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Illustrated by Arthur Rackham.Far from fading with time, Kenneth Grahame's classic tale of fantasy has attracted a growing audience in each generation.Rat, Mole, Badger and the preposterous Mr Toad, have brought delight to many through the years with their odd adventures on and by the river, and at the imposing residence of Toad Hall.
Introduction and Notes by Dr Ella Westland, University of Exeter.Illustrations by George Cruickshank.Dickens had already achieved renown with The Pickwick Papers. With Oliver Twist his reputation was enhanced and strengthened. The novel contains many classic Dickensian themes - grinding poverty, desperation, fear, temptation and the eventual triumph of good in the face of great adversity.Oliver Twist features some of the author's most enduring characters, such as Oliver himself (who dares to ask for more), the tyrannical Bumble, the diabolical Fagin, the menacing Bill Sikes, Nancy and 'the Artful Dodger'.For any reader wishing to delve into the works of the great Victorian literary colossus, Oliver Twist is, without doubt, an essential title.
With an Introduction and Notes by Stuart Hutchinson, University of Kent at Canterbury.Tom Sawyer, a shrewd and adventurous boy, is as much at home in the respectable world of his Aunt Polly as in the self-reliant and parentless world of his friend Huck Finn. The two enjoy a series of adventures, accidentally witnessing a murder, establishing the innocence of the man wrongly accused, as well as being hunted by Injun Joe, the true murderer, eventually escaping and finding the treasure that Joe had buried.Huckleberry Finn recounts the further adventures of Huck, who runs away from a drunken and brutal father, and meets up with the escaped slave Jim. They float down the Mississippi on a raft, participating in the lives of the characters they meet, witnessing corruption, moral decay and intellectual impoverishment.Sharing so much in background and character, these two stories, the best of Twain, indisputably belong together in one volume. Though originally written as adventure stories for young people, the vivid writing provides a profound commentary on provincial American life in the mid-nineteenth century and the institution of slavery.
Sir Toby Belch and his companion outwit the pretentious Malvolio, who despite suffering their most outrageous and insulting practical jokes, emerges as an almost noble figure.
The 'progress' of the modern industrialised world had led to the carnage of the First World War. What, then, did it mean to call ourselves 'human'? What are the definitive forms of our relationships - love, marriage, family, friendship - really worth? Without directly referring to the war, this novel explores these questions.
With an Introduction and Notes by Dr. Jacqueline Belanger, University of Cardiff.A Portrait of the Artist as a Young Man represents the transitional stage between the realism of Joyce's Dubliners and the symbolism of Ulysses, and is essential to the understanding of the later work.This novel is a highly autobiographical account of the adolescence of Stephen Dedalus, who reappears in Ulysses, and who comes to realize that before he can become a true artist, he must rid himself of the stultifying effects of the religion, politics and essential bigotry of his background in late 19th century Ireland.Written with a light touch, this is perhaps the most accessible of Joyce's works.
Introduction and Notes by Michael Irwin, Professor of English Literature, University of Kent at Canterbury.Set in Hardy's Wessex, Tess is a moving novel of hypocrisy and double standards. Its challenging sub-title, A Pure Woman, infuriated critics when the book was first published in 1891, and it was condemned as immoral and pessimistic.It tells of Tess Durbeyfield, the daughter of a poor and dissipated villager, who learns that she may be descended from the ancient family of d'Urbeville. In her search for respectability her fortunes fluctuate wildly, and the story assumes the proportions of a Greek tragedy. It explores Tess's relationships with two very different men, her struggle against the social mores of the rural Victorian world which she inhabits and the hypocrisy of the age.In addressing the double standards of the time, Hardy's masterly evocation of a world which we have lost, provides one of the most compelling stories in the canon of English literature, whose appeal today defies the judgement of Hardy's contemporary critics.
Considered by many to be Dickens' finest novel, Great Expectations traces the growth of the book's narrator, Philip Pirrip (Pip), from a boy of shallow dreams to a man with depth of character. From its famous dramatic opening on the bleak Kentish marshes, the story abounds with some of Dickens' most memorable characters. Among them are the kindly blacksmith Joe Gargery, the mysterious convict Abel Magwitch, the eccentric Miss Haversham and her beautiful ward Estella, Pip's good-hearted room-mate Herbert Pocket and the pompous Pumblechook. As Pip unravels the truth behind his own 'great expectations' in his quest to become a gentleman, the mysteries of the past and the convolutions of fate through a series of thrilling adventures serve to steer him towards maturity and his most important discovery of all - the truth about himself.
Lawrence first put together the collection of his poems in 1928. They are arranged chronologically "to make up a biography of an emotional and inner life".
An immediate best-seller on publication, Ben Hur remains a dazzling achievement by any standards. A thoroughly exhilarating tale of betrayal, revenge and salvation, it is the only novel that ranks with Uncle Tom's Cabin as a genuine American folk possession.
Rich with biographical echoes, this novel reveals the emergence of the schematic ironies which characterise the author's later works
Wessex Tales was the first collection of Hardy's short stories, and they reflect the experience of a novelist at the height of his powers.
Contains six of her finest stories that have been selected to demonstrate the variety and accomplishment of her shorter fiction, and to trace the development of her art.
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