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A Dangerous Place

About A Dangerous Place

Early in her powerful, affecting debut, Desautels writes: "I always mention gratitude because/people like that ending."  Unflinching in its candor, this is the story of a woman with two swellings in her belly: a nascent baby, and a cancerous tumor. The poet could focus on the particulars of the medical case, using language from a traditional illness narrative. Instead she gives us the basics, then gathers up surprising and expansive material from various landscapes-the Black Hills, the prairies of Texas, the mountains, switchgrass, and, especially, the neighboring buffalo, to which she feels a profound connection. Desautels' metaphors strike home; they are counterpoints, balm to the uncertainty and grief that make us uncomfortable. The book moves elegantly from its dark beginnings to a transcendent thankfulness.  With healing lyricism, she writes: "And I imagine the white sheets as heron wings./And the whirring machines are white eggs./And the worried voices are sunlight on water."

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  • Language:
  • English
  • ISBN:
  • 9781946448866
  • Binding:
  • Paperback
  • Pages:
  • 72
  • Published:
  • December 1, 2021
  • Dimensions:
  • 152x228x0 mm.
Delivery: 2-4 weeks
Expected delivery: August 14, 2025

Description of A Dangerous Place

Early in her powerful, affecting debut, Desautels writes: "I always mention gratitude because/people like that ending."  Unflinching in its candor, this is the story of a woman with two swellings in her belly: a nascent baby, and a cancerous tumor. The poet could focus on the particulars of the medical case, using language from a traditional illness narrative. Instead she gives us the basics, then gathers up surprising and expansive material from various landscapes-the Black Hills, the prairies of Texas, the mountains, switchgrass, and, especially, the neighboring buffalo, to which she feels a profound connection. Desautels' metaphors strike home; they are counterpoints, balm to the uncertainty and grief that make us uncomfortable. The book moves elegantly from its dark beginnings to a transcendent thankfulness.  With healing lyricism, she writes: "And I imagine the white sheets as heron wings./And the whirring machines are white eggs./And the worried voices are sunlight on water."

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