Books by James Joyce

EDITED BY HANS WALTER GABLER WITH INTRODUCTIONS BY SCARLETT BARON AND JOHN BANVILLEIn this powerfully influential series of short stories, James Joyce captures uneasy souls, shabby lives and innocent minds in the dark streets and homes of his native city.

One of the greatest artistic works of the twentieth century, Finnegans Wake is both an outrageous epic and a wildly inventive comedy that rewards its readers with never-ending layers of meaning. This edition helps readers get past its reputation for difficulty in order to enjoy its astonishing originality and imaginative achievement.

Pomes Penyeach, a collection written when Joyce had published Dubliners and was completing A Portrait of the Artist as a Young Man, explores intimate themes of adultery, jealousy, and betrayal that would reappear transformed in the later Ulysses.

HarperCollins is proud to present its new range of best-loved, essential classics.

From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Bronte's Jane Eyre, and a 'C' for Willa Cather's My Antonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves.J is for Joyce. From its chronicling of youthful days at Clongowes Wood school to the radical questioning of all convention and the desire "to forge in the smithy of my soul the uncreated conscience of my race,” James Joyce's highly autobiographical A Portrait of the Artist as a Young Man portrays Stephen Dedalus in his Dublin upbringing. In doing so, it provides an oblique self-portrait of young Joyce himself. At its center lie questions of origin and source, authority and authorship, and the relationship of an artist to his family, culture, and race. Exuberantly inventive in style, A Portrait of the Artist as a Young Man subtly and beautifully orchestrates the patterns of quotation and repetition instrumental in its hero's quest to create his own character, his own language, life and art: "to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defense the only arms I allow myself to use—silence, exile, and cunning.”

It's the summer of 1912. Back in Dublin after nine years abroad, Richard, a successful writer, and Bertha, his wife, have to confront two other people who love them, and ask themselves questions about guilt and responsibility. Will infidelity hold them together?

A unique anthology of Joyce's non-fictional writings, this volume addresses diverse issues such as aesthetics, the functions of the press, censorship, Irish cultural history, English literature and Empire. The collection includes newspaper articles, reviews, lectures and essays, and covers 40 years of Joyce's life. These pieces also clarify and illuminate the transformations in Joyce's fiction, from Dubliners and A Portrait of the Artist as a Young Man to the first drafts of Ulysses. Gathering together more than fifty essays, several of which have never been available in an English edition, this is the most complete and the most helpfully annotated collection.

''I regret to see that my book has turned out un fiasco solenne''James Joyce''s disillusion with the publication of Dubliners in 1914 was the result of ten years battling with publishers, resisting their demands to remove swear words, real place names and much else, including two entire stories. Although only 24 when he signed his first publishing contract for the book, Joyce already knew its worth: to alter it in any way would ''retard the course of civilisation in Ireland''.Joyce''s aim was to tell the truth - to create a work of art that would reflect life in Ireland at the turn of the last century and by rejecting euphemism, reveal to the Irish the unromantic reality the recognition of which would lead to the spiritual liberation of the country. Each of the fifteen stories offers a glimpse of the lives of ordinary Dubliners - a death, an encounter, an opportunity not taken, a memory rekindled - and collectively they paint a portrait of a nation. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

This collection brings together all the poems published by James Joyce in his lifetime, most notably "Chamber Music" and "Pomes Penyeach". It also includes a large body of his satiric or humorous occasional verse, much of which is fugitive and little known to the general reader.

A daring work of experimental, Modernist genius, James Joyce's Finnegans Wake is one of the greatest literary achievements of the twentieth century, and the crowning glory of Joyce's life. The Penguin Modern Classics edition of includes an introduction by Seamus Deane'riverrun, past Eve and Adam's, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs'Joyce's final work, Finnegan's Wake is his masterpiece of the night as Ulysses is of the day. Supreme linguistic virtuosity conjures up the dark underground worlds of sexuality and dream. Joyce undermines traditional storytelling and all official forms of English and confronts the different kinds of betrayal - cultural, political and sexual - that he saw at the heart of Irish history. Dazzlingly inventive, with passages of great lyrical beauty and humour, Finnegans Wake remains one of the most remarkable works of the twentieth century.James Joyce (1882-1941), the eldest of ten children, was born in Dublin, but exiled himself to Paris at twenty as a rebellion against his upbringing. He only returned to Ireland briefly from the continent but Dublin was at heart of his greatest works, Ulysses and Finnegans Wake. He lived in poverty until the last ten years of his life and was plagued by near blindness and the grief of his daughter's mental illness.If you enjoyed Finnegans Wake, you might like Virginia Woolf's The Waves, also available in Penguin Classics.'An extraordinary performance, a transcription into a miniaturized form of the whole western literary tradition'Seamus Deane

It is only James Joyce's towering genius as a novelist that has led to the comparative neglect of his poetry and sole surviving play. And yet, argues Mays in his stimulating and informative introduction, several of these works not only occupy a pivotal position in Joyce's career; they are also magnificently assured achievements in their own right. Chamber Music is 'an extraordinary d but', fusing the styles of the nineties and the Irish Revival with irony and characteristic verbal exuberance. Pomes Penyeach and Exiles (highly acclaimed in Harold Pinter's 1970 staging) were written when Joyce had published Dubliners and was completing A Portrait of the Artist as a Young Man. Both confront painfully personal issues of adultery, jealousy and betrayal and so pave the way for the more detached and fully realized treatment in Ulysses. Joyce's occasional verse includes 'Ecce Puer' for his new-born grandson, juvenilia, satires, translations, limericks and a parody of Samuel Taylor Coleridge. All are brought together in this scholarly, fully annotated yet accessible new edition.

A classic novel which follows Stephen Dedalus as he progresses from boyhood to his coming of age in Ireland at the beginning of the 20th century, describing his sexual awakening, his intellectual development and his rebellion against Roman Catholicism. From the author of Dubliners, Ulysses and Finnegan's Wake.

ULYSSES er et af de helt centrale og nyskabende værker i 1900tallets litteratur og et højdepunkt i den litterære modernisme - provokerende, morsom, rørende og ind i mellem ganske utilgængelig. En universel historie om kærlighed, svigt og magt - en bog, der er svaret på alt!Nu udkommer dette storværk i en ny frisk og spændstig dansk oversættelse af Karsten Sand Iversen.Romanen skildrer Dublins brogede liv i løbet af en enkelt dag, d. 16. juni 1904 nærmere bestemt, og følger to hovedpersoner - den unge skolelærer Stephen Dedalus og den midaldrende jødiske annoncesælger Leopold Bloom - på deres færd gennem byen, mens den giver et højst intimt indblik i deres adfærd og tankeliv.   PRESSEN SKREV:»Der er liv og poesi i Karsten Sand Iversens flotte og dristige nye oversættelse af et af verdenslitteraturens mesterværker.«****** – Lars Ole Sauerberg, Jyllands-Posten»Skøn og sjofel, sofistikeret og saftig, vild og vanvittig, krævende og kulret kommer Joyces ’Ulysses’ os i møde i Karsten Sand Iversens fuldt ud prægtige gendigtning. Det er nu, ’Ulysses’ skal læses eller genlæses.”******  – Mikkel Bruun Zangenberg, Politiken»Karsten Sand Iversens fænomenale nyoversættelse slår Mogens Boisens gamle oversættelse af marken […] Med Joyces skandaløse, skabrøse værk blev fortællekunsten absolut moderne«– Erik Skyum-Nielsen, Information »Årets vigtigste klassikeroversættelse udkommer i dag. James Joyces skelsættende " Ulysses" er i den nye udgave både præcis og musikalsk«– Michael Bach Henriksen, Kristeligt Dagblad»Ulysses er meget morsommere og langt mere spændende end sit rygte. Den kan sagtens læses af almindelige dødelige. Og i den nye oversættelse får vi endda en mere personlig version, der har karakter ligesom originalen« – Kristian Ditlev Jensen, Weekendavisen  

James Joyce debuterede som lyriker i 1907 med samlingen "Chamber Music", formfuldendte lyriske digte i elizabethansk stil. Tyve år senere fulgte samlingen "Pomes penyeach". I denne samling er digtene suppleret med Joyces "epifanier", korte prosastykker, der gennem replikker og indtryk giver et pludseligt indblik i et andet menneske.