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A History of Painting in Italy, Umbria, Florence and Siena, From the Second to the Sixteenth Century; Volume 5

About A History of Painting in Italy, Umbria, Florence and Siena, From the Second to the Sixteenth Century; Volume 5

A comprehensive and authoritative overview of Italian painting during the Renaissance period, with a focus on the art of Umbria, Florence, and Siena. The authors provide detailed analysis of major works and discuss the historical and cultural context in which they were created.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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  • Language:
  • English
  • ISBN:
  • 9781020103292
  • Binding:
  • Hardback
  • Pages:
  • 692
  • Published:
  • July 17, 2023
  • Dimensions:
  • 156x37x234 mm.
  • Weight:
  • 1139 g.
Delivery: 2-3 weeks
Expected delivery: December 7, 2024

Description of A History of Painting in Italy, Umbria, Florence and Siena, From the Second to the Sixteenth Century; Volume 5

A comprehensive and authoritative overview of Italian painting during the Renaissance period, with a focus on the art of Umbria, Florence, and Siena. The authors provide detailed analysis of major works and discuss the historical and cultural context in which they were created.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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