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Beggars of Life: A Companion to the 1928 Film

About Beggars of Life: A Companion to the 1928 Film

This first ever study of "Beggars of Life" looks at the film Oscar-winning director William Wellman thought his finest silent movie. Based on Jim Tully's bestselling book of hobo life-and filmed by Wellman the year after he made "Wings" (the first film to win the Best Picture Oscar), "Beggars of Life" is a riveting drama about an orphan girl (screen legend Louise Brooks) who kills her abusive stepfather and flees the law. She meets a boy tramp (leading man Richard Arlen), and together they ride the rails through a dangerous hobo underground ruled over by Oklahoma Red (future Oscar winner Wallace Beery). "Beggars of Life" showcases Brooks in her best American silent-a film the "Cleveland Plain Dealer" once described as "a raw, sometimes bleeding slice of life." With more than 50 little seen images, and a foreword by William Wellman, Jr.

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  • Language:
  • English
  • ISBN:
  • 9780692879535
  • Binding:
  • Paperback
  • Pages:
  • 106
  • Published:
  • April 26, 2017
  • Dimensions:
  • 133x6x203 mm.
  • Weight:
  • 118 g.
Delivery: 1-2 weeks
Expected delivery: August 9, 2025

Description of Beggars of Life: A Companion to the 1928 Film

This first ever study of "Beggars of Life" looks at the film Oscar-winning director William Wellman thought his finest silent movie. Based on Jim Tully's bestselling book of hobo life-and filmed by Wellman the year after he made "Wings" (the first film to win the Best Picture Oscar), "Beggars of Life" is a riveting drama about an orphan girl (screen legend Louise Brooks) who kills her abusive stepfather and flees the law. She meets a boy tramp (leading man Richard Arlen), and together they ride the rails through a dangerous hobo underground ruled over by Oklahoma Red (future Oscar winner Wallace Beery). "Beggars of Life" showcases Brooks in her best American silent-a film the "Cleveland Plain Dealer" once described as "a raw, sometimes bleeding slice of life." With more than 50 little seen images, and a foreword by William Wellman, Jr.

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