Books published by Yale University Press

In this engaging and at times heartbreaking book, David Hempton looks at evangelicalism through the lens of well-known individuals who once embraced the evangelical tradition, but later repudiated it. The author recounts the faith journeys of nine creative artists, social reformers, and public intellectuals of the nineteenth and twentieth centuries, including such diverse figures as George Eliot, Elizabeth Cady Stanton, Vincent van Gogh, and James Baldwin. Within their highly individual stories, Hempton finds not only clues to the development of these particular creative men and women but also myriad insights into the strengths and weaknesses of one of the fastest growing religious traditions in the modern world.Allowing his subjects to express themselves in their own voicesthrough letters, essays, speeches, novels, apologias, paintingsHempton seeks to understand the factors at work in the shaping of their religious beliefs, and how their negotiations of faith informed their public and private lives. The nine were great public communicators, but in private often felt deep uncertainties. Hemptons moving portraits highlight common themes among the experiences of these disillusioned evangelicals while also revealing fresh insights into the evangelical movement and its relations to the wider culture.Featuring portraits of: George Eliot Frances W. Newman Theodore Dwight Weld Sarah Grimk Elizabeth Cady Stanton Frances Willard Vincent van Gogh Edmund Gosse James Baldwin

In the long history of the British Army, the Battle of the Somme was its bloodiest encounter. Between July 1 and mid-November 1916, 432,000 of its soldiers became casualties--about 3,600 for every day of battle. German casualties were far fewer despite British superiority in the air and in lethal artillery.What went wrong for the British, and who was responsible? Robin Prior and Trevor Wilson have examined the entire public archive on the Battle of the Somme to reconstruct the day-by-day course of the war. The result is the most precise and authentic account of the campaign on record and a book that challenges almost every received view of the battle. The colossal rate of infantry casualties in fact resulted from inadequate fire support; responsibility for tactical mistakes actually belonged to the High Command and the civilian War Committee. Field-Marshall Haig, the records show, was repeatedly deficient in strategy, tactics, command, and organization. Hundreds of thousands of soldiers died for a cause that lacked both a coherent military plan and responsible political leadership. Prior and Wilson decisively change our understanding of the history of the Western Front.

This compelling book presents an unparalleled record of what happened after U.S. forces seized Baghdad in the spring of 2003. Army Colonel Peter R. Mansoor, the on-the-ground commander of the 1st Brigade, 1st Armored Division—the “Ready First Combat Team”—describes his brigade’s first year in Iraq, from the sweltering, chaotic summer after the Ba’athists’ defeat to the transfer of sovereignty to an interim Iraqi government a year later. Uniquely positioned to observe, record, and assess the events of that fateful year, Mansoor now explains what went right and wrong as the U.S. military confronted an insurgency of unexpected strength and tenacity. Drawing not only on his own daily combat journal but also on observations by embedded reporters, news reports, combat logs, archived e-mails, and many other sources, Mansoor offers a contemporary record of the valor, motivations, and resolve of the 1st Brigade and its attachments during Operation Iraqi Freedom. Yet this book has a deeper significance than a personal memoir or unit history. Baghdad at Sunrise provides a detailed, nuanced analysis of U.S. counterinsurgency operations in Iraq, and along with it critically important lessons for America’s military and political leaders of the twenty-first century. 

Akim Volynsky was a Russian literary critic, journalist, and art historian who became Saint Petersburgs liveliest and most prolific ballet critic in the early part of the twentieth century. This book, the first English edition of his provocative and influential writings, provides a striking look at life inside the world of Russian ballet at a crucial era in its history.Stanley J. Rabinowitz selects and translates forty of Volynskys articlesvivid, eyewitness accounts that sparkle with details about the careers and personalities of such dance luminaries as Anna Pavlova, Mikhail Fokine, Tamara Karsavina, and George Balanchine, at that time a young dancer in the Maryinsky company whose keen musical sense and creative interpretive power Volynsky was one of the first to recognize. Rabinowitz also translates Volynskys magnum opus, The Book of Exaltations, an elaborate meditation on classical dance technique that is at once a primer and an ideological treatise. Throughout his writings, Rabinowitz argues in his critical introduction, which sets Volynskys life and work against the backdrop of the principal intellectual currents of his time, Volynsky emphasizes the spiritual and ethereal qualities of ballet.

Includes the entire text of "e;I Have A Dream"e;I have a dreamno words are more widely recognized, or more often repeated, than those called out from the steps of the Lincoln Memorial by Martin Luther King, Jr., in 1963. Kings speech, elegantly structured and commanding in tone, has become shorthand not only for his own life but for the entire civil rights movement. In this new exploration of the I have a dream speech, Eric J. Sundquist places it in the history of American debates about racial justicedebates as old as the nation itselfand demonstrates how the speech, an exultant blend of grand poetry and powerful elocution, perfectly expressed the story of African American freedom.This book is the first to set Kings speech within the cultural and rhetorical traditions on which the civil rights leader drew in crafting his oratory, as well as its essential historical contexts, from the early days of the republic through present-day Supreme Court rulings. At a time when the meaning of the speech has been obscured by its appropriation for every conceivable cause, Sundquist clarifies the transformative power of Kings Second Emancipation Proclamation and its continuing relevance for contemporary arguments about equality.

Charles Dickens was regarded as the great proponent of hearth and home in Victorian Britain, but in 1858 this image was nearly shattered. With the breakup of his marriage that year, rumors of a scandalous relationship he may have conducted with the young actress Ellen "e;Nelly"e; Ternan flourished. For the remaining twelve years of his life, Dickens managed to contain the gossip. After his death, surviving family members did the same. But when the author's last living son died in 1934, there was no one to discourage rampant speculation. Dramatic revelations came from every corner—over Nelly's role as Dickens's mistress, their clandestine meetings, and even about his possibly fathering an illegitimate child by her.This book presents the most complete account of the scandal and ensuing cover-up ever published. Drawing on the author's letters and other archival sources not previously available, Dickens scholar Michael Slater investigates what Dickens did or may have done, then traces the way the scandal was elaborated over succeeding generations. Slater shows how various writers concocted outlandish yet plausible theories while newspapers and book publishers vied for sensational revelations. With its tale of intrigue and a cast of well-known figures from Thackeray and Shaw to Orwell and Edmund Wilson, this engaging book will delight not only Dickens fans but also readers who appreciate tales of mystery, cover-up, and clever detection.

Bernard Williams, who died in 2003, was one of the most influential moral philosophers of his generation. A lifelong opera lover, his articles and essays, talks for the BBC, contributions to the Grove Dictionary of Opera, and program notes for the Royal Opera House, Covent Garden, and the English National Opera, generated a devoted following.This elegant volume brings together these widely scattered and largely unobtainable pieces, including two that have not been previously published. It covers an engaging range of topics from Mozart to Wagner, including sparkling essays on specific operas by those composers as well as Verdi, Puccini, Strauss, Debussy, Janacek, and Tippett.Reflecting Williamss brilliance, passion, and clarity of mind, these essays engage with, and illustrate, the enduring appeal of opera as an art form.

In this lively comedy of love and money in sixteenth-century Venice, Bassanio wants to impress the wealthy heiress Portia but lacks the necessary funds. He turns to his merchant friend, Antonio, who is forced to borrow from Shylock, a Jewish moneylender. When Antonio's business falters, repayment becomes impossibleand by the terms of the loan agreement, Shylock is able to demand a pound of Antonios flesh. Portia cleverly intervenes, and all ends well (except of course for Shylock).

The monuments of ancient Athens and Attica give eloquent testimony to the enduring legacy of Greek civilization. In this book, a leading authority on the archaeology of this area presents a survey of the monumentsfirst chronologically and then site by sitecreating the definitive work on the subject.John M. Camp begins with a comprehensive narrative history of the monuments from the earliest times to the sixth century A.D. Drawing on literary and epigraphic evidence, including Plutarchs biographies, Pausaniass guidebook, and thousands of inscriptions, he discusses who built a given structure, when, and why. Camp presents dozens of passages in translation, allowing the reader easy access to the variety and richness of the ancient sources. In effect, this main part of the book provides an engrossing history of ancient Athens as recorded in its archaeological remains. The second section of the book offers in-depth discussions of individual sites in their physical context, including accounts of excavations in the modern era. Written in a clear and engaging style and lavishly illustrated, Camps archaeological tour of Athens is certain to appeal not only to scholars and students but also to visitors to the area.

George Kateb has been one of the most respected and influential political theorists of the last quarter century. His work stands apart from that of many of his contemporaries and resists easy summary. In these essays Kateb often admonishes himself, in Socratic fashion, to keep political argument as far as possible negative: to be willing to assert what we are not, and what we will not do, and to build modestly from there some account of what we are and what we ought to do.Drawing attention to the non-rational character of many motives that drive people to construct and maintain a political order, he urges greater vigilance in political life and cautions against mistakes not usually acknowledged as such. Patriotism is one such mistake, too often resulting in terrible brutality and injustices. He asks us to consider how commitments to ideals of religion, nation, race, ethnicity, manliness, and courage find themselves in the service of immoral ends, and he exhorts us to remember the dignity of the individual.The book is divided into three sections. In the first, Kateb discusses the expansion of state power (including such topics as surveillance) and the justifications for war recently made by American policy makers. The second section offers essays in moral psychology, and the third comprises fresh interpretations of major thinkers in the tradition of political thought, from Socrates to Arendt.

In this first book-length study of positive law, James Bernard Murphy rewrites central chapters in the history of jurisprudence by uncovering a fundamental continuity among four great legal philosophers: Plato, Thomas Aquinas, Thomas Hobbes, and John Austin. In their theories of positive law, Murphy argues, these thinkers represent successive chapters in a single fascinating story. That story revolves around a fundamental ambiguity: is law positive because it is deliberately imposed (as opposed to customary law) or because it lacks moral necessity (as opposed to natural law)? These two senses of positive law are not coextensive yet the discourse of positive law oscillates unstably between them. What, then, is the relation between being deliberately imposed and lacking moral necessity? Murphy demonstrates how the discourse of positive law incorporates both normative and descriptive dimensions of law, and he discusses the relation of positive law not only to jurisprudence but also to the philosophy of language, ethics, theories of social order, and biblical law.

A perceptive literary critic, a world-famous writer of witty and playful verses for children, a leading authority on children’s linguistic creativity, and a highly skilled translator, Kornei Chukovsky was a complete man of letters. As benefactor to many writers including Alexander Solzhenitsyn and Joseph Brodsky, he stood for several decades at the center of the Russian literary milieu. It is no exaggeration to claim that Chukovsky knew everyone involved in shaping the course of twentieth-century Russian literature. His voluminous diary, here translated into English for the first time, begins in prerevolutionary Russia and spans nearly the entire Soviet era. It is the candid commentary of a brilliant observer who documents fifty years of Soviet literary activity and the personal predicament of the writer under a totalitarian regime.From descriptions of friendship with such major literary figures as Anna Akhmatova and Isaac Babel to accounts of the struggle with obtuse and hostile censorship, from the heartbreaking story of the death of the daughter who had inspired so many stories to candid political statements, the extraordinary diary of Kornei Chukovsky is a unique account of the twentieth-century Russian experience.