Books published by Yale University Press

This was the winning volume in the 1991 Yale Series of Younger Poets competition and contains poems by Nicholas Samaras. Samaras won a New York Foundation for the Arts Poetry Fellowship in 1986, a Taylor Fellowship for study abroad in 1981-82 and a prize from the Academy of American Poets in 1983.

The historic capital of Scotland is well known as a fortified medieval city with castle and crown-steepled church, its Royal Mile leading down to the Abbey and Palace of Holyrood. It is discussed as a merchant city, as a Georgian town, and as a 20th century city.

Offers fresh perspectives on changes in architecture and learning at three moments in time. The authors trace the professional contexts and activities of builders from the creation of the Romanesque to the Gothic and in the process establish a new criteria for defining each.

"Published in conjunction with the exhibition Jan Tschichold and the New Typography: Graphic Design Between the World Wars held at Bard Graduate Center Gallery in New York City from February 14 through July 7, 2019"--Title page verso.

The fifth volume of the John Baldessari Catalogue Raisonné compiles the approximately 367 works made by the influential American conceptual artist (b. 1931) from 2005 through 2010. During these years, the artist undertook a number of series, including the shaped erasures of "Blockage"; the word-and-image juxtapositions of "Prima Facie"; the explorations of the face in "Nose and Ears, Etc." and "Raised Eyebrows/Furrowed Foreheads"; and the muted, spare "Sediment" works on canvas. Catalogue entries allow readers to trace the shifts and developments in Baldessari's work during these years, a time of continued experimentation and aesthetic distillation that is further explored in a conversation between Baldessari and fellow artist David Salle. A critical essay by Hannah B. Higgins provides a close reading of selected works and gives a historical context for understanding Baldessari's art from this period. >Published in association with Marian Goodman Gallery

A powerful and revealing firsthand account of the migrant and refugee experience on the overland route across Europe

From one of today's keenest critics comes a collection of essays on poetry, religion, and the connection between the two

Bringing the rich Japanese Shinto artistic tradition to life, this handsome volume explores the significance of calligraphy, painting, sculpture, and the decorative arts within traditional kami veneration ceremonies

A riveting excursion through Warhol's incomparable personal collections, from the bizarre to the illuminating

A fascinating biography of a revolutionary American artist ripe for rediscovery as a photographer and champion of other artists

A vibrant history of the renowned and often controversial Iowa Writers' Workshop and its celebrated alumni and faculty

The first major biography in English in over thirty years of the seminal modern Jewish thinker Martin Buber

Published on the occasion of the exhibition of the same name held at the Cleveland Museum of Art, 18th November 2018-21st January 2019.

This focused volume presents a deep exploration and new interpretations of the winter paintings of Pieter Bruegel the Elder (ca. 1525-1569). By applying new methodological approaches and interdisciplinary research to these masterpieces of Flemish Renaissance art, including Winter Landscape with Skaters and Bird Trap (1565) and The Census at Bethlehem (1566), both at the Royal Museums of Fine Arts of Belgium, the book offers an enhanced understanding of the painter's relationship to his time and the extent to which his winter landscapes were meant to reflect real-life situations. After tracing how these paintings have been understood over time, the essays propose new insights into such issues as whether Bruegel depicts the plight of the local populace during winter and whether The Census at Bethlehem challenges or reaffirms central power structures. Abundantly illustrated, Bruegel's Winter Scenes is both a thorough examination and a celebration of these widely admired images. Distributed for Mercatorfonds.

"Published by the Clark Art Institute on the occasion of the exhibition Jennifer Steinkamp: Blind Eye, presented at the Clark Art Institute from June 30 to October 8, 2018."

Anne Teresa De Keersmaeker (b. 1960) founded her dance company, Rosas, in 1983. Her work is grounded on a rigorous exploration of the relationship between dance and music, and over the years she has engaged the musical structures and scores of different periods and genres, from early music to contemporary expressions of classical and popular music. Her choreographic practice draws from geometric principles, nature, and social structures to offer unique perspectives on the articulation of the body in space and time.The minimalism of De Keersmaeker's earliest pieces gave way over the years to ingenious constructions for large ensembles. Then in 2007, the choreography underwent a fundamental change with the emergence of a new kind of minimalism, a paring down to essential principles of sparseness; the spatial constraints of geometric patterns; an unwavering commitment to elementary gestures, notably walking, breathing, and speaking; and a close adherence to a score, musical or otherwise, for the choreographic writing.Photographers Anne Van Aerschot and Herman Sorgeloos were privileged witnesses to this process, and their images, gathered here for the first time, offer an exceptionally acute look at Rosas's work over the last decade. Distributed for Mercatorfonds

A widely celebrated translator's vivid, accessible, and elegantly concise rendering of an ancient English masterpiece

"This publication accompanies the exhibitions William Hunter and the Anatomy of the Modern Museum co-organized by The Hunterian Museum, Glasgow, on view 27 September 2018-6 January, 2019, and the Yale Center for British Art, New Haven, on view 14 February-20 May 2019."

This richly illustrated publication explores the full career of the hugely influential and endlessly fascinating French-American artist Marcel Duchamp (1887-1968). A pioneer whose creative output was predicated on a fundamental questioning of what art is, Duchamp is well known despite remaining mysterious as an artist, owing to his elusive persona and the unconventional nature of his work. Focusing on the world-renowned Duchamp collection at the Philadelphia Museum of Art, The Essential Duchamp tells the artist's story through four key periods. The book begins with his early paintings and engagement with the avant-garde, then charts his abandonment of painting and invention of the readymade. This is followed by the creation of his alter ego Rrose Selavy and the optical experiments of the interwar years, and, finally, by the making of Etant donnes (1946-66), the project that occupied the artist in the final two decades of his life. Shorter accompanying texts include explanations of key terms Duchamp used for his innovative ideas-readymade, precision optics, pictorial nominalism, and infrathin-as well as interviews and statements by the artist about his own art and ideas.

The updated, fifth edition of the widely used introductory Spanish textbook designed specifically for health care professionals

"This catalogue is published in conjunction with the exhibition Agents of Faith: Votive Objects in Time and Place, held at the Bard Graduate Center Gallery from September 14, 2018 through January 6, 2019"--Colophon.

This volume, a companion to Hampshire: Winchester and the North, covers the county's southern half, from the woodland and heath of the New Forest to the cities along the Solent, and from remote Saxon churches to Modernist seaside villas. The original text has been fully revised to include new research and 130 specially commissioned color photographs. The guide explores major ecclesiastical monuments at Romsey, the Bishop of Winchester's palace at Bishops Waltham, and the remains of the great post-Dissolution houses at Beaulieu and Titchfield. At Southampton is one of England's best preserved medieval town walls, while at Portsmouth the structures of the 18th- and 19th-century Royal Navy dockyard are among the most important of their kind. Amid all this beauty are traces of conflict, from the Roman fort at Portchester, to the coastal castles of Henry VIII's rule, to the relics of the Normandy invasions of 1944.

Best known for his interiors and landscapes featuring beautiful women in artful poses and subtly related color harmonies, Thomas Wilmer Dewing (1851-1938) lived and worked at the forefront of developments in modern American art. His paintings, which navigate a course between the bravura of John Singer Sargent and the attenuated aestheticism of James McNeill Whistler, convey a sensuous beauty that remains uniquely his and that represents an exceptional phase in American painting. Featuring a comprehensive biography and engaging, narrative commentaries, this elegant, 2-volume catalogue raisonné is an essential and much-needed reference. Included here are more than 550 works of art as well as previously unpublished photographs from the artist's own albums; each work is accompanied by a full provenance, exhibition histories, and literature--both published and archival.