Books in the Hebrew Bible Monographs series

This anthology presents a collaborative interrogation at the intersection of feminist biblical studies and biblical masculinity studies. The included essays make a compelling case for both feminist and masculist readers to recognize the advantage of engaging with each other. As they join forces, they produce research that not only brings female characters, gender issues or queer interpretation histories to the forefront but also interrogates critically male characters as well as androcentric and heteronormative conventions, viewpoints and norms. Connections to geopolitical, ethno-religious and other intersectional issues are part and parcel of the diverse range of approaches.As a whole, then, the book expands the scholarly discourse from essentializing attention on 'women' or 'men' to a multifaceted (de)construction of gender that exposes gendered structures of domination in comprehensive ways. The shared goal is to halt reactionarygender discourses and to foster intersectional comprehension of texts and scholarship. Theoretical, historical, contemporary and textual considerations underscore the methodological, hermeneutical and exegetical value of this kind of work.The volume is organized into three main parts. First, 'Theoretical Considerations', presents two essays illuminating meta-level assumptions and developments when biblical scholars embrace the interrelationship of feminist and masculinity studies in their work. Second, 'Historical and Contemporary Considerations', contains three essays examining the Bible in past and present cultural contexts. Third, 'Textual Considerations', features four essays focusing on specific passages with lenses informed by masculinity and feminist studies. All nine essays, and the three responses addressing them, invite readers to understand, critique and interrupt phallogocentric assumptions in texts, interpretation histories, and research of the Hebrew Bible.

Many have noted the Qumran-like language of Jude. Chris Armitage provides a detailed comparative consideration of the similarities between Jude and the Dead Sea Scrolls peshers in the Hebrew Bible.

In this volume, David J.A. Clines-known for his magisterial three-volume commentary on Job in the Word Biblical Commentary series (1989-2011)-brings together a sequence of 27 of his papers on his favourite biblical book from a variety of publications.In two sections, the wide-ranging Syntheses and the more focused Probes on particular chapters, this collection is a necessary adjunct to his commentary.Among the titles in the Syntheses are:- On the Poetic Achievement of the Book of Job- Why Is There a Book of Job, and What Does It Do to You If You Read It?- Job's Fifth Friend: An Ethical Critique of the Book of Job- Deconstructing the Book of JobAmong the Probes the reader will find:- False Naivety in the Prologue to Job- In Search of the Indian Job- Quarter Days Gone: Job 24 and the Absence of God- Those Golden Days: Job and the Perils of Nostalgia- Putting Elihu in his Place: A Proposal for the Relocation of Job 32-37- One or Two Things You May Not Know about the Universe- The Worth of Animals in the Book of Job- Job's Crafty Conclusion, and Seven Interesting Things about the Epilogue to Job

David J.A. Clines argues in Play the Man! that masculinity is a script, written for men by their societies, a script that men in their various cultures act out their whole lives long: 'no one is born a man'. He has been quick to deploy the insights of sociologists, historians, educationists, health professionals, psychologists and other scholars investigating masculinity in the contemporary and ancient worlds.The book's title is a recognition of masculinity as performance, and the Bible's depictions of males in action as far more than information or entertainment; they function as demands on the men who read them or have them read to them. Hence the subtitle, Biblical Imperatives to Masculinity, presumes that every biblical reference to the masculine is some kind of authoritative command.Clines-in this collection of writings prepared across three decades-has seen biblical texts as an excellent test bed for research into masculinity in one ancient culture as well as being an indubitable influence upon views and practices of masculinity in our own time. The bulk of the book consists of studies of individual characters and texts of the Bible, analysing and profiling the masculinity that is there attested, assumed and encouraged. In conclusion, Clines reflects on the continuing impact of the biblical imperatives to masculinity, their effect on men, women and religion, in our own time.

The destruction of Jerusalem and its temple in the sixth century bce brought its inhabitants pain, a feeling of abandonment by God, and the loss of self-identity-and engendered the six poems of the book of Lamentations. Previous studies of the book have sought for its theological centre, or have read the book solely as an expression of grief, but in this innovative interpretation Elie Assis claims that its main aim is to impart hope to its exiled readers.The intention of Lamentations is to transport the mourners from despair to prayer, and to offer its assurance that the destruction must only be temporary because God has not severed his covenant with the people. The people's wish to feel themselves desired by God can be fulfilled, and the divine commitment is forever binding.Through his sensitive literary analysis Assis lays bare a progression of thought within each poem and as well from poem to poem; it is a movement, theological and emotional, from despair in the first poem to prayer and hope in the last.

Papers from a distinguished panel of specialists in the Ancient Near East that revisit former assumptions and present new insights on the relevance of its material culture to the Bible.

Following Daniel Bodi's previous monographs on the three wives of King David-Michal, Bathsheba and Abigail-here is a fourth one on Abishag, the last woman in his life. It has not been recognized before how decisive a role she played as a palace administrator in David's final political crisis, Adonijah's coup d'état, and Solomon's proclamation as king. Hitherto, Abishag has been given androcentric readings. Her position as administrator has been demoted to that of a mere housekeeper, bedfellow or even hot-water bottle. Some rabbinic authors transformed her into an androgynous being, claiming an intersex person warms better than a young female virgin. In fact, the term for Abishag's office as s¿kenet is nothing but the feminine form of s¿ken 'palace steward', a well-known functionary across the Semitic world. Much more than a simple housekeeper, Abishag wields administrative power with a legal role as a witness in Solomon's appointment. Exploring further the role of women at royal courts, Bodi also offers a comparative analysis of the famous queens who played a role in the royal succession as kings' mothers in Egypt, Mari, Hatti, Ugarit and Assyria. Solomon's appointment as David's successor results from a palace putsch, executed with cunning and craftiness, which are to be understood as archaic forms of wisdom in the Hebrew Bible, classical Greece and the ancient Near East. The stories of David's wives-and of Abishag-together form a Hebrew document in the style of an Advice to a Prince. An interesting comparison is drawn between David's four wives and the four females Odysseus encounters in Homer's Odyssey: Circe, Calypso, Nausicaa and Penelope. Strikingly, the Hebrew version of the Advice to a Prince and the Homeric Epic were being written at roughly the same time, the end of the eighth century bce.

Using the methodological frameworks of form criticism and eco-anthropology, Breitkopf argues that the voice of the character Job undergoes a marked shift from lament to penitence as the book proceeds.

In Performing Masculinity, the eminent Bulgarian literary critic Milena Kirova turns her attention to the Hebrew Bible, offering a reworking and condensation of two volumes of essays she published in Bulgarian in 2011 and 2017.

'Reception history is one of the most inviting, yet also one of the most difficult, fields in the study of the Bible today. It is difficult because it involves so many layers of expertise. The reception-historian does not only need a comprehensive knowledge and understanding of the biblical text itself, but also familiarity with the cultures and intellectual background of the many diverse ages in which it has been read and appropriated; and in addition needs to be versed in media other than writing, including the visual and performing arts.But it is inviting because it carries its practitioners so far beyond the confines of ordinary textual study, with its concern for language and text, and out into an ocean of interdisciplinary engagement with writings that have, after all, stimulated the imaginations as well as the intellects of generations of religious (and non-religious) readers. The Decalogue is an obvious candidate for a reception-historical treatment. It has acquired over the centuries an enormous weight of commentary, and has been assimilated into the most varied cultures. Though a text, it has often also been an icon, appearing on walls in churches and now even in American courthouses. The subject was ripe for study, and the conference at which the papers in this book were delivered marked a significant milestone in biblical reception history' (from John Barton's Preface to the volume).The 21 papers in this volume offer the richest and most wide-ranging interdisciplinary collection of studies on the reception of the Decalogue in culture, and will prove to be a fundamental resource for students of the biblical text and of the reception of the Bible in general.

The poetic world of the Song of Songs is a famously heady and distortive landscape, filled with bright sunlit rills, nocturnal cityscapes, and fecund bodies laid out like kingdoms. But what does the Song's use and abuse of spatial relationships tell us about its subject matter, and what do its strange panoramas tell us about literary space more broadly? Directly challenging recent methodological trends in biblical spatial studies, Journeys in the Songscape uses a range of innovative critical tools to explore, map and critique poetic space in the Song of Songs.Taking the reader on a series of journeys across the Song's gendered, rural, urban and bodily spaces, Meredith argues that the worlds that spring up between the Song's lovers are all subtle reimaginings of the space between the biblical page and its own readers, and that at the heart of the Song is a (con)fusion of the dynamics of loving with the experience of reading. Love is at work in the Song, says Meredith, but it is not its subject so much as a sign under which collusions of power, textuality, space and subjectivity labour. The Song's world speaks not only to sexual relationships, then, but to the structure of language itself; textual spaces do not organize textual meaning but rather image its fundamental instability.Journeys in the Songscape is a bold new literary treatment of the Song of Songs, but it is also a rethinking of what we mean by the term 'literary space', and represents a playful incitement to reconsider how critical tools are put to use in apprehending space as a literary construct.