Books in the Cambridge Library Collection - Literary Studies series

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Romeo and Juliet retains the text prepared by G. Blakemore Evans, together with his introduction and detailed textual notes. A thorough stage history features illustrations and photographs of notable performances from the eighteenth century onwards while a lucid commentary alerts the reader to the difficulties of language, thought and staging. For this second edition, Thomas Moisan has added a new introductory section which focuses on recent scholarly criticism and contemporary productions of the play. The reading list has also been revised and updated.

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of A Midsummer Night's Dream retains R. A. Foakes' text and has been extensively updated by him. In the Introduction to what is widely acknowledged as Shakespeare's most popular comedy, Foakes describes the two main traditions in the play's stage history, one emphasising charm and innocence, the other stressing darker suggestions of violence and sexuality. He shows that both are necessary to a full understanding of the play. For this edition the editor has added a new account of important theatrical productions and scholarly criticism on the play that have appeared in recent years. The reading list has also been revised and updated.

Delight in other people's errors never dates, and this little book, first published in 1893, is a fount of human folly and a joy to read. Its compiler, Henry Benjamin Wheatley (1838-1917), was a distinguished librarian, bibliographer and scholar, and a prolific author on London history and the history of books. This publication displays his great sense of humour, and his effortless command of far-flung sources in the search for a good joke. Citing examples from historians to misguided schoolboys, as well as from everyday conversation, Wheatley looks at comic misprints, misunderstandings, and garbled English in foreign parts. However, the book also has a more serious contribution to make: the chapter on printed errata makes use of the earliest evidence of proof correction by authors, and the analysis of misprints in early printing shows how many variant readings in the works of Shakespeare came about.

Sir Sidney Lee (1859-1926) was a lifelong scholar and enthusiast of Shakespeare, but is also remembered as the 'sub-editor' recruited by Sir Leslie Stephen when he was embarking on the project of the Dictionary of National Biography, and whose editorial and organisational skills were vital in keeping the publication programme close to its planned schedule. His own contributions to the Dictionary included an account of the life of Queen Victoria and (in Volume 51, 1897) William Shakespeare. This study of Stratford-on-Avon was first published in 1885, and the greatly enlarged version, reissued here, in 1890. (In 1898 Lee produced his biography of Shakespeare (also reissued in this series), regarded for much of the twentieth century as the most reliable account of Shakespeare's life.) This illustrated work draws on the archival material then available to provide a history of the town of Stratford up to the time of Shakespeare's death.

Sir Leslie Stephen (1832-1904), the founding Editor of the Dictionary of National Biography and writer on philosophy, ethics, and literature, was educated at Eton, King's College, London, and Trinity Hall, Cambridge, where he remained as a Fellow and tutor until 1864, becoming an ordained priest in 1859. Doubt concerning his religious convictions set in rapidly, although it was not until 1875 that he formally renounced his orders. First published in book form in 1873, these closely argued essays challenging the philosophy of religious doctrine were written originally for Fraser's Magazine and The Fortnightly Review. Despite its cautious reception, the work established his reputation as a leading writer on agnosticism, paving the way for his later work The Science of Ethics. His interest in eighteenth-century thinkers is reflected in this work, with chapters on Shaftesbury and Warburton, and contemporary debate is explored in the essay on Darwinism and Divinity.

This three-volume set brings together a diverse selection of essays by Sir Leslie Stephen (1832-1904), author, philosopher and literary critic. Educated at Eton and Cambridge, he was the founding editor of the Dictionary of National Biography and father of Virginia Woolf and Vanessa Bell. He wrote critiques of many authors and works, which were published in periodicals such as the Cornhill Magazine (of which he was editor from 1871), Fraser's Magazine and the Fortnightly Review. The Third Series, first published in 1879, includes commentaries on the works of Henry Fielding, Charlotte Bronte, Charles Kingsley and Walter Savage Landor, and the poetry of William Wordsworth. Stephen sets each writer's work in its historical context, comparing it to that of other significant authors of its era and evaluating its philosophical and moral qualities. His articles remain of great interest to scholars of early modern, Romantic and Victorian literature.

This three-volume set brings together a diverse selection of essays by Sir Leslie Stephen (1832-1904), author, philosopher and literary critic. Educated at Eton and Cambridge, he was the founding editor of the Dictionary of National Biography and father of Virginia Woolf and Vanessa Bell. He wrote critiques of many authors and works, which were published in periodicals such as the Cornhill Magazine (of which he was editor from 1871), Fraser's Magazine and the Fortnightly Review. The Second Series, first published in 1876, includes commentaries on the works of Sir Thomas Browne, Samuel Johnson, Benjamin Disraeli and Horace Walpole, and the poetry of George Crabbe. Stephen sets each writer's work in its historical context, comparing it to that of other significant authors of its era and evaluating its philosophical and moral qualities. His articles remain of great interest to scholars of early modern, Romantic and Victorian literature.

This three-volume set brings together a diverse selection of essays by Sir Leslie Stephen (1832-1904), author, philosopher and literary critic. Educated at Eton and Cambridge, he was the founding editor of the Dictionary of National Biography and father of Virginia Woolf and Vanessa Bell. He wrote critiques of many authors and works, which were published in periodicals such as the Cornhill Magazine (of which he was editor from 1871), Fraser's Magazine and the Fortnightly Review. The First Series, published in 1874, includes commentaries on the works of Daniel Defoe, Samuel Richardson, Sir Walter Scott and Honore de Balzac, and the poetry of Alexander Pope. Stephen sets each writer's work in its historical context, comparing it to that of other significant authors of its era and evaluating its philosophical and moral qualities. His articles remain of great interest to scholars of early modern, Romantic and Victorian literature.

Published in 1847 by Joseph Cottle (1770-1853), this work recounts his relationship with Coleridge and Southey, whom he first met in 1794 as a successful bookseller in Bristol. Cottle went on to finance a number of the Romantic poets' publications, including Wordsworth and Coleridge's Lyrical Ballads (1798), which is seen as marking the start of Romanticism. A reworking of Cottle's controversial Early Recollections (1837), Reminiscences was criticised upon publication for being exaggerated and misleading, coloured by the breakdown of the author's friendship with the poets, as well as revealing information about disputes, moneylending and Coleridge's opium addiction. In spite of its shortcomings, the work gives a uniquely valuable insight into the lives and characters of the Romantic poets by a member of their inner circle. Cottle's memoir has much to reveal about the poets' private lives and artistic influences during a key moment in the Romantic period.

Moncure Daniel Conway (1832-1907), the son of a Virginian plantation-owner, became a Unitarian minister but his anti-slavery views made him controversial. He later became a freethinker, and following the outbreak of the Civil War, which deeply divided his own family, he left the United States for England in 1863. He gained a reputation as the 'least orthodox preacher in London', and was acquainted with many figures in the literary and scientific world, including Charles Dickens and Charles Darwin. This memoir of Thomas Carlyle, another friend, was published in 1881 soon after Carlyle's death. Carlyle had not wanted to be the subject of a biography, and reluctantly authorised J. A. Froude to write one, but Conway rushed into print this somewhat hagiographical account because he was concerned, with reason, about the damage Froude's frank biography (published in 1882-4 and also reissued in this series) might do to Carlyle's reputation.

The author of numerous popular novels, British author and poet Matilda Betham-Edwards (1836-1919) was also a dedicated Francophile. With books such as France of To-Day (1892), which describes contemporary French life to a British readership, she worked to promote a better understanding between the two nations. In recognition of her efforts, she was made Officier de l'Instruction Publique de France by the French government, and awarded several medals. In this autobiography, first published in 1898, Betham-Edwards recounts significant episodes of her life. She tells of her childhood and education, the publication of her first book in 1857, and her experiences as a female professional author, including meeting George Eliot and John Stuart Mill. Her travel narrative Through Spain to the Sahara (1868), and her editions of the writings of agriculturalist Arthur Young, are also reissued in this series.

Best known now for his Sherlock Holmes stories, Arthur Conan Doyle (1859-1930) was also an astute and entertaining critic. In this collection of essays first published in 1907, he takes the reader on a tour of his own bookshelf and explores an eccentric range of topics, from the unreasonable opinions of Samuel Johnson to the deficiencies of Ivanhoe and the fascination of Treasure Island. While the importance of deep, intellectual reading is emphasised throughout, across an impressive scope of scientific and literary subjects, Conan Doyle is also firm in his belief that popular fiction is vital and that creativity should not be restricted by strict fact. Including sixteen illustrations, twelve essays and a full index, this book presents reading as a form of unlimited escape, a stance still at the heart of literary debate today, and will interest students of literary theory and the general reader alike.

Known as 'the great northern diver' to his crewmates, Sir Arthur Conan Doyle (1859-1930) fell into the Arctic Ocean on three occasions during his voyage as doctor on a whaler, before becoming part of the harpooning crew. This adventure sets the scene for the remarkable variety of his later life. In his autobiography, first published in 1923, he details everything from that first voyage to his literary success, his collaboration with playwright J. M. Barrie (whose Sherlock Holmes parody is included), and his involvement in the setting up of volunteer groups during the First World War. He describes how the methods of Sherlock Holmes helped him solve several real-life mysteries and, in a touching counterpoint to this scientific approach, closes with a chapter on his belief in spiritualism. Characteristically astute and entertaining, this book will appeal to students of early twentieth-century history, Holmes fans and the curious general reader alike.

Successors such as Wordsworth and Coleridge admired yet overshadowed William Cowper (1731-1800). Troubled by mental instability, he retreated from both the legal profession and the woman he had hoped to marry, seeking out a quiet existence in the country. In spite of his struggles, he made a translation of Homer's Iliad, produced a considerable body of poetry, and maintained many epistolary contacts. This four-volume biography, compiled by his friend and fellow poet William Hayley (1745-1820), appeared between 1803 and 1806, bringing together selected letters and unpublished poems to illuminate Cowper's personal and literary life. Volume 4 (1806) is a collection of supplementary material, namely amendments to the previous volumes, additional letters and an index giving a short description of every letter's content.

Thomas De Quincey (1785-1859) described his adolescent discovery of the Lyrical Ballads of Wordsworth and Coleridge as 'an absolute revelation of untrodden worlds, teeming with power and beauty'. The admiring letter he sent to Wordsworth led to friendships with him, Coleridge and Robert Southey. Relations soured over time, though, as De Quincey's opium addiction and debts increased. Following Coleridge's death in 1834, De Quincey began writing his 'Lake Reminiscences', published serially in Tait's Magazine up to 1840. Candid, occasionally bitter, and highlighting flaws such as Coleridge's plagiarism, the recollections offended the surviving poets and their families, yet these vivid portraits attract continued scholarly interest for both the light shed on the subjects and on the author himself. The collected essays, reissued in this 1863 printing of the 1862 first edition, certainly served to confirm the Lake Poets as leading figures of English Romanticism.

Successors such as Wordsworth and Coleridge admired yet overshadowed William Cowper (1731-1800). Troubled by mental instability, he retreated from both the legal profession and the woman he had hoped to marry, seeking out a quiet existence in the country. In spite of his struggles, he made a translation of Homer's Iliad, produced a considerable body of poetry, and maintained many epistolary contacts. This four-volume biography, compiled by his friend and fellow poet William Hayley (1745-1820), appeared between 1803 and 1806, bringing together selected letters and unpublished poems to illuminate Cowper's personal and literary life. Opening with an essay, 'Desultory remarks on the letters of eminent persons, particularly those of Pope and Cowper', Volume 3 (1804) includes letters in which Cowper gives his frank opinions of contemporary literary figures, notably Samuel Johnson, interspersed with his characteristic flights of whimsy and enthusiastic remarks on gardening.

Successors such as Wordsworth and Coleridge admired yet overshadowed William Cowper (1731-1800). Troubled by mental instability, he retreated from both the legal profession and the woman he had hoped to marry, seeking out a quiet existence in the country. In spite of his struggles, he made a translation of Homer's Iliad, produced a considerable body of poetry, and maintained many epistolary contacts. This four-volume biography, compiled by his friend and fellow poet William Hayley (1745-1820), appeared between 1803 and 1806, bringing together selected letters and unpublished poems to illuminate Cowper's personal and literary life. Volume 2 (1803) contains personal letters from the period 1791-4, accompanied by Hayley's biographical remarks. Also included are appendices of some of Cowper's original poems and translations from Latin and Greek, notably sections from Horace and Virgil.

Charles Cowden Clarke (1787-1877) and his wife Mary (1809-98) were born into literary and musical circles which deeply shaped their careers and supplied lifelong friendships with great artists and writers. Among Charles's closest school friends was John Keats, and his acquaintances later included William Hazlitt, Leigh Hunt, Coleridge and the Shelleys. Mary's childhood introduction to Charles and Mary Lamb's Tales from Shakespeare led to a lifetime of Shakespearean scholarship, friendship with the Lambs, and her performance in several Shakespearean roles for the amateur company run by Charles Dickens. Wed in 1828, the Cowden Clarkes were, as Mary writes, 'among the happiest of married lovers for more than forty-eight years', publishing jointly and enjoying mutual friendships. Their insightful recollections of their literary friends, first published serially towards the end of Charles's life, were afterwards collected by Mary, together with many important letters, and published in this 1878 work.

The humorously self-styled 'late' Thomas Pennant (1726-98) published this short autobiographical survey in 1793. A prominent Welsh naturalist and antiquary, he was known more for his energy and meticulous methodology than for original scientific genius. Yet he helped popularise natural history with beautifully illustrated works such as his History of Quadrupeds, the third edition of which is also reissued in this series. Moreover, he is credited with preserving thorough records of antiquities that were later damaged or destroyed. Samuel Johnson, who toured Scotland after Pennant, praised him as 'the best traveller I ever read'. More than a mere travelogue, Pennant's Literary Life is full of delightful vignettes - his meeting with the 'wicked wit' Voltaire, his affection for his faithful servant and illustrator Moses Griffith, and his poetic critique of certain hypocritical clergy. The appendices contain several of Pennant's shorter pieces on diverse topics, from anthropology to politics.

A singer and poet as well as a farmer, Thomas Tusser (c.1524-80) first produced his verse manual on farming in the mid-sixteenth century. Since then, it has gone through more than a dozen editions. This 1812 version is a collation of three of the poem's early editions. Editor William Mavor (1758-1837) provides a biographical sketch of Tusser, modernises the work's orthography and punctuation, and includes page-by-page annotations on subject matter and difficult points of language. The work divides into two: the first half, structured around the farming calendar, deals with the cultivation of open and enclosed land, while the second contains 'points of huswifery', arranged loosely around the working day. Tusser writes from the perspective of a tenant farmer, notably placing emphasis on the often overlooked benefits of land enclosure as well as on the role of women in farm labour.

'George Eliot' was the pseudonym of Marian Evans (1819-80), possibly the greatest of the Victorian novelists, whose works include The Mill on the Floss (1860), Middlemarch (1871-2) and Daniel Deronda (1876). Her personal life was complex - she was an independent woman who challenged social conventions. Her friend, Eton master and historian Oscar Browning (1837-1923), was moved to write this affectionate assessment of her life, and it was published in 1890, offering 'no claims ... but a friendship of fifteen years, and a deep and unswerving devotion to her mind and character'. Browning takes a chronological approach, focusing mainly on the beginnings of Eliot's writing career and on her novels, while adding recollections of their encounters. He also writes with candour about Eliot's relationship and cohabitation with the married writer G. H. Lewes (1817-78), which transgressed the social norms of the period.

Having acquired a Shakespeare folio for a few shillings, anthropologist Daniel Wilson (1816-92) found in The Tempest a source of scientific intrigue. Writing more than two hundred years before Darwin propounded his theory of evolution, in his final play Shakespeare had created a missing link caught between the animal and the human. In this monograph, first published in 1873, Wilson uses the strange and unfortunate character of Caliban as a means through which to explore the principles of evolution. He traces many of the play's plot devices back to real events that perhaps inspired them - from storms in Bermuda to records of semi-human creatures around the world - and brings literary commentary into science as he links the relationships set out in the play to anthropological principles. This interdisciplinary approach makes the book both an entertaining exegesis of the play and a uniquely accessible explanation of contemporary scientific theories.

Drawing on his own papers and first published in 1799, this two-volume account traces the colourful life of the actor and playwright Charles Macklin (c.1699-1797). His long career serves as the focal point in a history of the eighteenth-century theatre and its most celebrated performers. Hailed for his enduring interpretation of Shakespeare's Shylock, a role he played for some fifty years, Macklin has been credited with the theatre's move towards realism. His life was just as dramatic offstage, marked as it was by a series of controversies and fierce rivalries. In 1735 he was convicted of the manslaughter of a fellow actor in a quarrel over a wig, and in 1775 he successfully pressed charges of conspiracy against theatregoers who had rioted during his performances. Volume 1 covers Macklin's childhood and early career, including his trial for the killing of Thomas Hallam.

Drawing on his own papers and first published in 1799, this two-volume account traces the colourful life of the actor and playwright Charles Macklin (c.1699-1797). His long career serves as the focal point in a history of the eighteenth-century theatre and its most celebrated performers. Hailed for his enduring interpretation of Shakespeare's Shylock, a role he played for some fifty years, Macklin has been credited with the theatre's move towards realism. His life was just as dramatic offstage, marked as it was by a series of controversies and fierce rivalries. In 1735 he was convicted of the manslaughter of a fellow actor in a quarrel over a wig, and in 1775 he successfully pressed charges of conspiracy against theatregoers who had rioted during his performances. Volume 2 covers the latter part of Macklin's career up to his death. Also included is a selection of letters written to his son.

From his funerary monument in Stratford-upon-Avon to the engraving by Droeshout in the First Folio, the depictions of William Shakespeare (1564-1616) have long been the subject of scrutiny. Equally, the mystery surrounding the identity of 'W. H.', the dedicatee of Shakespeare's sonnets, continues to capture the imagination. This volume brings together three works that were originally published separately: two pieces on the portraits and one on the sonnets. A playwright turned theatrical biographer, James Boaden (1762-1839) cultivated a lifelong interest in Shakespeare. His illustrated 1824 analysis of the portraits examines the evidence concerning their authenticity. This is followed by an 1827 investigation by the portrait painter Abraham Wivell (1786-1849), who engages critically with Boaden's findings and those of others. Finally, Boaden's 1837 essay on the sonnets presents the case for naming William Herbert, Earl of Pembroke, as their dedicatee - a claim taken up by many later scholars.

Frances Sheridan (1724-66) won acclaim in her day as both a playwright and novelist. Her most famous work, the sentimental novel Memoirs of Miss Sidney Bidulph (1761), found favour with Samuel Johnson, while her comedy The Discovery (1763) was staged by David Garrick at Drury Lane. Her fame was later eclipsed by that of her son, the playwright and politician Richard Brinsley Sheridan (1751-1816). Written by Alicia Lefanu (1791-c.1844), her granddaughter, this 1824 publication reaffirms the significance of Frances Sheridan's own work as a writer. Recounting her successes and incorporating her own recollections, the book reveals a woman admired both for her literary output and for her character. This work also includes reflections on the life of her son, whose early writing was influenced by that of his mother. Thomas Moore's two-volume biography of Richard Brinsley Sheridan has also been reissued in this series.

Best known for The Rivals and The School for Scandal, Richard Brinsley Sheridan (1751-1816) was already a celebrated comic playwright when he entered Parliament in 1780. Turning his wit and talent as a writer to political oratory, he won acclaim for his speeches in the House of Commons. As an independent-minded Whig, he had to reconcile his distrust of monarchical power with his role as friend and confidant to the future George IV. Sheridan's was ultimately a turbulent life, rocked by affairs, heavy drinking and constant debt. This successful and influential two-volume biography, first published in 1825, was written by the poet Thomas Moore (1779-1852), who went on to chart the life of Lord Byron. Volume 1 covers Sheridan's early life and career as a writer, including extensive extracts from unfinished plays.

Best known for The Rivals and The School for Scandal, Richard Brinsley Sheridan (1751-1816) was already a celebrated comic playwright when he entered Parliament in 1780. Turning his wit and talent as a writer to political oratory, he won acclaim for his speeches in the House of Commons. As an independent-minded Whig, he had to reconcile his distrust of monarchical power with his role as friend and confidant to the future George IV. Sheridan's was ultimately a turbulent life, rocked by affairs, heavy drinking and constant debt. This successful and influential two-volume biography, first published in 1825, was written by the poet Thomas Moore (1779-1852), who went on to chart the life of Lord Byron. Volume 2 covers Sheridan's political career, his speeches in Parliament and his final years, closing with reflections on his life.

George Dolby (?-1900) was the manager of Charles Dickens' highly successful reading tours in England and America between 1866 and 1870. He published this memoir of Dickens in 1885. Dickens was a keen amateur actor and had many friends involved with the theatre. He had begun public readings from his works in 1853 for charity, but in 1858 his first for-profit tour, lasting three months, covered much of England, Scotland and Ireland, and netted over GBP10,000. Without props or costumes, he brought his most popular characters to life, and continued to undertake lengthy and exhausting tours until shortly before his death (which some believed had been hastened by his exertions on stage). Dolby's account covers only the period of his own connection with Dickens, but he describes in detail the constant travel which the tours entailed, the people they encountered, and the enthusiastic response with which Dickens was everywhere received.