and spirit find one another. At the same time, these poems are awake to inadequacies and the trials of death and suffering-personal, political, and ecological. Yet, even in the darkness, they detect possibilities of transformation. ***His second book of poetry shows Luke Fischer is outstanding among a new generation of Australian poets-there is everywhere throughout it intimations of the sublime.--Robert Gray (Series: UWAP Poetry) [Subject: Poetry]

You're Not Rob Snarski is the first book by eminent musician Rob Snarski. From Perth to Europe and all points in between, he shares his observations and insights from the music world he has performed in, the people he has worked with, the domesticated animals he has loved, and the things he's had to do to pay the rent. Snarski has played in legendary Australian bands since the 1970s: Chad's Tree, The Blackeyed Susans, and, replacing his friend David McComb, The Triffids. This collection of fragments and photographs uncover a delicate humour in the man who remains a dedicated follower of music and the musicians he's been influenced by. Rob Snarski is best known as the front man for The Blackeyed Susans. Since 1989 he has been a distinctive vocalist on a string of albums of finely crafted songs with the band. The Blackeyed Susans has included players from The Triffids, Dirty Three, and Nick Cave & The Bad Seeds. In recent years Rob recorded solo albums, including Wounded Bird. [Subject: Non-Fiction, Music Memoir, Autobiography]

Rallying was written alongside Quinn Eades's first book, all the beginnings: a queer autobiography of the body, and before he began transitioning from female to male. A collection very much concerned with the body, and the ways in which we create and write under, around, without, and with children, this collection will resonate deeply with anyone who has tried to make creative work from underneath the weight of love. This is a collection of poems that are more than poems. They were written with children, under babies, around grief, amongst crumbs, on trains, with hope: with love. This is a book made of steel and honey, muscle and sun, with tongues. Open its pages and you will find more than poetry. You will find moments in time strung across by text, a poetics of the space between bodies, the way that language makes us separate and simultaneously whole. 'Quinn Eades's poetry is an important part of the continuum of the development of language in relation to gender, the body, language and the expression of the self. In Rallying, his use of direct language is refreshing. Nothing is too tricky or try-hard-clever so that reading these poems is an amazingly clear experience. Even when he is writing exacting descriptive details there's a clarity and a space for feeling to complement the imagery or the thinking. These poems go against cool, conceptual fashionability. Not many contemporary poets are currently writing embodied poetry and no one is writing quite like Quinn Eades. Rallying's close concern with the female body - especially maternal bodies and relational feeling and thought - is a welcome and distinctive addition to the field of Australian poetry.'--Pam Brown

Amanda Joy's first book Snake Like Charms was five years in the making. It's grounded deep in reality as are the snake cultures and legends it draws from. Amanda Joy is a poet from the Pilbara and Kimberley regions of Western Australia, origin of the Rainbow Serpent, the Great Spirit that represents the world's oldest religious tradition. According to Indigenous song-cycles, a snake literally created this country. These lines from the poem 'Your Ground' carry their wisdom lightly "snake says / be still / stand your ground / it the only protection we have." This book quivers with snakes, consorting with birds and animals, in company with humans: "There's no animal alive / won't meet your eye." Also, like the Aztec serpent Quetzalcoatl, this poetry is all intelligence and sharp wind chained to the 'braille-like ridges' of the country by reality, where 'My friend's story is everywhere.' It contains wonders, 'Carnaby cockatoos feeding on wild radish in low grass', the erotic nature of a Blue Butcher Orchid 'made flesh', a poet gardener who is aware of 'the unseen deadline of morning like a tongue into a mouth/ stroking language'. There is rich onomatopoeia in many lines: 'Lumped gullet/ of migratory birds/ all algae and insects', and there's this lovely image of a 'Whelked helical of coral pink'. One feels the pain as you read this phase: 'an oracular migraine'. Anyone who has lived in Australia will recognize Joy's 'artillery of cockatoo cries'. There is danger everywhere, along with comedy on days when Cane toads storm the Kimberley. There is great empathy for the people who are doing it hard, 'The Long Dry.' This book is teaming with life, it's a celebration of families surrounded by animals, a book where ideas snake through the lines like arteries. Amanda Joy's variegated language explores rebellious ideas, delves into the underground but remains compassionate. This poet takes a hard look at the world now and yet comes up with a hugely optimistic book. ROBERT ADAMSON

From the intrigue of his earlier poetry in fatalism and the mysteries of character, Alan Gould's interest has moved to music. In many of the poems in this book, the folk songs or the homages to Vaughan Williams, his enquiry is one of synaesthesia: What is it we see when we hear? In meditating on this, the poet prefers the crisp, accessible, narrative voice to the philosophical. Here are ballads and celebrations, homages to past authors who have been his spiritual companions-Graves, Yeats, Shakespeare, and tributes to the Finnish resistance to Soviet aggression in 1939. The volume's title poem is a commemoration of the extraordinary and unknown Australian street dancer of VJ Day 1945. (Series: UWAP Poetry) [Subject: Poetry]

Anna Wickham (1883-1947) was one of the most important female poets writing in English during the first half of the twentieth century. A pioneer of Modernist poetry, she was also a fierce feminist, social activist, and friend of many significant writers, including D.H. Lawrence, George Bernard Shaw, Dylan Thomas, Katherine Mansfield, Natalie Clifford Barney, Kate O'Brien, and Lawrence Durrell. She produced a unique, daring and influential body of work while living a dramatic, often tragic life, which ended with her suicide. During her lifetime, Wickham published two plays in Australia, five collections of poetry in England, and one book of poetry in the United States. She lived in Australia, England and France. Wickham's work has frequently been anthologised in Australia, the United Kingdom and the United States. Wickham's transnational, unconventional life provided her with a unique worldview; she drew heavily on her own experiences in her poetry while interrogating conceptions of gender roles, marriage, motherhood, sexuality and class. While Wickham's poetry earned her a major reputation during her lifetime, and her most famous poems continue to be anthologised, most of her published work is out of print and the majority of her poems have never been published. New and Selected Poems of Anna Wickham is the first collection of Wickham's poetry to be published in over three decades. This collection republishes one hundred of Wickham's poems selected from the collections published during her lifetime, as well as poems from Selected Poems (1971) and The Writings of Anna Wickham (1984). In addition to bringing many of Wickham's greatest poems back into print, this collection publishes one hundred and fifty of Wickham's remarkable poems for the first time, significantly expanding her body of published work and demonstrating her significant poetic achievement.