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Bonjour Tourist

About Bonjour Tourist

For the past several years Will Benedict has been working professionally as a photographer, painter and tourist. This April at Gio' Marconi, Benedict will present Bonjour Tourist, new works relying on various combinations of gouache paintings and cut-out studio portraits, mounted in customized aluminium and foamcore frames. Organized in distinct series, they fulfill the nominal categories of newscasters, postcards, flags, couples having dinner and nations peeking in through windows. Compared to the kind of aesthetic stimulation experienced while watching TV the works are like watching two, maybe three channels at the same time. In Benedict's works the buzzing clamor of things, places, foods and people are fossilized in lavishly painted waxed foamcore passepartout, freezing the sadness of the tourist and audience (the same thing) into an ever so slight hypomanic mixture of euphoria and irritability. Frozen along with everyone and everything in these passepartouts are paintings on canvas depicting a tits and penis nationalism that sells food at restaurants, plane ticket to exotic locals, walls or stamps.

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  • Language:
  • English
  • ISBN:
  • 9788867490172
  • Binding:
  • Paperback
  • Pages:
  • 96
  • Published:
  • January 1, 2013
  • Dimensions:
  • 272x201x9 mm.
  • Weight:
  • 460 g.
  In stock
Delivery: 3-5 business days
Expected delivery: October 10, 2024

Description of Bonjour Tourist

For the past several years Will Benedict has been working professionally as a photographer, painter and tourist. This April at Gio' Marconi, Benedict will present Bonjour Tourist, new works relying on various combinations of gouache paintings and cut-out studio portraits, mounted in customized aluminium and foamcore frames. Organized in distinct series, they fulfill the nominal categories of newscasters, postcards, flags, couples having dinner and nations peeking in through windows. Compared to the kind of aesthetic stimulation experienced while watching TV the works are like watching two, maybe three channels at the same time. In Benedict's works the buzzing clamor of things, places, foods and people are fossilized in lavishly painted waxed foamcore passepartout, freezing the sadness of the tourist and audience (the same thing) into an ever so slight hypomanic mixture of euphoria and irritability. Frozen along with everyone and everything in these passepartouts are paintings on canvas depicting a tits and penis nationalism that sells food at restaurants, plane ticket to exotic locals, walls or stamps.

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