Books published by Yale University Press

A revelatory and wide-ranging exploration of Renoir's extraordinary depictions of the nude and their important artistic legacy

One of a set of four works written at Cassiciacum in November 383, along with Contra academicos, De ordine, and Soliloquiae.

A fresh, new translation of Augustine's inaugural work as a Christian convert

This unconventional publication explores the process of making art through the work and studio practice of Sophie Whettnall (b. 1973), a contemporary Belgian artist whose works range from video art, installation, and performance to sculpture and drawing. In addition to copious illustrations of Whettnall's artwork that highlight its relationship to the studio and the artist's creative process, the book features three conversations. The first, between Whettnall and fellow artist Marina Abramovic, explores transmission, violence, and femininity. The second, between Emiliano Battista and Scott Samuelson, situates Whettnall's work and practice in the broader context of contemporary art and the theoretical framework that shapes it. In the third, Carine Fol and Whettnall share with the reader the behind-the-scenes discussions and decisions that go into the mounting of an exhibition. Distributed for Mercatorfonds Exhibition Schedule: CENTRALE for contemporary art, Brussels (04/04/19-08/04/19)

During the late 17th and early 18th centuries, Boston was both a colonial capital and the third most important port in the British empire, trailing only London and Bristol. Boston was also an independent entity that pursued its own interests and articulated its own identity while selectively appropriating British culture and fashion. This revelatory book examines period dwellings, gravestones, furniture, textiles, ceramics, and silver, revealing through material culture how the inhabitants of Boston were colonial, provincial, metropolitan, and global, all at the same time. Edward S. Cooke, Jr.'s detailed account of materials and furnishing practices demonstrates that Bostonians actively filtered ideas and goods from a variety of sources, combined them with local materials and preferences, and constructed a distinct sense of local identity, a process of hybridization that, the author argues, exhibited a conscious desire to shape a culture as a means to resist a distant, dominant power. Published in association with the Paul Mellon Centre for Studies in British Art

Fifty years after the Moon landing, a new history of the space race explores the lives of both Soviet and American engineers

A new history of post-Revolutionary Haiti, and the society that emerged in the aftermath of the world's most successful slave revolution

The extraordinary, and largely unchronicled, account of the Cuban people's struggle for survival in a post-Soviet world

A compelling and definitive account of why we need to radically rethink our approach to dealing with catastrophic events

This volume covers some of the finest landscape and architecture in southern England, much of it set within the South Downs National Park. The county's small towns and villages feature a pleasing mix of stone, timber, and brick houses of every period. Among numerous atmospheric country houses are the Tudor ruins of Cowdray, the Elizabethan mansion at Parham, and the French-inspired Petworth in its great park, famously captured in Turner's paintings. On the grandest scale is the mighty Arundel Castle, seat of the Duke of Norfolk, while Chichester, the only city in West Sussex, boasts one of the country's most important 12th-century cathedrals. Among many major ecclesiastical and educational establishments built in the 19th century, none is more impressive than Lancing College set high above the coast. New research accompanies 130 specially commissioned color photographs in this authoritative and expert guide.

When Americans fight about "religion," we are also fighting about our conflicting identities, interests, and commitments. Religion-talk has been a ready vehicle for these conflicts because it is built on enduring contradictions within our core political values. The Constitution treats religion as something to be confined behind a wall, but in public communications, the Framers treated religion as the foundation of the American republic. Ever since, Americans have translated disagreements on many other issues into an endless debate about the role of religion in our public life. Built around a set of compelling narratives-George Washington's battle with Quaker pacifists; the fight of Mormons and Catholics for equality with Protestants; Teddy Roosevelt's concept of land versus the Lakota's concept; the creation-evolution controversy; and the struggle over sexuality-this book shows how religion, throughout American history, has symbolized, but never resolved, our deepest political questions.

The first comprehensive account of Protestant and Catholic attitudes toward Jews and Judaism in the European Reformation

A provocative examination of literacy in the American South before emancipation, countering the long-standing stereotype of the South's oral tradition

Published on the occasion of an exhibition of the same name, held at The Institute of Contemporary Art/Boston March 23-May 27, 2019.

A breathtaking exploration of one of Twombly's largest paintings, the second version of his Treatise on the Veil

Date of publication taken from publisher's website.

A sweeping look at the ways American artists have viewed themselves, their peers, and their painted worlds over two centuries

"Japanese American artist Ruth Asawa (1926-2013) is known for intricate crocheted-wire sculptures, a medium she explored throughout her career after first encountering it as a student at Black Mountain College in North Carolina. After graduating, Asawa moved to San Francisco and created dozens of works in wire and cast metal, among them an iconic bronze fountain--her first of many public commissions--for the city's Ghirardelli Square. Bringing together works from across Asawa's career, this expansive volume examines her output in depth and situates it within the context of 20th-century art"--

"The exhibition is organized by the National Gallery of Art, Washington"--Colophon.

Revealing the power of color as physical medium, a key to interpretation, and a mediator of social and political change

This illustrated biography follows Nicholas Hilliard's long and remarkable life (c. 1547-1619) from the West Country to the heart of the Elizabethan and Jacobean courts. It showcases new archival research and stunning images, many reproduced in color for the first time. Hilliard's portraits--some no larger than a watch-face--have decisively shaped perceptions of the appearances and personalities of many key figures in one of the most exciting, if volatile, periods in British history. His sitters included Elizabeth I, James I, and Mary, Queen of Scots; explorers Sir Francis Drake and Sir Walter Raleigh; and members of the emerging middle class from which he himself hailed. Hilliard counted the Medici, the Valois, the Habsburgs, and the Bourbons among his Continental European patrons and admirers. Published to mark the 400th anniversary of Hilliard's death, this is the definitive biography of one of Britain's most notable artists. Published in association with the Paul Mellon Centre for Studies in British Art

"Seeking to bring Gallic sophistication and worldly elegance into their galleries and drawing rooms, wealthy Americans of the late 19th and early 20th centuries collected the work of William-Adolphe Bouguereau (1825-1905) in record numbers. This revelatory volume offers an in-depth exploration of Bouguereau's overwhelming popularity in turn-of-the-century America and the ways that his work--widely known from reviews, exhibitions, and inexpensive reproductions--resonated with the American public. While also lauded by the French artistic establishment and a dominant presence at the Parisian Salons, Bouguereau achieved his greatest success selling his idealized and polished paintings to a voracious American market. In this book, the authors discuss how the artist's sensual classical maidens, Raphaelesque Madonnas, and pristine peasant children embodied the tastes of American Gilded Age patrons, and how Bouguereau's canvases persuasively functioned as freshly painted Old Masters for collectors flush with new money"--