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A Commonplace Book of Pentastichs: Poetry

About A Commonplace Book of Pentastichs: Poetry

James Laughlin (1914-97) was a poet of distinction as well as the founding publisher of New Directions. A Commonplace Book of Pentastichs, the last book of his own that he helped to prepare, is a compilation of 249 poems composed in a five-line stanza form first introduced in The Secret Room (1997). A note to "Thirty-nine Pentastichs" in that earlier volume explains: "a 'pentastich' refers simply to a poem of five lines, without regard to metrics. The word is Greek derived, from pentastichos, though few survive from ancient times... The present selection is of recent short-line compositions in natural voice cadence, many of them marginal jottings and paraphrases of commonplace book notations." Musing on the full collection, Hayden Carruth writes in his introduction: "For the reader it is a survey of literature that will never be found in the classroom--praise whatever gods may be--but indubitably will be found in loving and longlasting proximity on many a bedside table." Here, then, are armchair marginalia and aperçus to be savored at random.

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  • Language:
  • English
  • ISBN:
  • 9780811213868
  • Binding:
  • Hardback
  • Pages:
  • 91
  • Published:
  • October 31, 1998
  • Dimensions:
  • 160x14x238 mm.
  • Weight:
  • 322 g.
Delivery: 2-4 weeks
Expected delivery: May 30, 2025

Description of A Commonplace Book of Pentastichs: Poetry

James Laughlin (1914-97) was a poet of distinction as well as the founding publisher of New Directions. A Commonplace Book of Pentastichs, the last book of his own that he helped to prepare, is a compilation of 249 poems composed in a five-line stanza form first introduced in The Secret Room (1997). A note to "Thirty-nine Pentastichs" in that earlier volume explains: "a 'pentastich' refers simply to a poem of five lines, without regard to metrics. The word is Greek derived, from pentastichos, though few survive from ancient times... The present selection is of recent short-line compositions in natural voice cadence, many of them marginal jottings and paraphrases of commonplace book notations." Musing on the full collection, Hayden Carruth writes in his introduction: "For the reader it is a survey of literature that will never be found in the classroom--praise whatever gods may be--but indubitably will be found in loving and longlasting proximity on many a bedside table." Here, then, are armchair marginalia and aperçus to be savored at random.

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