Books published by Verso Books

A searing critique of participatory art by an iconoclastic historian.

A renowned choreographer explores the dance of everyday life and reveals that art-making is as natural as walking down the street.

A brilliant study of violent self-defense in the struggle for liberation by an award-winning philosopher

The work of love is a feminist problem, and it demands feminist solutions

The story of the campaign for justice for the 24 building workers wrongly prosecuted by the state in the 1970s

Marx's Literary Style argues that a true understanding of Marx's work requires a careful study of his literary choices

Radical glossary of the vocabulary of policing that redefines the very way we understand law enforcement

Since Plato, philosophers have dreamed of establishing a rational state ruled through the power of language. In this radical and disturbing account of Soviet philosophy, Boris Groys argues that communism shares that dream and is best understood as an attempt to replace financial with linguistic bonds as the cement uniting society. The transformative power of language, the medium of equality, is the key to any new communist revolution.

Why the left should reclaim ethics and morality for itself

The master of literary theory takes on the master of the detective novelRaymond Chandler, a dazzling stylist and portrayer of American life, holds a unique place in literary history, straddling both pulp fiction and modernism. With The Big Sleep, published in 1939, he left an indelible imprint on the detective novel. Fredric Jameson offers an interpretation of Chandler's work that reconstructs both the context in which it was written and the social world or totality it projects. Chandler's invariable setting, Los Angeles, appears both as a microcosm of the United States and a prefiguration of its future: a megalopolis uniquely distributed by an unpromising nature into a variety of distinct neighborhoods and private worlds. But this essentially urban and spatial work seems also to be drawn towards a vacuum, an absence that is nothing other than death. With Chandler, the thriller genre becomes metaphysical.