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Bodies and Artefacts Vol 1.

About Bodies and Artefacts Vol 1.

In a seemingly offhand, often overlooked comment, Karl Marx deemed 'human corporeal organisation' the 'first fact of human history'. Following Marx's corporeal turn and pursuing the radical implications of his corporeal insight, this book undertakes a reconstruction of the corporeal foundations of historical materialism. Part I exposes the corporeal roots of Marx's materialist conception of history and historical-materialist Wissenschaft. Part II attempts a historical-materialist mapping of human corporeal organisation. Suggesting how to approach human histories up from their corporeal foundations. Part III elaborates historical-materialism as 'corporeal semiotics'. And Part IV, a case study of Marx's critique of capitalist socio-economic and cultural forms, reveals the corporeal foundations of that critique and the corporeal depth of his vision of human freedom and dignity.

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  • Language:
  • English
  • ISBN:
  • 9781642598216
  • Binding:
  • Paperback
  • Pages:
  • 554
  • Published:
  • March 13, 2023
  • Dimensions:
  • 155x38x229 mm.
  • Weight:
  • 839 g.
Delivery: 2-4 weeks
Expected delivery: January 24, 2025
Extended return policy to January 30, 2025
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Description of Bodies and Artefacts Vol 1.

In a seemingly offhand, often overlooked comment, Karl Marx deemed 'human corporeal organisation' the 'first fact of human history'. Following Marx's corporeal turn and pursuing the radical implications of his corporeal insight, this book undertakes a reconstruction of the corporeal foundations of historical materialism.
Part I exposes the corporeal roots of Marx's materialist conception of history and historical-materialist Wissenschaft. Part II attempts a historical-materialist mapping of human corporeal organisation. Suggesting how to approach human histories up from their corporeal foundations. Part III elaborates historical-materialism as 'corporeal semiotics'. And Part IV, a case study of Marx's critique of capitalist socio-economic and cultural forms, reveals the corporeal foundations of that critique and the corporeal depth of his vision of human freedom and dignity.

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