Books published by Verlag Peter Lang

Presents an examination of the emergence, reception and legacy of modernism in Ireland. Engaging with the ongoing re-evaluation of regional and national modernisms, this title includes essays that reveal both the importance of modernism to Ireland, and that of Ireland to modernism.

In the 1990s, Irish society was changing and becoming increasingly international due to the rise of the 'Celtic Tiger'. At the same time, the ongoing peace process in Northern Ireland also fuelled debates on the definition of Irishness, which in turn seemed to call for a critical examination of the birth of the Irish State, as well as a rethinking and re-assessment of the nationalist past. Neil Jordan's Michael Collins (1996), the most commercially successful and talked-about Irish film of the 1990s, was a timely contributor to this process. In providing a large-scale representation of the 1916-1922 period, Michael Collins became the subject of critical and popular controversy, demonstrating that cinema could play a part in this cultural reimagining of Ireland. Locating the film in both its historical and its cinematic context, this book explores the depiction of events in Michael Collins and the film's participation in the process of reimagining Irishness through its public reception. The portrayal of the key figures of Michael Collins and Eamon de Valera comes under special scrutiny as the author assesses this pivotal piece of Irish history on screen.

Offers essays that revolve around the notion of change in Ireland, whether by revolution or by evolution. This volume begins by examining two remarkable Irishmen on the make in Georgian London: the boxing historian Pierce Egan and the extraordinary Charles Macklin, eighteenth-century actor, playwright and manslaughterer.

Conflicts of Memory

Aesthetic Rivalries

Globalization and information technology are driving the world into a new era. Is it the responsibility of business to pursue the common good - and more precisely, to participate in the construction of the global common good? This book brings together contributions from various disciplines, written by scholars who are at the forefront of this debate. It provides multiple insights into a tripartite relationship: business, globalization and the common good. It helps explain why the business sphere will probably not be in a position to ignore the common good much longer, and why this latter concept, widely ignored in today's management realm, is likely to become part of tomorrow's corporate policies and practices in the global context. Finally, this work opens up a plethora of avenues for future research, calling for the development of transdisciplinary approaches and for the elaboration of a research program embracing theoretical, empirical and spiritual perspectives to tackle this complex issue.

A History of Irish Ballet from 1927 to 1963

The Swiss artist Alberto Giacometti participated in Parisian literary and cultural circles from the early meetings of Surrealists to existentialism and diverse currents in art and poetry that followed. This book considers examples of poesie critique devoted to Giacometti's work by major French poets and thinkers from Andre Breton to Yves Bonnefoy.

This edited volume examines aspects of teaching and learning in situations where community or ethnic diversity may impact negatively on classroom experience and behaviour in tertiary education. Case studies from Northern Ireland, England, France and the United States of America examine how societal divisions influence the student body.

Language learning materials development remains an under-supported aspect of language teaching. This book constitutes a resource in the area, aiming to support and advance the craft of materials design. It offers a snapshot of the influences on language learning materials development from diverse perspectives around the globe.

In discussions of American poetry since World War II, the work of John Berryman has become increasingly neglected and marginalized. Critics have overwhelmingly chosen to favour the notion that he is an academic, ¿establishment¿ poet whose career can comfortably be described as a move from New Critical traditionalism towards self-absorbed confessionalism. This study shows how such a narrow understanding of Berryman¿s work is reflective of a broader critical inclination towards a codification of the literary canon as a duel between competing factions of a formalist, establishment ¿mainstream¿ and an experimentalist, countercultural ¿avant-garde¿. By examining the extent to which Berryman¿s poetry engages with the complex religiopolitical climate of Cold War American culture, this study exposes the inadequacy of the paradigm of mainstream traditionalism in relation to his work. In doing so, it opens up threads of comparative possibility between his work and that of poets ordinarily segregated from him by divisive conceptions of the literary canon. As such, this volume provides a reconsideration of Berryman¿s work that simultaneously asks broader questions about the nature of the American poetic canon and established definitions of ¿postmodern¿ poetry.

Liminality, if interpreted as a concern with borders and states of in-betweenness, is a widespread theme in Irish literature and culture, which is perhaps not surprising considering the colonial and postcolonial background of Ireland. The liminal, from the Latin word limen, meaning «a threshold», can be broadly defined as a transitional place of becoming. It is a borderland state of ambiguity and indeterminacy, leading those who participate in the process to new perspectives and possibilities. This collection of essays examines the theme of liminality in Irish literature and culture against the philosophical discourse of modernity and focuses on representations of liminality in contemporary Irish literature, art and film in a variety of contexts. The book is divided into four sections. The first part deals with theoretical aspects of liminal states. Other sections focus on liminal narratives and explore drama as liminal rites of passage, while the last part examines transformative spaces in contemporary Irish women¿s poetry.