Books published by Wings Press

Time's Language contains powerful poems of witness as well as personal poems, and autobiographical prose pieces (that read like prose poems), recounting a life of resistance, the life of a life-long literary and political revolutionary. As US Poet Laureate Juan Felipe Herrera writes, "e;Here are Margaret Randall's decades of love, ink, tears, contestation and light-let us bow in gratitude for this truth-telling, daring, border-breaking, pioneering long-time volume of soul fire."e;

Takes readers from an Applachian trout stream in western North Carolina where wild trout are reduced to sipping cigarette butts, up through the author's home state of Vermont where development and the ski industry threaten the state's iconic pastoral riversides, and finally into western Maine to a once dead river that has returned to life.

Features 47 poems and 47 colour photographs that explore the history, culture, and ecology of the state of Mississippi. The epigraph for the book is taken from Theodore Roethke's ""North American Sequence"": ""The imperishable quiet at the heart of form."" This quietness to be found by contemplating the photographs of Maude Schuyler Clay was at the heart of Ann Fisher-Wirth's poetic process.

The Morning After is Margaret Randall's 30th poetry collection and eleventh with Wings Press. The title poem was written, as so many in this country were, the morning after the November 8, 2016 presidential election: "e;I wish there was a pill for that,"e; is one of its lines. But Randall doesn't stay with anger, irony, or a pamphleteering voice. Her work goes much deeper, grappling with ageless concerns and unexpected details. Throughout this volume there is a concern with time, place, and memory; intimate landscape; mature love; the current threat to the richness of language; global consciousness; a mapping of human questioning and exploration of identity. In these pages the reader will find George Zimmerman's gun, a herd of buffalo at Standing Rock, rebar, the Super Moon, "e;reptile dysfunction,"e; and multiple choice vs. Socratic wisdom. Reflecting Randall's recent work with translation, several poems take on that practice in its broadest sense. Stylistically, for the first time in half a century she has gone back to her modus of the 1960s and mixed story and prosody with poetry; only now the result is more sophisticated and much harder hitting. The title poem of The Morning After first appeared in two anthologies of poetry responding to the January 2017 presidential inauguration: Resist Much / Obey Little: Inaugural Poems to the Resistance and Truth to Power; and in Spanish translation in Revista Casa de las Américas, Havana, Cuba. The Morning After contains powerful poems of witness as well as personal poems, both of which soar through "e;limitless rooms, unfenced spaces / where our thoughts may procreate / before they change direction,"e; as well as autobiographical prose pieces (that read like prose poems), recounting a life of resistance, the life of a life-long literary and political revolutionary. If ever there were a time for the words of Margaret Randall, it is now. Read this book. Howl this book!

Sudeep Sen's Fractals includes a wide swath of his poetry, from 1980 to the present, as well as a representative collection of his translations into English of other poets writing in Bengali, Hindu, Urdu and other languages. Sen's poems are both vivid observations and insightful meditations, often ekphrastic in that they are inspired by other art forms.

An award-winning western novelist (NORTH TO YESTERDAY, WANDERER SPRINGS) with decidedly liberal political leanings writes a spiritual autobiography unlike any other. The author grew up in a small west Texas town, attended seminary, became a war correspondent in Vietnam, and taught creative writing and literature for 40 years at Trinity University in San Antonio. With a deep sense of the irony of his project, he sets out to explain how the Bible came to be, delving into historical misconceptions, errors in translation, political and cultural biases, as well as the editorial failings of the Bible's many authors -- and yet, he arrives at a place of ultimate faith. HOLY LITERARY LICENSE is not anyone's traditional Sunday School material, but contemporary, open-minded Christians will find the book both enlightening and inspirational -- and at times, intensely humorous. Flynn, the author of GROWING UP A SULLEN BAPTIST, is known for his wry wit and his humane insight. This work is his masterpiece.

In Blood Flower, passionate imagery married to music bursts from each line pushing out the boundaries of Uschuk's earlier poems. It continues themes in Uschuk's American Book Award winner, Crazy Love. The poems braid the startling, sometimes brutal stories of her Russian/Czech immigrant family during the McCarthy Era in a conservative Michigan farming community with stories of courageous individuals, especially women, who persevere to love, despite it all. Uschuk's step-grandfather, father, brother, nephews, and first husband all suffered severe PTSD as combat veterans who returned home from wars that ravished not only their lives, but the lives of the women and children closest to them. This is the history not just of one family but of immigrants in this nation. These poems, although set in landscapes across the globe, commonly draw their imagery and healing from the natural world, the wild world, and the integrity of the human heart.

Xochiquetzal and Javier meet at a resort near Puerto Vallarta and begin a highly erotic love affair of 12 years, which extends beyond, into the Mayan Sixth World. There's a weaving of dreams as they meet crucial people on their travels: Ai from Tokyo, traveling the world to plant peace crystals in honor-and warning-of the bombing of Hiroshima and Nagasaki; Hank, a Hopi man who gives them vital and timely information on the Hopi prophecies; Don Francisco from Oaxaca/Chiapas, a Mayan shaman who brings the wisdom of the coming Mayan Sixth World; and Ari, an Israeli Commando whose family story brings the Jewish Holocaust to light passionately. Everyone eventually meets in San Miguel de Allende, Mexico, where Xochiquetzal and Javier live, and at an all night fiesta at a magical mansion, everyone's personal and collective wounds are revealed and healed.

This major poetry collection is a fearless depiction of a Latina living in the best and worst of times.

Devil's Tango is a one-woman whirlwind tour of the nuclear industry, seen through the lens of the industrial and planetary crisis unfolding at Fukushima Daiichi. As much personal journal as investigative journalism, the author's journal entries trace her own and the country's evolution of consciousness during the first year following the diaster at Fukushima Daiichi. Pineda keeps track day-by-day of worsening developments at Fukushima Daiichi, and records the daily evolution of her perceptions. Often poetic in tone, philosophic in scope, her reflections are peppered with dramatic monologues,day-to-day reportage, philosophical speculations, meditations, deep song (canto hondo) and occasional flights of fancy, a monoplay, a grand guignol. There is no other book quite like it. John Nichols calls it an "e;astonishing anatomy of he Fukushima Daiichi nuclear disaster,"e; "e;... a revelation, and a searing denunciation of the worldwide nuclear energy industry."e;

Depicting the 20th century as a character, this novel explores what happens when that character, dying, passes through a Bardo state-an intermediate state of the soul between death and rebirth.

Detailing the natural and human history of Rapa Nui-more commonly known as Easter Island-this extraordinary collection of poems and photographs links together the ancient inhabitants of the most isolated, inhabited spot on earth with common concerns and hopes of the present. Illustrating the unique culture and ongoing struggle to survive against dramatic odds, this volume dramatically depicts the basic desires, misgivings, and challenges that human beings have long faced, regardless of time and place.

Offering a powerful-but-playful portrait of urban teens - especially teens of colour - this collection of poetry is at once rife with contemporary issues as well as the timeless challenges of high school. Whether focusing on topics such as troubled families, racism in the streets, and depression or boy-girl obsession, sports triumphs, and personal achievement, Angela Shelf Medearis writes with wry humour and a direct honesty.

Conjuring the voice of Edward Hopper, this powerful collection of poetry investigates the mind of an iconic American painter. Lyrical and beautifully crafted, the poems convey both frightening and amusing messages as "e;Hopper"e; commentates on his own paintings-from the iconic Nighthawks to his depiction of his wife and himself taking a final bow in Two Comedians-as well as those of other artists. Shocking in their honesty, these poems also provide a window into the American Modernist period due to their biographical nature and evaluations of the visual arts.