Books published by Verlag Peter Lang

This book aims to shed light on how translations of popular music contribute to fostering international relations by focusing on a case study of Turkish-Greek rapprochement in the last two decades. Drawing on a range of disciplines, the book explores the multifaceted nature of translation and music and their wide-ranging impact on society.

Materials may seem to be sculpture's most obvious aspect. This book places materials at the centre of our approach to sculpture, examining their symbolic and aesthetic language, their abstract and philosophical associations, and the ways in which they reveal the political, economic and social contexts of sculptural practice.

This book examines the responses of visual artists, including architects, designers and photographers, to the technological and social modernisation of Germany during the first three decades of the twentieth century. It investigates how these aspects of the modernising process inform both the subject matter and formal innovations of their work. The study analyses how these visual practices were not just the concerns of isolated and enclosed art worlds but had wider social resonances, ranging from the debates concerning the reformist objectives of the Deutscher Werkbund (1907) to the National Socialist ideological onslaught on modernist culture culminating in the Entartete Kunst (Degenerate Art) exhibitions of 1937. Many of the artists encountered here were radicalised by the First World War, the Russian Revolution and the November 1918 Revolution in Germany, experiences which effected change in their conceptualising of cultural production and its social function: their modes of working, however, would also set challenging markers for what forms art might take for the twentieth century. The book is, therefore, both a study of art in complex political and sociocultural contexts and a reflection on how engagement with a social imagination can challenge a tradition based on the assumptions of individual imaginings.

Explores the visual, textual, performative, and perceptual aspects of this phenomenon, with particular emphasis on painting and sculpture in late medieval Cologne. This book examines the cult from the core outward, seeking to understand hagiographic texts and images in terms of their role in articulating relic cults.

This book examines the presentation of, and attitudes to, the Second World War in post-war West German prose fiction. The fierce public reactions which some of these works provoked at the time of their publication are taken into account in this study since their reception provides a picture of the psychological relationship West Germany had with its wartime past in the immediate post-war period and beyond. Writers of Unterhaltungsliteratur and Trivialliteratur are often studied within their own genre, but, this book sets such writers alongside their canonical colleagues. This approach opens up the possibility of considering whether the strategies adopted to influence contemporary society, to reflect that society and to come to terms with the Second World War are determined by the classification of these works as Kitsch or Kunst. The authors included are Alfred Andersch, Heinrich Böll, Hans Hellmut Kirst, Heinz G. Konsalik, Theodor Plievier and Erich Maria Remarque. The selected works deal specifically with the German soldier and officer, the fighting fronts, the home front and the connections between the German army and the National Socialist regime.

This book takes as its terrain the changing perceptions of evil across centuries of English Literature. Starting with the models of conflict and malevolence in the Book of Genesis, its paths are the themes of ambition, desire, survival, belief and knowledge, from the Middle Ages to the present day. As if looking through both ends of a telescope, it moves forward in time, propelled by what has been left behind and by our knowledge of what will follow. Because the cinema is so vibrant an archive of shifting images of ourselves, selected films are viewed alongside the narrative fiction, drama and poetry of each chapter. Throughout the book, résumés and quotations bring as-yet-unread writings into the same line of vision as all the others. Exploring Evil confronts the diversity of evils reflected in literary depictions of human behaviour and finds two constant elements: the abuse of free will and a denial of the humanity of others. The author argues that, however much its forms and objectives may change, the supremacy of evil in the life of the imagination remains unassailable.