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This volume from the "KINO Russian Cinema" series investigates the production, context and reception of the film "The Man with the Movie Camera", the people who made it, and the film itself, including its place in Russian and World cinema.
This is an account of Soviet documentary output during the years between the "Great October Socialist Revolution" and the "Great Patriotic War". Graeme Roberts re-views the examples of Soviet, and world, non-fiction cinema, and uncovers many intriguing films.
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