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A Theory of the Tache in Nineteenth-Century Painting

About A Theory of the Tache in Nineteenth-Century Painting

Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cezanne, Seurat.

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  • Language:
  • English
  • ISBN:
  • 9781472429445
  • Binding:
  • Hardback
  • Pages:
  • 190
  • Published:
  • June 27, 2014
  • Dimensions:
  • 243x167x17 mm.
  • Weight:
  • 560 g.
Delivery: 2-3 weeks
Expected delivery: December 12, 2024

Description of A Theory of the Tache in Nineteenth-Century Painting

Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cezanne, Seurat.

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