Books published by Wayne State University Press

Although the iconic television series Father Knows Best (CBS 1954-55; NBC 1955-58; CBS 1958-60) has enjoyed a long history in rerun syndication and an enduring fan base, it is often remembered as cultural shorthand for 1950s-era conformism and authoritarianism. In this study of Father Knows Best, author Mary R. Desjardins examines the program, its popularity, and its critical position within historical, industrial, and generic contexts to challenge oversimplified assumptions about the show's use of comedy and melodrama in exploring the place of family in mid-twentieth-century American society. Desjardins begins by looking at Father Knows Best within media and production contexts, including its origin on radio, its place in the history of Screen Gems telefilm production, and its roots in the backgrounds and creative philosophies of co-producer Eugene Rodney and star-producer Robert Young. She goes on to examine the social contexts for the creation and reception of the series, especially in the era's emphasis on family togetherness, shared parenting by both father and mother, and generational stages of the life cycle. Against this background, Desjardins also discusses several Father Knows Best episodes in-depth to consider their treatment of conflicts over appropriate gender roles for women. She concludes by exploring how the series' cast participated in reevaluations of the Anderson family's meaning in relation to "e;real families"e; of the fifties, through television specials, talk show appearances, magazine and book interviews, and documentaries. Blending melodrama and comedy, naturalistic acting, and stylized cinematic visuals, Father Knows Best dramatized ideological tensions in the most typical situations facing the American family. Scholars of mid-century American popular culture and film history as well as fans of the show will appreciate Desjardin's measured analysis.

The story of one of America's first families of photography, documenting the history of the Goodridge studio for three-quarters of a century. It weaves photographic and regional history with the narrative of a family whose lives paralleled the social and political happenings of the country.

During the Great Migration of African Americans from the South to the cities of the Northeast, Midwest, and West, the local black church was essential in the making and reshaping of urban areas. In Detroit, there was one church and one minister in particular that demonstrated this power of the pulpit-Second Baptist Church of Detroit ("e;Second,"e; as many members called it) and its nineteenth pastor, the Reverend Robert L. Bradby. In Race, Religion, and the Pulpit: Rev. Robert L. Bradby and the Making of Urban Detroit, author Julia Marie Robinson explores how Bradby's church became the catalyst for economic empowerment, community building, and the formation of an urban African American working class in Detroit. Robinson begins by examining Reverend Bradby's formative years in Ontario, Canada; his rise to prominence as a pastor and community leader at Second Baptist in Detroit; and the sociohistorical context of his work in the early years of the Great Migration. She goes on to investigate the sometimes surprising nature of relationships between Second Baptist, its members, and prominent white elites in Detroit, including Bradby's close relationship to Ford Motor Company and Henry Ford. Finally, Robinson details Bradby's efforts as a "e;race leader"e; and activist, roles that were tied directly to his theology. She looks at the parts the minister played in such high-profile events as the organizing of Detroit's NAACP chapter, the Ossian Sweet trial of the mid-1920s, the Scottsboro Boys trials in the 1930s, and the controversial rise of the United Auto Workers in Detroit in the 1940s. Race, Religion, and the Pulpit presents a full and nuanced picture of Bradby's life that has so far been missing from the scholarly record. Readers interested in the intersections of race and religion in American history, as well as anyone with ties to Detroit's Second Baptist Church, will appreciate this thorough volume.

Depending on dialect, the Anishinaabemowin word "e;weweni"e; expresses thanks, exactitude, ease, and sincerity. In addition, the word for "e;relatives"e; is "e;nindenwemaaganag"e;: those whose "e;enewewe,"e; or voices, sound familiar. In Weweni, poet Margaret Noodin brings all of these meanings to bear in a unique bilingual collection. Noodin's warm and perceptive poems were written first in the Modern Anishinaabemowin double-vowel orthography and appear translated on facing pages in English. From planetary tracking to political contrasts, stories of ghosts, and messages of trees, the poems in Weweni use many images to speak to the interconnectedness of relationships, moments of difficulty and joy, and dreams and cautions for the future. As poems move from Anishinaabemowin to English, the challenge of translation offers multiple levels of meaning-English meanings found in Anishinaabe words long as rivers and knotted like nets, English approximations that bend the dominant language in new directions, and sets of signs and ideas unable to move from one language to another. In addition to the individual dialogues played out beween Noodin's poems, the collection as a whole demonstrates a fruitful and respectful dialogue between languages and cultures. Noodin's poems will be proof to students and speakers of Anishinaabemowin that the language can be a vital space for modern expression and, for those new to the language, a lyric invitation to further exploration. Anyone interested in poetry or linguistics will enjoy this one-of-a-kind volume.

A study of the cinematic traditions and film practices in the black Diaspora. It includes essays by film scholars, film critics and film-makers, whose critical readings challenge assumptions of colonialist and ethnocentric discourses about the Third World, Hollywood and European cinemas.

His Very Silence Speaks addresses larger issues such as the human relationship to animals and nature, cross-cultural differences in the ways animals are perceived, and the symbolic use of living and legendary animals in human cognition and communication.

This work analyses Black political movements since the 1960s in which African-American societies forged connections with others in the Diaspora, looking at their impact on the African-American community.

Examines a pan-ethnic style of music created by North African and Middle Eastern Israeli musicians in the late 20th century. This title focuses on the work of three artists - Avihu Medina, Zohar Argov, and Zehava Ben - who pioneered a recognizable Mizrahi style and moved this musical formation from the Mizrahi neighborhoods to the national arena.

Originally published in 1961, Let's Read is a simple and systematic way to teach basic reading. Developed by noted linguist Leonard Bloomfield, the book is based on the alphabetic spelling patterns of English. The second edition of Let's Read brings Bloomfield's innovative program into the twenty-first century.